查询词典 pray for

Report from our correspondent (photography reports reporter Deng Yu) by April, a few 80 epigenesis lad founds commonweal website " achieve enjoy "(Www.chxcity.com), the commonweal on intercurrent hauling acts -- for size alley child, the 9 big Chengdu such as the railroad that become fill " ground mark " the building adds a brick, for blessing of disaster area pray, cheer for Chengdu.

本报讯四月底，几名80后成都小伙儿创建公益网站"创享之都"(www.chxcity.com)，并发起网上公益行动——为宽窄巷子、成灌铁路等9大成都"地标"建筑添砖，为灾区祈福，为成都加油。

Thank you for the work your doing for us, as Jesus said i came to seek the illing and the lost sheep,your articles has helped many including my seelf and i believe many people will trust Lord and Jesus through this website.I pray that many people in this World their eyes to be open as all we are travelling toa new home where we will be living for ever is to Trust Jesus Now, God Bless you and thank God for your father who is recovering.

谢谢你所做的工作对我们来说正如耶稣说，我来寻找迷失的羊和陡，你的文章使许多seelf包括我相信很多人都会透过此信基督耶稣website.i祈求世界上很多人眼睛都为我们开放新的TOA旅行家那里，我们将永远是要相信耶稣活现在上帝保佑你和你的父亲是感谢上帝收回。

All this Labour I was at the Expence of, purely from my Apprehensions on the Account of the Print of a Man's Foot which I had seen; for as yet I never saw any human Creature come near the Island, and I had now liv'd two Years under these Uneasinesses, which indeed made my Life much less comfortable than it was before; as may well be imagin'd by any who know what it is to live in the constant Snare of the Fear of Man; and this I must observe with Grief too, that the Discomposure of my Mind had too great Impressions also upon the religious Part of my Thoughts, for the Dread and Terror of falling into the Hands of Savages and Canibals, lay so upon my Spirits, that I seldom found my self in a due Temper for Application to my Maker, at least not with the sedate Calmness and Resignation of Soul which I was wont to do; I rather pray'd to God as under great Affliction and Pressure of Mind, surrounded with Danger, and in Expectation every Night of being murther'd and devour'd before Morning; and I must testify from my Experience, that a Temper of Peace, Thankfulness, Love and Affection, is much more the proper Frame for Prayer than that of Terror and Discomposure; and that under the Dread of Mischief impending, a Man is no more fit for a comforting Performance of the Duty of praying to God, than he is for Repentance on a sick Bed: For these Discomposures affect the Mind as the others do the Body; and the Discomposure of the Mind must necessarily be as great a Disability as that of the Body, and much greater, Praying to God being properly an Act Of the Mind, not of the Body.

现在，再接着说说我接下去做的事。我把一部分家畜安置妥当后，便走遍全岛，想再找一片这样深幽的地方，建立一个同样的小圈地养羊。我一直往岛的西部走，到了一个我从前从未涉足的地方。我往海里一看，仿佛看到极远处有一只船。我曾从破船上一个水手的箱子里找到了一两只望远镜，可惜没有带在身边。那船影太远，我也说不准到底是否是船。

But the blood poison is ,so to speak,is a new product from an improved formula.be that as it may,the nerve poison dees it business with man for more quickly than blood poison.this,however,means nothing,the snakes do not acquire their poison for use against man but for use against their pray such as rats and mice,and the effects on those of viperine poison is almost immediate.

不过，神经毒辣液比溶血性毒液在人身上起作用快得多。但是，这没有什么关系，因为蛇有毒液不是用来对付人的，而是对付它的猎物，诸如鼠类，毒液对这些猎物会立刻起作用。

As the spokesman of the Providence in the world of mortals, the monarch must be firstly responsible for the Providence. He usually promulgated rescript for condemning himself, and took a series of measures to pray to gods to avert a misfortune, such asaverting mail hall, reducing meals, praying to gods, sending out maid-in-waiting, changing the title of his reign,"Yin Zai lu Qiu" and promulgated rescript for expostulating, In terms of modern science, some measures were superstitious, even fantastic.

身为上天在人间代言人的皇帝在灾后的应对必然是先对上天负责，他们往往要下诏自谴，采取一系列禳弭灾害的行动，如避正殿、减膳、祈禳、出宫女、改元、虑囚、下诏求言等，用现代科学眼光看，有些属于封建迷信，甚至荒诞不经的。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The whole family will attend mass together every Sunday, pray univocally for the universal church, for our country, our community, and for our own special needs.

