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poetic works相关的网络例句

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I am also an advocator of the idea that art must always give solace to the human being and try to create poetic and idyllic works so as to fully display my work, which is distinguished by a style sentimental, bright and refreshing.

我非常注重意境的追求,认为这是画家对大自然与生活感悟后所形成的特殊语言。将这种东方艺术语言和西方油画技法的和谐的结合,是我近几年的苦苦探索。

Caxton also printed the works of Chaucer and Gower and these books helped establish the idea of a native poetic tradition that was linked to its European counterparts.

卡克斯顿还印制乔叟的作品和高尔和帮助建立这些书籍的想法,本土诗歌的传统,是与它的欧洲同行。

Her works, filled with a kind of exuberant and poetic.

她的作品中,洋溢着一种盎然的诗意。

Cy Twombly uses a combination of charcoal, colored pencils, chalk and oil paint in his works; sometimes he also incorporates wavy, flowing, scribbled text. But Ye Yongqing uses an "eyebrow pencil" to portray abstract lines and points to form a poetic visual language. His latest paintings further expand on this. He created seven abstract paintings of an identical composition, method, symbol and style entitled Broken - Heart. These paintings vary in either background color or color of the lines.

汤布里在绘画中并用炭笔、彩色铅笔、粉笔和油画颜料,还借用文字抽搐涂抹飞动书写,而叶永青的绘画则用"眉笔"一点一划描绘出抽象的线条,构成了诗意的视觉语言,尤其是他最近的绘画把这样的观念性做了进一步延伸,他完成了七幅同一构图、同一方法、同一符号、同一风格的抽象绘画《伤·心》,它们的不同表现为:要么每一幅画中的底色不同,要么每一幅画中符号描绘的颜色不同。

Section 3 probes the complexity of Vico\'s thoughts through discussing the works of Vico with exception of New Science .chapter 2 introduces and analysis New Science, The argument in this chapter are as follows:The epistemology of New Science isverura——factum, had been basing on this principle, Vico tried to developa new science——humanity and social sciences;(2)Methodology of NewScience: theme and theory in union, experience and rationality in union;(3) Conception of history of New Science: The theory of three stages and repeats itself of historical development, human society is created by itself;(4)Poetic wisdom, and its influences to aesthetics, literature and art theory;(5)The imagination theory of New Science, and its aesthetic significance as well as influences.

第一节论述《新科学》的认识论和题旨,指出《新科学》的认识论是真理——创造物原则,由此维柯试图创立一门"新科学",即与自然科学相对的人文社会科学或者说文化哲学;第二节论述《新科学》的方法论:题材与学说的统一、经验与理性的统一;第三节论述《新科学》历史观:历史循环三阶段论、人类历史是由人类自己创造出来的,并提及其对人类学、美学的影响;第四节论述诗性智慧及其美学、文艺学影响;第五节论述《新科学》的想象理论及其美学意义和影响;第六节论述"发现真正的荷马"的内涵以及对社会历史批评的开创性意义。

It can disperse the haze of the depths of our hearts and ignorance, spread the knowledge of light and lofty, will lead us to the pinnacle of glory; that a classic literary masterpiece, the Ministry opened a fan of your mind the window, which allows you to understand that society, to understand the history, in the eloquent words, bring you a fresh figure to a soul's dialogue with thoughts and feelings at the same time upgrading; which readily Collected Works of miscellaneous books dapper frank, passionate, excited turbid Yang Qing, something happens and even caustic merciless, but embracing the philosophy, giving people with wisdom and truth, people Maosaidunkai; which Pianpian beautiful and passionate prose, astute, smooth and gratification, profound thinking and the brilliant vitality, it is taught us to capture life, so that we really understand the "Ren Zhiqing,""live meaning,""is reasonable in"; that contain thousands of song after another taste of the poem, let us read a romantic nature and Yun Li, read out of life with poetic grace, love and intellect, free and easy and indifferent to, the most unusual is that we read out the poem Painting in the Painting realize the true meaning of life and life's wonderful!

它能驱散我们心灵深处的阴霾和愚昧,播撒知识的光明与崇高,将我们引向辉煌的巅峰;那一部部经典文学巨著打开了你一扇扇心灵之窗,它让你了解了那个社会,了解那段历史,在洋洋洒洒的文字中让你和一个个鲜活的人物进行心灵的对话,同时进行着思想与情感的提升;那一本本短小精悍的杂文集爽快直率,热情奔放,激浊扬清,有事甚至是尖刻无情,但却包罗哲理、给人以睿智与真情,让人茅塞顿开;那一篇篇优美而充满激情的散文,感觉敏锐,流畅而痛快,思想深邃而灼灼活力,它教会了我们捕捉生活,使我们真正理解了"人之情"、"活之意"、"理之在";那一首首蕴含万千情趣的诗,让我们读到了自然的浪漫与蕴理,读出了人生的诗性与风度,情爱与理智,洒脱与淡泊,最难得的是我们在诗中读出了画意,在画意中悟出了生活的真谛和人生的美好!

His important works are poetic drama,"Cain "(1821)," Wiener "(1823)," Foscari father and son "(1821) and the satirical poem" The Trial of the mirage "(182), etc..1823, he served as deputy London Greek Committee, aid Greece against Turkey's national the struggle for independence and later died of Greece.

他的重要作品还有诗剧《该隐》(1821)、《维纳》(1823)、《福斯卡里父子》(1821)和讽刺诗《审判的幻景》(182)等。1823年任伦敦希腊委员会代理,援助希腊抗击土耳其的民族独立斗争,后病死希腊。

In this diploma work, first ,it begin by music history ,expatiated on the culture of western countries with history , thinking, background, biographical sketch;Next, it introduced the melody, form, harmonic progression, poetic rhythm, piano accompaniment of important works in Schubert's art song again.

本文首先从历史入手,探讨了艺术歌曲产生的历史、思想、人文背景,并音乐家的生平记事作出简短的介绍;其次从歌曲本体入手,对舒伯特艺术歌曲中代表作品的旋律、曲式、和声、诗歌韵律的采用、钢琴伴奏等方面重新作出审视。

This poetic is expressed vividly and incisively in their works and each artist have his specialty.

这种诗意在他们每个人的作品中呈现的淋漓尽致且各具特色。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代,中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放,其所表现出来的特点,一是正面赋予性欲望以合理性,这种合理性是在人性解放和爱情前提下获得的;二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注,其焦点主要在体格方面;三是树立起新的性伦理道德观念,表现为强调在性爱问题上的个人选择自由,性爱成为个人自我实现的重要方式,从而赋予人在性爱问题上的独立性,同时还扩大了性爱表现的领域;四,这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓,首先是把性还原为欲望本身来探索,沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用,突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容;其次在叙事中表现出对欲望化了的身体的描绘与关注;第三是解构了性的伦理道德,无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德,或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军,其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱;第四,出现了由女性作家表现的女性性意识,在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在,而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙,其主要特征一是性爱在人道主义前提下获得合法性,但要求性爱不超出伦理规定的范围;再就是将性爱叙事同国家观念和民族神话相融合;此外还有对身体的描写审美化诗意化等。80年代中后期,小说性爱叙事进入了多元化探索的阶段,作家通过还原性欲望来还原人性、还原人类的本真状态,不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱,写出其具有的创造性力量和毁灭性特征;将性爱与暴力相联系并通过其来表现人性的黑暗;强调性爱的创造性作用,尤其在民族&血性&的传承方面。

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