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presentation space相关的网络例句

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It is also possible to use the animated banner and get a considerable amount of space for your presentation.

它也有可能使用的动画旗帜,并获得相当数量的空间,您的简报。

Chapter three analyses the author\'s multi-artistic techniques and the point out the key effect of jump of time and space as well as multiply point of view on the presentation of athanasia.

第三章分析了金多元化的艺术表现手法,指出时空跳跃和多角度叙述对表现"永生"主题起到的关键作用。来源:AB12C论文网www.abclunwen.com

To let these similar pictures which were largely identical but with minor difference present themselves together, perhaps this was one of the real purposes, because only with such presentation could you see a realistic as well as a surrealistic world,a conjecturally invented as well as really existing world, a world which you have already placed yourself thereinto while you have no regard for, a world of "no value,but a value judgement itself",a world among which time and space has been twisted and interveined.

让这些看似大同小异的照片集体呈现,也许才是其目的之一,因为只有在这样的呈现中,你可以看到一个既是现实的却又是超现实的世界,一个既是臆想虚拟的却又是真实存在的世界,一个已经置身其中却又置之度外的世界,一个"没有任何价值,但本身就是价值判断"的世界,一个扭曲交错了时间和空间的世界。

Develop merchandising programs to maintain high standards of product presentation and maximize productivity of display space.

开发商品陈列项目来保持最高的产品展示标准与展示空间的最大化利用。

It solves the problem that the unitary contour presentation can not correctly extract face contour in a face image which suffers from scale, rotation etc. The definition of the internal and external energy function is provided. At the same time, the global matching algorithm and local matching algorithm is given. The experiment shows that this presentation and the accompanying matching algorithm can be used to extract the face contour very well. So the image segmentation can be implemented by using it.②By analyzing the recognition principle of PCA method, we can conclude that the face images coming from different surrounding consist of different face image space. This is the essential reason that makes the generality of PCA method worse. Also, we give a measurement means to measure the distance from different face image space, so we can analyze face image space more conveniently.③We also construct various scale models and rotation pose models to detect the scale and rotating angle of face image to be recognized. The experiment results show that the detecting precision is very high. So it is good for face image feature extraction and face image representation.④Similarly, we construct local feature models of face image and utilize them to detect the local feature of face image. At the same time, we put forward a novel face image local feature detection algorithm, locating step by step. The experiment results show that this method can accurately detect the location of local face feature in a image.⑤A novel face image presentation model, dual attribute graph , is put forward. Firstly, it utilizes attribute graph to present the face image, then exact the local principal component coefficient and Gabor transform coefficient of thc pixels which corresponds to the nodes of the graph as the attribute of the nodes. This representation fully makes use of the statistical characteristic of the local face feature and utilizes Gabor transform to present the topographical structure of face image. So DAG has more general property.⑥Based on the DAG presentation, we give a DAG matching function and matching algorithm. During the design of the function and algorithm, the noise factor, e. g., lighting, scale and rotation pose are considered and tried to be eliminated. So the algorithm can give more general property.⑦A general face image recognition system is implemented. The experiment show the system can get better recognition performance under the noise surrounding of lighting, scale and rotation pose.