我邀请您们每天早、晚，或进餐前、后一同奉上赞美、感谢的祷声，这是最有效与极富动力的生活见证。

Therefore pray not thou for this people, neither lift up a cry or prayer for them: for I will not hear them in the time that they cry unto me for their trouble.

11：14 所以你不要为这百姓祈祷，不要为他们呼求祷告。因为他们遭难向我哀求的时候，我必不应允。

Therefore pray not you for this people, neither lift up a cry or prayer for them: for I will not hear them in the time that they cry unto me for their trouble.

所以你不要为这百姓祈祷，不要为他们呼求祷告；因为他们遭难向我哀求的时候，我必不应允。

Pretty boy 歌手:m2m 专辑:shades of purple I lie awake at night See things in black and white I've only got you inside my mind You know you have made me blind VERSE 2 I lie awake and pray That you will look my way I have all this longing in my heart I knew it right from the start M2M CHORUS Oh my pretty pretty boy I love you Like I never ever loved no one before you Pretty pretty boy of mine Just tell me you love me too Oh my pretty pretty boy I need you Oh my pretty pretty boy I do Let me inside Make me stay right beside you VERSE 3 I used to write your name And sometime I think I hear you call Right from my bedroom wall VERSE 4 You stay a little while And touch me with your smile And what can I say to make you mine To reach out for you in time CHORUS BRIDGE Oh pretty boy Say you love me too CHORUS My Love歌词歌手:Westlife an empty street, an empty house, a hole inside my heart, i'm all alone and the rooms are getting smaller. i wonder how, i wonder why, i wonder where they are, the days we've had, the songs we've sang together. and oh my love, i'm holding on forever, reaching for a love that seems so far, so i say a little prayer, and hope my dreams will take me there, where the skies are blue to see you once again, my love, over seas from coast to coast, to find the place i love the most, where the fields are green to see you once again, my love. i try to read, i go to work, i'm laughing with my friends, but i can't stop to keep myself from thinking.. i wonder how.. i wonder why i wonder where they r the days we had, the songs we sang together and oh my love..... i m holding on forever, reachign for the love that seems so far..... so i say a little prayer and hope my dreams will take me there, where the skies are blue to see you once again, my love, over seas from coast to coast, to find the place i love the most, where the fields are green to see you once again, to hold u in my arms, to promise u my love, to tell u from my heart..... what i m thinking offfff reaching for the love that seems so far.. so i say a little prayer.... and hope my dreams will take me there... where the skies are blue to see you once again, my love, over seas from coast to coast, to find the place i love the most, where the fields are green to see you once again, my love.

pretty boy 偷偷看你的脸心情变成晴天我向着窗外默默想念希望你能听得见你的好你的坏全部我都想爱你明不明白说不出来心中对你的依赖 Oh my pretty pretty boy， I love you 因为窈窕妹妹不会假装爱 Pretty pretty boy of mine 对你说声嗨 Oh my pretty pretty boy， I need you， oh my 窈窕妹妹只想爱说你不走，要你别走，请留下来看别人手牵手我越看越寂寞我想要你说只对我说说你心中只有我你明明很爱我明明不想要走为什么不敢付出太多是不是怕真爱上我 Oh my pretty pretty boy， I love you 因为窈窕妹妹不会假装爱 Pretty pretty boy of mine 对你说声嗨 Oh my pretty pretty boy， I need you， oh my 窈窕妹妹只想爱说你不走，要你别走，请留下来 Oh my pretty pretty boy 说你也爱我 Oh my pretty pretty boy， I love you 因为窈窕妹妹不会假装爱 Pretty pretty boy of mine 对你说声嗨 Oh my pretty pretty boy， I need you， oh my 窈窕妹妹只想爱说你不走，要你别走，请留下来 my love 一条空街一间空房子一个伤口在我心里我完全陷入孤独，感觉房子越来越小我不明白怎么了我不明白为什么我不知道它们都去了哪儿那些我们共同在一起的日子和共同唱过的歌哦，我的爱我将永远坚持为一个看似很远的爱情而坚持不懈所以我默默做了一个祈祷希望我的梦把我带到那个地方那个有蓝天的地方，我再次见到你，我的爱人跨越大海穿越海岸找到我最喜欢的地方那个绿数成荫的地方，我再次见到你，我的爱人我努力读书我每日工作我和朋友们说笑但我不能让自己停止想念你我不明白怎么了我不明白为什么我不知道它们都去了哪儿那些我们共同在一起的日子和共同唱过的歌哦，我的爱我将永远坚持为一个看似很远的爱情而坚持不懈把你抱在怀里向你承诺我的爱发自内心的告诉你你是我想要的全部为一个看似很远的爱情而坚持不懈

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。