查询词典 re-exposure

They're made from recycled cardboard and they're recyclable when you're done with them.

他们制作是用回收的硬纸板，并且他们可再循环利用，当你用它们制作时。

Sam - You' re not, you' re not, you' re not one of those people.

你不会，你不会的，你不会是那样的人。

But when I expressed these doubts, Sergei put his fingers to my lips andsaid, You're wrong. You're old enough, you're already seventeen.

但当我说出这些疑虑的时候，塞尔盖依将手指放在我的嘴唇上说：你说的不对。

You're a shoe, you're a shoe, you're a shoe!'.

你是一只鞋，你是一只鞋，你是一只鞋！

You're a shoe, you're a shoe, you're a shoe!

你是一只鞋！你是一只鞋。。。

Shorty, you're my angel, you're my darling angelGirl, you're my friend when I'm in need, lady

其实，这是个什么小汽车的广告，但是我的眼里只有那只豹子。

Brad Paisley -- Letter To Me 写给自己的信 If I could write a letter to me And send it back in time to myself at 17 First I'd prove it's me by saying look under your bed There's a Skoal can and a Playboy no one else would know you hid And then I'd say I know it's tough When you break up after seven months And yeah I know you really liked her and it just don't seem fair All I can say is pain like that is fast and it's rare And oh you got so much going for you going right But I know at 17 it's hard to see past Friday night She wasn't right for you And still you feel like there's a knife sticking out of your back And you're wondering if you'll survive You'll make it through this and you'll see You're still around to write this letter to me At the stop sign at Tomlinson and Eighth Always stop completely don't just tap your breaks And when you get a date with Bridgett make sure the tank is full On second thought forget it that one turns out kinda cool Each and every time you have a fight Just assume you're wrong and dad is right And you really should thank Mrs.

如果我能写封信，寄回给十七岁时的自己。那里有一个啤酒罐和一本"花花公子"，没人知道你把它们藏在那儿。然后我要说那很令你难受，当你交往了七个月的女孩儿与你分手，是啊我知道你好喜欢她，那似乎不很公平，但我只能说那是短暂的痛苦而且也极少发生。哦，你有着美好的未来，但我知道十七岁时很少有谁人去想周五晚上以后的事儿。她不适合你，你却依然心如刀绞，不知能否活下去。但最终你能熬过这一切而且你会看到你仍然好好的并写这封信给我。在Tomlinson与第八街的交口处，停车信号时一定要将车停住而不仅仅是点一脚刹车。当你和Bridgett约会要确信油箱是加满的，再仔细想想，别太在意了，那个女孩儿并不很酷。每一次的争执，就只当你是错了而爸爸是对的。而且你真要好好感谢Brinkman老师，她为你花费了那么多额外的时间，好像她看到了地下的钻石，她不停地打磨直到你闪闪发光。

We're here in Slovenia where we don't speak the language and none of our tools work, and we're asking people to understand this crazy mission we're on.

我们在这里，在斯洛文尼亚，我们不会说我们的语言和工具的工作没有，我们希望人们了解这个疯狂的使命我们的。

You're a mystery, you're from out of space, you're every minute of my every day.

你是一个神秘者，你是外太空漫游者，你是我生命中的每一分钟。

What you're going to do, you're going to take a slice of bread, which is stale, old bread, and you're going to tear it up like that...

你要做的是，用一些放久了的切片面包，那些你会迫不及待地把它象那样撕碎

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。