查询词典 realistic painting

Therefore Dai Shenghong's painting language has no predefined metaphors. Her direct narration transforms meaningful realistic scenario into simple image patterns "awkwardly" presented on the canvas. The painting style also goes hand in hand with the subject. In the reverberant sounds achieved by the rich and greasy black color, and forceful clumsy strokes by scrapers and brushes, these simple graphic elements break loose from academic style, and the early post-impressionism represented by Van Gogh and Gauguin vaguely emerges from behind.

因而，代生红的图像语言没有隐喻的"设定"，其通过直叙，将触动自身生活的现实情景转化为朴拙的图式，表露于画布，而其画风更是与主题相得益彰，在稚拙有力的刮刀、笔触与腻黑、饱满的色彩融合下，这些质朴的绘图语素，竟游离出了所谓学院的手法和派头，隐约浮现出早期后印象主义如梵高与高更的格调。

Draw up really" is the main skill of the painting poem description appearance; In the meantime, with Chien invite of the pen and ink draw an appearance of elegant, combine truth and falsity for light and free, the action fitting and proper body is got angry now by appearance, all making the appearance in poem present export surplus more realistic appreciate beauty value with landscape painting object."

拟真"是唐代山水题画诗描绘画面的主要手法，并通过以形写神达到画面描绘逼真神妙的至境；同时，以简约的笔墨绘出画面的精美，以虚实结合衬出画面的空灵，以动静相宜体现画面的生气，都使得诗中画面呈现出超越现实和山水画对象的审美价值。"

Genre painting: Painting of scenes from everyday life, of ordinary people at work or play, depicted in a realistic manner.

风俗画：自日常生活取材、一般用写实手法描绘普通人工作或娱乐的图画。

Genre painting: Painting of scene s from everyday life, of ordinary people at work or play, depicted in a realistic manner.

风俗画：自日常生活取材、一般用写实手法描绘普通人工作或娱乐的图画。

Many types of paper art paper, a form of handicraft realistic flowers, there are striking three-dimensional texture painting, as well as elegant and delicate lace like paper painting of paget door.

纸艺纸品的类型很多，有形态逼真的手工艺花，有质感突出的立体画，还有雅致细腻宛如蕾丝的帕吉门纸画。

Apparently, Chinese painting is composed of dots and lines while western painting is of blocks and surfaces; Western painting stresses scenography and diverse effects of light and color; therefore, it inclines to be realistic.

从表面上看，中国画是由点和线组成的，而西洋画是由块和面组成的；西洋画讲究透视，讲究光和色的变化效果，因此西洋画倾向写实，而中国画没有透视，外加运用点和线来构图，因此中国画追求的是写意。

Is painting had realistic model. The vividness in figure painting, brightness of still-life and splendor of landscape painting formed his style as a whole, which showed some kind of oriential feelings.

在日本5年的学习经历，使他有机会看到东西方绘画的原作，各类展览成为他细心品味艺术作品的良机，特别是当代日本的设计对他绘画的影响很大。

The whole shape of his paintings, thus, stands on two parallel concepts of realistic painting and factionary narrative.

这个框架在他的画面中构成一种人工化的语境，从而也造就刻意写实的画面和刻意作假的叙事框架双重文本的格局。

His concept of creation of painting. In his opinion, pure painting art has to be relative to lives and unpractical. And an artist should have a respectable character as well as skillful techniques. He thought the Chinese painting was more subjective and metaphysical but the western one is more objective and realistic. Feng had great achievement on cartoons because it was the kind of painting that relied on simple brushworks, meaning, symbols, and literary which all correspond to his principles.

二、绘画创作理念：在绘画艺术方面，丰氏认为其要与生活相关联，并且不具有实际之效用，方才是纯正之绘画艺术；而艺术家除了具备巧妙的技法之外，更重要的是要具有高尚的人格；在中西绘画方面，丰氏认为中国画较主观、写意，西洋画则较客观、写实；而因为认为漫画是简笔而注重意义的一种绘画，并具有象徵性、文学性，最符合其作画原则，因此丰氏在此领域著墨最多，成就也最高。

The realistic painting in the Western country is one of the most splendid chapters in the history of fine arts . At the end of 19thcentury it faced the challenge of photography and modern Western arts, but both proved not to be the "killer". Instead the social context focusing on the economic efficiency and the onesided mainstream ideology dominating the contemporary Western arts were the real barrier for its development.

写实主义绘画，尤其是西方写实主义绘画，曾经是人类美术史上最为辉煌的篇章之一。19世纪末之后，它受到摄影术、现代艺术的挑战，然而，它们不是写实主义绘画的&克星&；以经济效率为核心的社会环境与片面的西方艺术&主流意识&，才是写实主义绘画发展的真正阻碍。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。