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As we reached the brow of the hill we caught sight of the church tower in the distance.

当我们到达山顶时，我看见了远处的教堂钟楼。

Result In the first 4 d of experiment, the corrected mortalities of spore suspensions with various concn. of P. cicadae APC20 to P. xylostella were lower than 50%, but on the 7 th day, that of spore suspension with concn. of 3.0×10^8 spores/ml reached 85.11% and the insect corpses was bestrewed in the mycelium and spore powder of P. cicadae, indicating that APC20 showed stronger parasitic lethality to P.

结果］药后第1~4天，蝉拟青霉APC20各个浓度的孢子悬浮液对小菜蛾的校正死亡率均低于50%，而第7天，浓度为3.0×10^8个／ml的孢子悬浮液对小菜蛾的校正死亡率达85.11%，并且虫尸布满蝉拟青霉的菌丝体和孢子粉，说明APC20对小菜蛾呈现较强的寄生致死性。

There was no obvious cicatrization and no contracture. 5 fingerwebs' abduction all reached Ⅰ degree after the operations.

指蹼处无明显瘢痕形成，无挛缩。5例患者术后指蹼外展均达到Ⅰ度。

From Ji Cheng's attitudes towards"artificial"and"natural", we knew his opinion of"nature and man are in one"; from the material enjoyment, mentally joviality and the noble-minded virtue in his art of gardening, we saw his living philosophy and morality view; through the analysis of his aesthetic psychological constitution, we exposed Ji Cheng's criteria of gardening and sentiment of aesthetics in the book that simplicity and elegance were beauty, diversity and variability were beauty, flexion and circumbendibus were beauty, loneness and hiding were beauty and vacant and remoteness were beauty; summarized Ji Cheng's artistic pursue in gardening which combined changing and innovation, harmony in meaning and scenery sharing, and reached the effect of natural views though created by man.

从计成在造园中处理"人作"与"天成"的关系，揭示其"天人合一"的宇宙观；计成把物质享受、生活闲适和精神愉悦以及超然于世俗与崇尚传统正直人品的道德理想注入造园理念中，体现了他的人生观和道德观；考察计成的审美心理结构，彰显其以雅朴、遵时、清赏为美，变幻多端为美，曲折委婉为美，幽静隐僻为美，空灵远逸为美的造园审美标准和《园冶》雅趣、幽趣、逸趣等审美情致；归纳计成勇于求变创新、妙于意味和谐、巧于借景取胜，达到自然天成意境的造园艺术追求。

In the city has reached to 20%.

在 城市的增长已 20%。

Article 23 The insurer shall, in a timely manner after the receipt of a claim for indemnity or for payment of the insurance benefits from the insured or the beneficiary, ascertain and determine whether to make the indemnity or effect the payment of the insurance benefits, and shall fulfill its obligations for such indemnity or payment within ten (10) days after an agreement is reached with the insured or the beneficiary on the amount of indemnity or payment.

第二十三条保险人收到被保险人或者受益人的赔偿或者给付保险金的请求后，应当及时作出核定；对属于保险责任的，在与被保险人或者受益人达成有关赔偿或者给付保险金额的协议后十日内，履行赔偿或者给付保险金义务。

The Foundation De France has lost millions of dollars to this fraudulent people, and have reached a decision from headquarters that any double claim discovered by the Foundation De France, will result to the cancellation of that particular donation, making a loss for both the double claimer and the real beneficiary, as it is taken that the real recipient was the informer to the double claimer about the donation.

该基金会由法国已经流失了数百万美元，以这种欺诈的人，并已达成一项决定，由总部表示，任何双重声称发现了该基金会的法国，将导致该取消的特别捐赠，使一损俱损的双重claimer和真正的受益者，因为它是采取真正的收件人是举报人向双claimer关于捐赠。

The Microsoft lottery has reached a decision from headquarters that any double claim discovered by the Lottery Board will result to the cancelling of that particular winning, making a loss for both the double claimer and the real winner, as it is taken that the real winner was the informer to the double claimer about the lottery.

微软抽奖做出了一个决定从任一个双重要求由抽奖委员会发现将收效对取消那特殊赢取，做损失为双重提出要求者和真正的优胜者的总部，照原样被采取真正的优胜者是耳目对双重提出要求者关于抽奖。

When she had reached her Clapham Junction flat, she began to write immediately.

她一到克拉彭火车站的住处，就立即着手创作。

But as I took in his strong, kind face and dignified manner, he reached out and shook my hand anyway."Hello, Mr. Clary," he said, I'm Reverend Watts.

当我端详他刚毅和善的面容时，他还是握住了我的手：你好，克莱瑞先生，我是沃茨牧师。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。