查询词典 re-expose

We're not talking playing ability. We're talking gumption.

我不是说打球的能力，是说勇气。

Okay,you're whiny,you are obsessive,you are insecure,you're gutless.

好，我告诉你，你爱发牢骚，爱钻牛角尖没有安全感，你根本就没种

You're pathetic and you're gutless!

你只是一个可悲又可悲的懦夫！

We are all just stars and we're waiting we are all just scarred and we're hating we are all just stars on your burning flag you can point your gun at me and hope it will go away if god was alive, he would hate you anyway my right wing is flapping the left one is gray let's hear it for the kids but nothing they say they gyrate and G-rate on Election Day we got out ABC's and our f**k multiply your death divide by sex add up the violence and what do you get?

我们全都是明星，我们正在等待我们全都受到伤害，我们正在憎恨我们全都是你燃烧着的旗帜上的星星你能用枪指着我而希望它走开如果上帝存在无论如何他会憎恨你我的右翼在飞扬左翼变得暗淡让我们为了孩子听听其实他们什么都没说他们不停的旋转 G-rate在选举日我们离开ABC和我的f**k 繁殖你的死亡用性分割合成了暴行而你得到了什么？

It's hard to tell whether you're a good hacker, especially when you're young.

在你还年轻的时候，想要搞明白自己是不是真正优秀的黑客是很困难的。

You know you're styling when you're rolling with Mr. Hahn.

当你与Mr。 Hahn一起舞动便知道自己是什么风格的了。

And if you're Hamlet, you're dead.

如果你是哈姆雷特，你就是死的。

I should have thought you'd have seen enough of the world now that you're back from a trip to Soochow and Hangchow, but you're never satisfied.

因此，翻译时，译文的语言应同样能产生"如闻其声，如见其人"的艺术效果，力求再现人物语言的形象化和个性化。

You're both hard-headed business women and you're both successful.

你们两个都是精明的生意人，而且都很成功。

You're attempting the impossible if you think you're going to change a hardened character like him.

如果你想要改变像他这样铁石心肠的人，那你是在做不可能的事情。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。