查询词典 protagonists

The simultaneous depiction of everyday situations and hints of potential danger, which Hitchcock even spelled out by writing such lines as "Watch your back, there's someone there" on the posters for his movies, as well as the obliviousness of his protagonists to their immediate jeopardy, played masterfully on the fear that exists deep within our subconscious minds.

希区柯克还善于将日常生活的情境和潜在危险的端倪进行平行地叙述──他甚至在他的电影海报上写道："当心背后有人"，以及电影中的主角对于即将临近的危险的无知，都有力地刺激着在我们潜意识里深藏着的恐惧。

Where Hawthorne's and Ovid's protagonists act upon nature to improve it, Hopkins and Thomas merely contemplate nature to admire it.

霍普金斯和奥维德的主角以采取实际行动来改善它，而霍普金斯和托马斯只是观赏其本质来赞美它。

A number of critics have related the paganism of the festival to the lust of the protagonists.

一些批评者有关的异教的节日的欲望的主角。

We cannot help but to see the protagonists of Potok's major works as foils for himself, individuals who, like him, are dealing with the conflicts that a prodigious talent presents to the worlds in which they have been raised.

我们不能不看到主角Potok的主要工程，铝箔为自己，个人谁，和他一样，正在处理的冲突，提出了惊人的天赋，他们在世界上已经提出。舍列夫是一个孩子的特殊礼物绘画。

Spanish picaresque novel is one of the early novel forms in the west. It originates in Spain in the middle of the 16th century, whose protagonists usually are rogues or adventurers of low social degree. Adopting the form of an autobiography, it often deals with humorous detail of the adventures of the roguish hero who live by his or her wits in an unpleasant society, involving various social pictures and personages' sketches, relating the waifs' destiny and reflecting the social life state at that time.

西班牙流浪汉小说是西方早期的小说形式之一，产生于16世纪中叶的西班牙，它一般以出身下层的流浪汉为作品的主人公，采用自传体形式，以主人公自述经历为线索，串联社会的各种画面和人物素描，以主人公流浪的经历表现人物的命运，并反映当时的社会生活状况。

We want to be protagonists in Serie A.

我们想成为甲级联赛的主角。

The two protagonists of this film are Old Zhu, a steam train driver, and his apprentice,Li Zhizhong, a train signalman, they have worked very closely together.

朱老头是扎赉诺尔露天煤矿的蒸汽火车司机，他的徒弟李治中是信号员。

Running throughout this book, as through "Everyman" and its successor,"Exit Ghost", is an odd feeling of contempt for the reader—not because Mr Roth writes so unremittingly about death, solitude and infirmity, nor because his protagonists wallow in misery, but because characters soliloquize indifferently instead of talking.

贯穿整本书，就如贯穿《凡人》及其后的作品《退场的鬼魂》的一样，是一种奇怪的蔑视读者的情感——并不是因为罗斯坚持不懈地探索死亡，孤独和人性的弱点，也不是因为他笔下的主人公都深陷苦难，而是因为作品中的人物冷漠地自我独白而不是与他人对话。

It is in this soundless environment where the protagonists conclude their exchange of mind.

第四章论述了他在色彩和光线运用上的风格特征。

Also like its predecessors,"Blood's a Rover" features three protagonists tenuously connected to law enforcement.

与前两部同样类似，《血迹蔓延》特点是有三个主人公，他们都与执法有着不可分割的联系。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。