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In this short read, I have given you quite a bit of work to do.

在这短暂经过，我给你相当的工作要做。

In this first part of the tutorial, we will focus on the implementation of a read-only body.

在本教程中，我们将集中于一个只读的机构实施的第一部分。

Have you ever read the ingredients on a bottle of shampoo and wondered what "urea" was?

你曾经阅读到洗发剂瓶子的成分并惊奇有"尿素"？

A lot of things that people read about me is a bunch of ," he said."

"人们看到的很多关于我的事情都是毫无意义的，"他说到。

Before starting our tour of monticello, i'd like to give you some historical facts that might help you appreciate what you see today even more Monticello was very much loved home of thomas Jefferson for over fifty year Jeferson who was ,of course president,was also a great reader and language enthusiast he read widely on different subjects including architecture ,he wasn'tt formally trained in architecture but as a result of his study and observation of other bulidings he was able to help design and build the house he chose the site himself, nameing the estate"Monticello" which means"little mountain"in Italian in fact many of ideas behind the design also came from the Italian architect Andrea Palloadio who lived in the sixteenth century and who had a great influence on the architecture of england Jefferson,however,ignored one of Palladio's principles that is , not to bulid in a high place Monticello's elevation made the transportaion of what was needed at the house for example food --- especially difficult.

出发之前，我们参观了Monticello的， i使用' D想给你提供一些历史事实，或许有助于你明白你所看到的，今天更 Monticello的十分喜爱家托马斯杰弗逊超过五十年 jeferson人，当然是总统，这也是一个很大的读者和语文爱好者他广泛阅读不同科目包括建筑，他的。结论'特正式的培训体系但由于他的研究和观察的其他bulidings 他能帮助设计和建造房子他选择了自己的网站， nameing地产& Monticello的&这意味着，&小岳&，在意大利语事实上许多理念设计，也来自意大利的设计师安德列palloadio 住在16世纪，谁造成了很大的影响，对建筑的英格兰杰弗逊，但忽视了一个帕拉第奥单曲原则那便是不要bulid在一个高的地方 Monticello的单曲抬高了transportaion的是什么，需要在众议院例如食品-特别是困难。

And I went off and sat down at the waters of Dan, in the land of Dan, to the south of the west of Hermon: I read their petition till I fell asleep.

我就离开来到但40的水边，向着黑门山的西南面：为他们读祷文，直到我入睡了。

In a letter sent in 431 by the members of the Council of Ephesus to the clergy of Constantinople we read that Nestorius "reached the city of Ephesus where John the Theologian and the Mother of God, the Holy Virgin, were separated from the assembly of the holy Fathers", etc.

在致函中，由431名成员组成的理事会伸出手神职人员的君士坦丁堡我们读到nestorius &抵市以弗所那里约翰神学家和母亲的上帝，圣母，分离，从大会的圣教父&等。

Read philosophy in the University of Munich, medicine .1922, he reflected the German November revolution in the script,"middle of the night drum"(1919) Kleist Prize .1924 since been living in Berlin, he served as artistic advisor Berlin Germany Theater .1926 began to study Marxism .1933 exile in Denmark since the United States in 1948 returned to Berlin the following year founded "Berlin Troupe", experiment with new forms of performance.

曾在慕尼黑大学读哲学、医学。1922年他的反映德国11月革命的剧本《夜半鼓声》（1919）获克莱斯特奖。1924年起住在柏林，任柏林德国话剧院艺术顾问。1926年开始研究马克思主义。1933年起流亡丹麦、美国，1948年回到柏林，次年创办&柏林剧团&，试验新的演出形式。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

Lyell and Hooker agreed that a joint paper should be presented at the Linnean Society, and on 1 July 1858, the papers entitled On the Tendency of Species to form Varieties; and on the Perpetuation of Varieties and Species by Natural Means of Selection, by Wallace and Darwin respectively, were read out but drew little reaction.

莱尔和胡克赞成在林奈学会上提交一份联合论文；1858年7月1日，一个题名为&论物种形成品种的趋势，以及通过自然方式选择的品种和物种的无限延续&的报告，由华莱士和达尔文分别宣读，但没有引起人们的注意。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。