查询词典 re-reeler

As you begin the week, you're wresting with either diabolically difficult situations or certain individuals who're determined to be impossible.

亲爱的鱼鱼，在这个星期的开始，你面临着一项艰难的近乎可怕的任务或者绝对不可能成功的人际关系---至少这就是表象给你的感觉。

If you're on a tempo run with a training partner, you're able to say a few words here and there, but you can't deliver a lengthy diatribe.

和跑友一起跑的话，这时还可以聊上几句，但已经没能力长篇大论东家长西家短了。

Give your baby a play-by-play description of what you're doing -- whether you're dicing onions for dinner or folding the laundry.

仔细地告诉宝宝你正在做的事情的细节----无论你是在为晚餐准备洋葱丁还是在叠衣服。

You're going to die if don't break free, maybe not right away, because you're strong.

你马上就要死，如果不挣脱，也许不是正确的距离，因为你是坚强。

All they're doing is re-packaging stories that you see in other places and digesting it for people.

他们做的只是将人们在别处看到过的故事重新包装和帮助人们对其进行整理简化。

They're here and they're digging.

他们还在，他们在挖掘

We're just above being too small and we're not close to being too big, as he diplomatically phrases it.

他的表达非常具有外交技巧："我们的规模不算太小，也远算不上太大。"

And all of my friends used to tell me stories about how things minght work out with these dipshits,because they knew someone who dated a dipshit like mine,and that girl ended up getting marriedBut that's the exception ,we're not the exception,we're the rule

我所有朋友都曾告诉我这样的故事，在那些狗屎事件发生后，事情还能入展得很顺利因为她们认识某个跟我一样碰到狗屎男的女人，而那个女人最后还结了婚，生活得很幸福但那些都是例外，我们不是例外，我们是常规案例

You have a teacup with a cover on it.13. If you're under age 20, you own a really expensive walkman/discman, if you're over 20, you own a really expensive camera.

年龄在二十岁以下的一般有个很贵的单放机，年龄在二十岁以上的都有一个很贵的照相机。

However, we're certainly not discounting the possibility, and we're keeping it in mind.

但并不一定要排除这种可能性，并且对此保持警惕。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。