查询词典 pocket-money

WIKI: Pocket Fritz, which is currently at version 2, is a chess playing program for the Personal digital assistant.

维基： 掌上弗里茨，目前在第2版，是一个下棋程序的个人数字助理。

The old man stood up, slowly counted the saucers, took a leather coin purse from his pocket and paid for the drinks, leaving half a peseta tip.

老人站起来，慢慢数着碟子，从口袋拿出个皮质的钱包，付了酒钱，又给了半比赛塔的小费。

The old man stood up, slowly counted the saucers, took a leather coinpurse from his pocket and paid for the drinks, leaving half a peseta tip.

老人站了起来，慢慢地数着茶托，打口袋里摸出一只装硬币的起夹子来，付了酒账，又放下半个比塞塔作小账。

The old man stood up, slowly counted the saucers, took a leather coin purse from his pocket and paid for the drinks,leaving half a peseta tip.

那老人站了起来，慢慢的点数了茶托的数目，从口袋里拿出一个装硬币的皮夹子来，付了酒钱，并放下半比赛塔的小费。

T he old man stood up, slowly counted the saucers, took a leather coin purse from his pocket and paid for the drinks, leaving half a peseta tip.

老人站了起来，慢慢地数着茶托，打口袋里摸出一只装硬币的起夹子来，付了酒账，又放下半个比塞塔作小账。

The old man stood up, slowly counted the saucers, took a leather coin purse from his pocket a'nd paid for the drinks, leaving half a peseta tip.

老人站了起来，慢慢地数着茶托，打口袋里摸出一只装硬币的起夹子来，付了酒账，又放下半个比塞塔作小账。

The old man stood up, slowly counted the saucers, took a leather coin purse from his pocket paid for the drinks, leaving half a peseta tip.

老人站了起来，慢慢地数着茶托，打口袋里摸出一只装硬币的起夹子来，付了酒账，又放下半个比塞塔作小账。

However," continued Monte Cristo, drawing a small phial from his pocket,"I have an infallible remedy.

不过，"基督山从他的口袋里摸出了一只小瓶子，继续说道，"我对于这种病有一种万试万灵的良药。

Then he put his right hand into his pocket and took out a phrase book.

这时他把手伸进衣兜里掏出一本成语书。

Then he put his hand into his pocket, and took out a phrase-book.

然后他把手伸进他的口袋，掏出一本短语集。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。