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process art相关的网络例句

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与 process art 相关的网络例句 [注:此内容来源于网络,仅供参考]

The essence of a mythology was that art produced evolution in the acceptable process. This is due to logic evolution in west art history,the relationship change between accepter and creator in the painting market,the artists art thoughts' orientation difference of the...

这神话的本质正是艺术在接受过程中发生了性质嬗变,它是由西方艺术史自身逻辑的演进、美术市场中接受者与创作者之间关系的变化、艺术家本人的艺术思想在不同时代接受者定位差异等方面的原因而产生的。

Painting which is the mainstream of the western art is extremely representational in the aspect of the space concept. But relieves combine the paintings'complanation with sculptures'extensity .so we decide to research the process of the evolvement and the interaction between paintings and sculptures. We expect to discuss the space and art expression in the western art and relieve ,so I can have a further comprehension about the space of optical art. The comprehension can not only help us understand the traditional western paintings and relieves better, but also make us comprehend the space concept of modern art better, to set the artistic creations of contemporary paintings and relieves into action.

油画,作为西方绘画的主流形式,在空间形态的表现上极富代表性,而浮雕兼具绘画的平面性与雕塑的实体空间性,因此,我选择研究油画与浮雕在空间上的演变过程及其相互影响,以期可以从一个侧面来探讨西方绘画与浮雕中的空间观和艺术形态表现,从而对视觉艺术的"空间"有更深一个层次的了解,这不仅有利于我们理解传统的西方油画和浮雕,也能使我们更好地理解现代艺术的空间观念,进而更好的推动当代的油画和浮雕创作。

Luckily the Swiss Chocolatier invented the famous Conche process to reach the peak of chocolate art and making and therefore still today realize one of the best chocolates which melts in your mouth, let you experience a new world of sensual experiences and make you realize that beauty in any matter such as jewellery, handcrafted pieces from many places such as China, Israel, Holland and more can be enjoyed in similar ways like any beautiful flower or perfume of men.

瑞士 Chocolatier 幸运地发明了 Conche process ,达到了巧克力制造艺术的巅峰。至今,它仍然是世界顶级巧克力其中之一,溶化在你口里,让你体验到一个完美感官享受的新世界,让您有如发现从世界各地,比如中国,以色列,荷兰等等一切美好的事物如奢华古典的珠宝,创新时尚的手工艺饰品,像盛开的美丽花朵或浓郁的古龙水般深深地吸引著您。

Luckily the Swiss Chocolatier invented the famous Conche process to reach the peak of chocolate art and making and therefore still today realize one of the best chocolates which melts in your

瑞士 Chocolatier 幸运地发明了 Conche process ,达到了巧克力制造艺术的巅峰。

The art produce of root purpose,is make people are in the process of appreciating beauty art product in acquire dulcify of spirit with satisfy,therefore,decision art essence of is an appreciate beauty of art attribute,not art of merchandise value attribute.

摘 要:艺术生产的根本目的,是使人们在对艺术产品的审美过程中获得精神的愉悦和满足,因此,决定艺术本质的是艺术的审美属性,而不是艺术的商品价值属性。

"Up to the limit" is an art work about time. On the surface, this art work tests people's tolerance of extreme tedium of endless routine labor and unbearably apathic physical space where one can hardly stay long. But the concept of time emerges during the process of close references with the formation of the work; moreover, a hidden craziness opposite to the apathy of the work sharply stabs into the viewers' eyes and further thrusts into their hearts; and it is exactly during the process of watching, that time settles down and achieves its existence.

极限》则是一组以时间为题的作品,表面看作品是在考验一种无穷尽的忍受,一种冷漠无比的枯燥,一种不能存留的短暂的物理空间,一种样式化的不断重复的工作,时间之概念恰在这一系列与作品形成密切相关的制作当中浮现出来,并以一种与作品的冷漠完全相反的隐藏起来的疯狂,尖锐地插进观看者的双眸,并延伸到其内心,时间恰好在这观赏的过程中得以落实,而成为一种实存。

Several years learning in Sichuan Academy of Fine Arts, Liu Qiming tried several art languages and styles,and he upgraded study from a passive process to a proactive process with attempt and explorement,which created a solid base for his later art career.

在川美学习的几年中,刘骐鸣尝试了多种语言和风格,将学习从一种惯常的被动过程提升为一种主动积极的尝试和探索的过程,为以后的创作生涯做了厚实的铺垫。

China's modern ceramic art has experienced about 20 years of artistic language experiment since 1980s. It has experienced a process from focusing on art form to media language; from weakening ideology to pick it up again, then to stylizing ideology. The process has made modern ceramic art be an important part of Chinese contemporary art, contain instant feelings and broaden cultural horizon. It promoted ceramic art through comparing with pure western art style in the modern art system.

中国现代陶艺自20世纪80年代至今约20年的语言实验过程,经历了由形式问题到媒介语言实验至文化关注,由淡化意识形态到重回意识形态到将意识形态风格化的演变,使现代陶艺成为中国当代艺术的重要组成部分,容纳当下的体验和拓展文化视野的功能,在当代艺术体系中通过与纯粹西化艺术形式的对应,使陶艺文化精神得以弘扬。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展:2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展;2005年&翻手为云,覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究(澳门塔石艺文馆、深圳美术馆)、透明的盒子北京SOHOU现代城)无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门(荷兰阿姆斯特丹摄影博物馆)、第二届成都双年展、明日,不回眸—中国当代艺术展;2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代;2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防;2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展;2001年知识就是力量;1999年当代中国艺术展;1998年对于存在的惊奇、在城市中—开放的自我;1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Soutine\'s work is widely studied in the western art circle and the opinions on his art are much divided. Based on the available study material on this subject at home and abroad, this paper aims to analyze the forming process and the characteristics of Soutine\'s art so as to achieve a more profound understanding of his art.

本文试图综合目前所能够掌握的国内外研究资料,分析苏丁艺术的形成及特点,以期对其有一个比较深入的认识和理解。

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