本文在上述研究的基础上,取得了如下主要研究成果:①构造了一个通用的人脸轮廓模型表示,解决了由于人脸图象尺度、旋转等因素而使得仅用单一轮廓表示无法正确提取人脸轮廓的问题,并给出了模型内、外能函数的定义,同时给出了模型的全局与局部匹配算法,实验表明,使用这种表示形式以及匹配算法,能够较好地提取人脸图象的轮廓,可实际用于人脸图象的分割;②深入分析了PCA方法的识别机制,得出不同成象条件下的人脸图象构成不同的人脸图象空间的结论,同时指出这也是造成PCA方法通用性较差的本质原因,并给出了不同人脸空间距离的一种度量方法,使用该度量方法能够直观地对人脸图象空间进行分析;③构造了各种尺度模板、旋转姿势模板以用于探测待识人脸图象的尺度、旋转角度,实验结果表明,探测精确度很高,从而有利于人脸图象特征提取,以及图象的有效表示;④构造了人脸图象的各局部特征模板,用于人脸图象局部特征的探测;同时提出了一种新的人脸图象局部特征探测法---逐步求精定位法,实验结果表明,使用这种方法能够精确地得到人脸图象各局部特征的位置;⑤提出了一种新的人脸图象表示法---双属性图表示法;利用属性图来表示人脸图象,并提取图节点对应图象位置的局部主成分特征系数以及Gabor变换系数作为图节点的属性,这种表示方法充分利用了人脸图象的局部特征的统计特性,并且使用Gabor变换来反映人脸图象的拓扑结构,从而使得双属性图表示法具有较强的通用性;⑥在双属性图表示的基础上,给出双属性图匹配函数及匹配算法,在函数及算法设计过程中,考虑并解决了光照、尺度、旋转姿势变化等因素对人脸图象识别的影响,使得匹配算法具有较强的通用性;⑦设计并实现了一个通用的人脸图象识别系统,实验结果表明,该系统在图象光照、尺度、旋转姿势情况下,得到了较好的识别效果。

Bing no longer restricted to its traditioned role as the presentation of the suspended time and a fleetingly observed sight before the great changes in Western art, perfect theatment of time and space in painting has overwelmingly changed and transcended the traditionally-established means of presenting a three-dimentional illusionism based on a two-dimentional plane,crying for the emergence of pluralist concept and multiple fashions of time-space treatment in painting.

作为绘画表现的一个重要部分的时空表现在现代绘画中也出现了翻天覆地的变化。西方现代艺术变革之前的艺术家将如何在二维的平面塑造物体的三维空间形体,表现凝固的时间或瞬间场景视为绘画的重要方面,而西方现代绘画在继承性的推翻传统的绘画的同时,出现了多元的,丰富的时空表现样式。

Based on the use of a reasonable space of each presentation.

在使用的基础上合理的演示每一个空间。

Do you wish to use a Kyoto Art center presentation space?

你想不想使用京都艺术中心演出空间?

Abstract]This paper studies the animation industry by exploring European animation festivals panoramically from the perspective of aesthetic economy and space economy. It is found that semiotic products with great semiotic meaning are not a kind of transcendental presentation but daily reality in the aesthetic economy and space economy era. The animation industry, which is focused on cultural and creative content producing, is a rising industry in which the animation festival is not only the exhibition of traditional commodities but also a creative arena of meaning produce. The restructuring of place for European animation festivals is followed the basic requirement of aesthetic economy and space economy, since the festivals add new semiotic meaning and cultural elements to the original places.

从审美经济、空间经济的视角,以动漫节为研究对象,对欧洲动漫产业发展所形成的文化与市场景观进行一种全景式的考察后,可以发现:在审美经济的时代,以符号意义为主的符号产品不再是超验的表象,而是日常生活的实在;以文化创意内容为核心的动漫产业已经成为新兴产业;其中,作为符号生产与传统商品集中展示的动漫节,更侧重于深入开发动漫及其衍生产品的审美价值,使动漫节不仅仅流于纯粹的小商品集市,而在于创造更多的符号意义,丰富动漫节的多种内涵;动漫节举办地的地点重构适应了空间经济发展的内在要求,动漫赋予不少城镇以全新的符号内涵,创造了各种形态的地点神话,从而促进空间经济的城市发展。

Through discourse re-writing, graphic paintings forms the thinking into this artistic context. By the study on two paintings with similar style, this paper aims to examine the space constructed from the paintings. The goal is to know how the appreciators digest and re-form the image when paintings are deemed as the language of space re-presentation. Furthermore, the investigation on how characters in paintings and artists per se make their influences, and how they connect with each other by the paintings will be made at the same time.

摘要 平面绘画作品藉由论述的再书写纪录,建立这场艺术文脉的思考,笔者藉由两组画面组成类同之艺术作品为研究对象,旨在探讨画面中所形构成出来的空间,当作品的画面作为空间再现的语言时,是如何透过观众观赏后的消解与重组影像,而画面里人的角色以及艺术家本身的角色如何介入影响,又如何的在画面中被连结成关系。

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