查询词典 poverty-stricken

Technology is a kind of capability of remodeling of nature for which the man takes an oath to seek, it make the mankind break away from fatuity, wildness, poverty and under-developed, step into civilization, realize the dream of wealth, he- conic the master of nature.

技术是人类矢志追求的一种"改造自然的能力"，它和科学一道使人类摆脱愚昧、野蛮和贫穷落后，跨入文明社会，实现富裕梦想，使人类从自然的奴隶变成自然的主人。

Poverty was a product of their excessive fecundity.

贫穷是生产力过剩的产物。

At that time, I had a deep sense of the poverty, backwardness and feebleness of old China.

对旧中国的贫困落后和国势衰败有着深刻感受。

Modern china sees a history of poverty, feebleness and vulnerability

近代中国经历了一段积贫积弱、任人宰割的历史。

FERA was a new, independent agency established specifically to combat poverty and unemployment brought on by the deepening economic depression.

新建的联邦紧急情况与救灾管理局是一个专门解决日益恶化的经济大萧条所带来的贫困和失业问题的独立机构。

But compared with directly fighting poverty and corporate feudalism, this has been a pleasant life.

但与直接与贫困作斗争和企业封建主义，这是一个愉快的生活。

Impossible for me to know her thought, but she did everything whole-hearted: taking care of the child who only called her auntie with great patient and love, treating the kind country parents-in-law who could give her nothing but burden filially, loving her husband who brought her only poverty and ugliness with virtuousness. She supported the poor home selflessly, exhausting her energy.

她有没有后悔自己当初的选择我不知道，但是她认认真真做好了每一件她觉得应该做好的事情：她用亲生母爱都不及的呵护对待这个已经上小学只愿意叫她阿姨的小孩；她用对待亲生父母的心孝顺着这个什么都不能给她的善良的农村父母；她用热情和贤惠回馈着这个带给他贫穷与丑陋的丈夫；她用自己的生命无私地支撑着这个贫困的家。

Hampered by illness and poverty, he devoted himself to poetry and to music, becoming a flautist in a baltimore orchestra

他在贫病交迫之下献身于诗歌与音乐，做了巴尔的摩交响乐团的笛手。

Eduardo Giannetti da Fonseca, one of Brazil's most distinguished economists, describes members of the middle class as "people who are not resigned to a life of poverty, who are prepared to make sacrifices to create a better life for themselves but who have not started with life's material problems solved because they have material assets to make their lives easy."

Eduardo Giannetti da Fonseca是这样描述中产阶级的："他们不甘于贫穷的生活，他们愿意努力为自己创造更好的生活，但是他们又不需要从解决物质基础开始，因为他们已经有了让生活更舒适的物质基础。"

These rags in bales, of all hues and qualities, the lowest condition to which cotton and linen descend, the final result of dress —— of patterns which are now no longer cried up, unless it be in Milwaukee, as those splendid articles, English, French, or American prints,ginghams, muslins, etc., gathered from all quarters both of fashion and poverty, going to become paper of one color or a few shades only, on which, forsooth, will be written tales of real life, high and low, and founded on fact!

至于这一袋袋的破布，各种颜色，各种质料，真是棉织品和细麻布的最悲惨的下场，衣服的最后结局，——再没有人去称赞它们的图案了，除非是在密尔沃基市，这些光耀的衣服质料，英国、法国、美国的印花布，方格布，薄纱等等，——却是从富有的，贫贱的，各方面去搜集拢来的破布头，将要变成一色的，或仅有不同深浅的纸张，说不定在纸张上会写出一些真实生活的故事，上流社会下等社会的都有，都是根据事实写的！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。