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A character is like an acrostic or Alexandrian stanza--read it forward,backword,or across,it still spells the same thing.

一个人的特性就像是离合诗或亚历山大诗节，无论是顺读还是倒读都完全一样。

A character is like an acrostic or Alexandrian stanza;- read it forward, backward, or across, it still spells the same thing.

一个人的性格就像一节离合体或亚历山大体诗歌--把它顺着读，倒着读，或斜着读，拼出的字都是一样。

A character is like an acrostic or Alexandrian stanza-- read it forward, backard, or across, it still spells the same thing.

一个人的个性就像是一首离合诗或亚历山大诗节，无论你怎么读，他始终表达着相同的含义。

A character is like an acrostic or Alexandrian stanza--read it forward, backward, or across, it still spells the same thing.

人的本性就像首离合诗，无论顺读，倒读，还是跳读，依旧不会改变它原来的样貌。

He tried to act out a story that he had read.

他试着表演他读过的那个故事。

Your homework today is to read and act out the dialogue.

今天你的作业是阅读并表演对话。

Example:He tried to act out a story that he had read.

他设法把他读过的故事表演出来。

As a little less selfish action bar, others can not read your mind, but your actions to the person you are talking about is very clear, very clear!

尽可能少一点自私的行动吧，你的心思别人看不懂，但是你的行动把你这个人讲的很明白、很清楚！

B: Yes. I read ad yesterday, and I've come to apply for the job.

是的，我昨天看了你们的广告，我是来应聘的。

But you don't read every ad.

但是你不读所有的广告。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。