查询词典 pleasant and contented

Faire Angel, thy desire which tends to know The works of God, thereby to glorifie [ 695 ] The great Work-Maister, leads to no excess That reaches blame, but rather merits praise The more it seems excess, that led thee hither From thy Empyreal Mansion thus alone, To witness with thine eyes what some perhaps [ 700 ] Contented with report hear onely in heav'n: For wonderful indeed are all his works, Pleasant to know, and worthiest to be all Had in remembrance alwayes with delight; But what created mind can comprehend [ 705 ] Thir number, or the wisdom infinite That brought them forth, but hid thir causes deep.

美丽的天使啊，你的心愿，想要去见识一下上帝的工程，借以歌颂光荣伟大的创造主，这样的心愿不能说是过分而遭到非难。其他天人满足于耳闻，而你却要求亲眼目睹，竟为此远离天界，独自来到这里，这样的愿望，愈被认为过分，愈值得称赞。因为神的工程确实是奇妙，见识它确是赏心悦目之事，而且这一切值得高兴地永记在心！但是，有哪一个被创造的心，能知造物总数？或了解深藏无限智慧中的创造原因？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。