查询词典 prose

This article draws up from following several aspects elaborates: One is in the prose fictionizing meaning as well as the prose the novel superiority utilization; Two is "hypothesized" in prose special esthetic effectiveness tracing; Three is in the prose and the novel the hypothesized similarities and differences; Four, fictionalizes with the reality in the balance point pursue; Five, innovation type prose social function and significance.

本文拟从以下几个方面论述：一是散文小说化的含义以及散文中小说优势的运用；二是&虚拟&在散文中的特殊审美效用追踪；三是散文与小说中虚拟的异同；四是虚构与真实中平衡点追求；五是创新式散文的社会功用及意义。

On this foundation, this text draws lessons from classification method and classification name of the ancients physically according to the creations of song text, for one hand, According to the subject matter , divided Song prose into the saint and wise minister , ancient wise ,and the miscellaneous of three types, and according to the people of the past, carry on a define to"miscellaneous",for the other hand, from the motivation of writing ,dividing the song text into"to be subjected to order","being request to someone"and"scholar independence writing"three types, try to follow the science , integrity and exclusively standard to classify , and under the premise of categorized, carried on an initial define to the song prose, explicite the song prose the content of this literary style, and finally, in remaining part, we talk about the cultural and literary value about song prose .

在此基础上，本文根据颂文的创作实际，借鉴古人的分类方法及分类名称，一方面，从创作题材入手，将颂文分为圣主贤臣颂、古贤颂、杂颂三类，并对"杂颂"进行界定；另一方面，从创作动机入手，将颂文分为受诏而作、受人请托而作、文人自主创作三类，力图体现分类的科学性、完整性、排他性，并在分类的前提下，对颂文进行初步的概念界定，明确颂文这一文体的内涵，最后在余论部分对颂文的文学与文化价值予以明确。

Women's Prose tide of the 1990s, social and cultural backgroundIn the 1990s, prose became popular literature;Women Prose has become a popular main creative prose.

二。女性散文潮涌90年代的社会文化背景20世纪90年代，散文替代小说一跃成为流行文学的主体，女性散文亦成为流行散文的主体。

The results show that First, under the research condition mentioned, in the prose studying process, there exist self-explaining activities, whether compelled or made aware by the prose's content; Second, self-explaining demonstrates obvious improvements in prose reading and understanding; Third, self-explaining's effect on prose study is possibly caused by the ...

第二，自我解释对散文的阅读理解具有明显的促进作用。第三，自我解释促进散文学习的原因，既可能是认知缺口填补的，也可能是心理模型修正的。第四，对自我解释提供的反馈有助于提高自我解释的准确性。

CB: They are poems but in a prose format, though as you can see many different approaches to the "prose" format, to such an extent that prose becomes, rather than something neutral, something visually specific, what Marjorie Perloff recently calls "Concrete Prose"(thinking of Haroldo de Campos's Galaxias ).

伯恩斯坦：它们是诗，是散文体的诗，不过这种&散文&形式是有多种方式促成的，以致于它已经不再是某种中性的非色彩的东西，而是具有了视觉，，上的确定性，玛乔瑞·帕洛夫最近称之为&具象散文&（想到了 Haroldo de Campos 的 Galaxias ）。

Based on prose texts and prose theories in the past one hundred years and on an analysis of some representative views on prose nature and category during the recent twenty years, this paper opines that prose can be defined as the writing in which the writer elaborates on various pertinent topics to expresses his or her subjective personality, emotions and opinions freely and artistically in a limited space.

论文以近百年的散文文本和散文理论为依据，尤其是对近二十年关于散文本质与类型的代表性观点进行辨析后，认为凡创作主体运用与自己相关的种种题材，直接将自我的个性、情怀、观点等，以散体文句在较短篇幅中自由而又艺术地表达出来，进行多重真实主体的情思互动，且试图传达或改变现实精神结构者，都是散文。

Therefore, in this thesis the first part combes the female prose's development in the 20th century, analyses its breakthrough and inherit to the former female prose ;The second part mostly investigates the female prose's abundant experiences personally,the imperfection experiences personally, mystery experiences personally and the experiences personally to the spirit, which comes from tne angle of the " experiences personally", by the help of the western philosophic standpoint and combinative concrete text The third part regards five female writers-Zhang liqin, Zhao Mei , Hu Xiaomeng, Xiao Min and Ma Li-as the represents, saying with the viewpoints of expression and language, emphasizing to analyze the female prose's sentiment language and their respective language styles .

本论文第一部分首先梳理了二十世纪女性散文的发展脉络，分析了新时期女性散文对以往女性散文的突破与继承；第二部分从&体验&的角度，借助西方生命哲学的观点，结合具体的文本，重点考察新时期女性散文的丰富性体验、缺失性体验、神秘性体验和精神性体验；第三部分以张立勤、赵玫、胡晓梦、筱敏、马莉五位作家的作品为代表，从语言和言说的角度，着重分析了新时期女性散文的抒情话语，以及她们各异其趣的语言风格。

In this period, prosers' interests and commenters' attention on theories deeply influenced the establishment and evolvement of the tradition of ancient prose. The process of evolvement incorporated as Han Yu's prose, three Yuans' spiritual prose, and Tong Cheng faction's prose.

这里，散文家的趣味和批评家的理论关注对古代散文传统的确立与擅变产生了深刻影响，而古代散文传统的嬗变具体表现为韩愈所倡的古文，三袁所倡的性灵之文和桐城派的古文。

In Chapter Two,we make more effort on portraying the revolution of prose literature style of the 90s.At the lay of genre,polyphonic prose,long prose and a lot of essays have appeared in the 90s' prose.Cross-style writing became the general tendency and tide in this period.

第二章，有重点地描述了90年代散文的文体变革。90年代的散文，在文类层面，出现了复调散文、长篇散文及大量的随笔，跨文体写作成为这一时期散文总的趋势和潮流。

That is the prose with loose single sentences and the parallel writing with antithetic sentences.The prose which was advocated by Han Yu in the mid-Tang dynasty started the evolving period of ancient prose.

这里，散文家的趣味和批评家的理论关注对古代散文传统的确立与嬗变产生了深刻影响，而古代散文传统的嬗变具体表现为韩愈所倡的古文，三袁所倡的性灵之文和桐城派的古文。

As of Tuesday, Google's results were still censored in China.

截至周二，谷歌的搜索结果仍受中国审查。

In order to make the positive action increase and negative one decrease, the sub-forces of the social factors must be adjusted to form a centripetal force.

在这一过程中，人的主体性发挥是社会有机体健康发展的灵魂。