查询词典 poet-playwright

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

He has been called Poet-Historian and the Poet-Sage by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire".

在他的诗作里，近一半的诗是反映当时社会的，他被评论界称为&史诗诗人&和&诗圣&，而他的诗作被传入西方，西方读者将他称为&中国的维吉尔，贺瑞斯，奥维德，莎士比亚，弥尔顿，伯恩斯，华兹华斯，雨果和鲍狄埃&

He has been called Poet-Historian and the Poet-Sage by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire".

他被称为&诗史&和&诗圣&。由于他的作品题材广泛，人们向西方读者介绍他的时候，一般将他成为中国的莎士比亚、弥尔顿、雨果。

Very little is known about the author of these poems, but most scholars believe him to have been a university-trained clerk or the official of a provincial estate (this SparkNote refers to him as the "Pearl-poet" or the "Gawain-poet").

很少了解这些诗的作者，但大多数学者认为他是一个受过大学教育的书记或官方的省级产业（此SparkNote指他是&珍珠的诗人&或&高文，诗人&）。

According to the author statistics shows that nearly 2000 poems about string instrument of Tang Dynasty in "" The Whole Poetry of Tang Dynasty "", it had reflected all respects of artistic development of string instrument of Tang Dynasty, embody a poet in the Tang Dynasty from describing that kinds of spiritual idea making the poet profound and expresse in the poem of the string instrument in Tang Dynasty, the classical, outstanding poems of the string instrument of Tang Dynasty,the description have worthful historical data value and aesthstic value, it is the rare important wealth on Chinese string instrument art and literature development history, it promote the development of string instrument art after Tang Dynasty, these 2000 poems of string instrument describe the study of Tang Dynasty and give us a lot of artistic value of written historical materials in Tang Dynasty.

据笔者统计：在《全唐诗》中约有2000多首描写唐代拨弦乐器的诗作，在这些诗作中集中体现了唐代拨弦乐器艺术发展的各个方面，从描写唐代拨弦乐器的诗作中折射出唐代诗人抒发的那种令人深邃的精神理念，这些经典、优秀的描写唐代拨弦乐器的诗作具有宝贵的史料价值和美学价值，是中国拨弦乐器艺术与文学发展史上不可多得的重要财富，对唐代以后拨弦乐器艺术的发展，产生了积极影响。这2000多首描写唐代拨弦乐器的诗作，是研究唐代拨弦乐器艺术价值的珍贵文字资料。

If we may not call you a poet (for the first of English writers of light verse did not seek that crown), who that was less than a poet ever saw life with a glance so keen as yours, so steady, and so sane?

如果我们不要求你为光诗的第一个英语作家诗人，谁是比以往任何时候都少一个诗人看见你一眼，使热衷，因此稳定，所以理智的生活？

This poem, in fact, is a protest against the harm that society does to its children by exploiting them for labor of this kind, The poem was written in the child's-eye point of view, and the dramatic irony (what the speaker says in the poem is different from what the poet means) arises from the poet's knowing more or seeing more than the child does.

事实上，这首诗是对用劳动来剥削孩子这样一个社会进行反抗。这首诗用一个孩子的角度来描写，戏剧性的讽刺（在诗歌里的讲述者与诗人指的不同）从诗人比孩子知道和看见的更多。

Things take a turn for the better when the newly widowed poet travels to Egypt and beyond in search of her lost daughter, Cleis, and her exiled lover, the poet Alcaeus (whose poetry survives, like Sappho's, in fragments recorded by ancient scholars or scrawled on scraps of papyrus).

这本书一直到了新近守寡的诗人为了寻求失散的女儿克雷斯，和流亡在外的情人诗人阿尔凯奥斯（他的诗像萨福的一样，只在古代学者的记录和莎草纸的碎片里留传下一些片段。

The poet expresses one's ideas taking advantage of the climb up image expression, Gradually, the emotion implication the climb up image accumulates which in the concrete poetry has become the poet and the reader together approves and the application load bearing rich symbol significance carrier.

诗人借登高意象表情达意，久而久之，登高意象所积累的情感蕴涵已成为一种承载丰富的象征意义的载体，并得到诗人和读者共同认同。

Nor is it at all necessary for the poet to see only the phenomenon of the man Archilochus before him as a reflection of Eternal Being: the world of tragedy shows us to what extent the vision of the poet can remove itself from the urgent, immediate phenomenon.

然而，这位抒情诗人也不一定只能见到通过阿奇洛科斯其人反映永恒存在的这一现象；希腊悲剧就证明了：抒情诗人的幻想世界，同这种当然与它有密切关系的现象，相去甚远。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。