查询词典 play-off

A:There is a penalty for giving incorrect information after play of a hole that is not corrected before play from the next teeing ground unless the incorrect information does not affect the opponents understanding of the result of the hole just completed.

答：在打完一洞后给出错误的信息，并且没有在下一洞发球台打球前改正过来是要受处罚的，除非不正确的信息没有影响对手对刚刚结束的球洞结果的理解。

A: There is a penalty for giving incorrect information after play of a hole that is not corrected before play from the next teeing ground unless the incorrect information does not affect the opponents understanding of the result of the hole just completed.

答：在打完一洞后给出错误的信息，并没有在下一洞发球台出发前改正，就要接受处罚，除非不正确的信息没有影响对手对刚刚结束一洞的结果的理解。

When we play with that tempo, we're difficult to play against.

当我们打出这个水平的时候，谁来跟我们踢都是个死。

Boxing is really challenging and strength-consuming, tenis is really fun to play as a team with somebody to against with the computer, and bowling fits anyone in the family~ I haven' t play golf yet ~""~ Not quite interested.

拳击还真的满有挑战性的，也很耗体力，网球的话，跟另外一个人组队和电脑对打的话很好玩，保龄球则适合大小~我还没玩过高尔夫球~""~没什麼兴趣。

I like to play tennis and play Ping-pong ball .

我喜欢玩网球和乒乓球。

"To play Holland, you have to play the Dutch."

"和荷兰踢，你必须和荷兰比赛。"

But at the same time, the richness in the play's content and the diversity in the theatric expression provide the translator with the more space to give full play to his creativity.

但同时，戏剧丰富的文化内涵及灵活的表达方式却也给了翻译者更大的创造空间。

This English translation of Gao's early play and his theoretical essay on modern Chinese drama will not only make the realist play accessible for English-speaking readers worldwide but also reveal the early formation of the playwright's unique theatric creativity and theory.

高行健是2000年诺贝尔文学奖得主，也是一位优秀的前卫实验剧作家。本书译自它的写实主义剧作《绝对信号》。该剧是中国剧作史上头一部只依靠舞台灯光与音效来呈现角色情感的剧作。本书也翻译了他早期关於剧本创作理念的文章，译者并以专文分析高行健的戏剧创作内涵。本书出版的目的是希望将高行健的戏剧创作，推荐给英语世界的广大读者。

This play, by the fusion of theatrical forms from East and West as well as the theory of "the theatricality" which Gao Xingjian advocated, presents a novel modem play style.

该剧以中、西方戏剧形式的融合，以及高行健戏剧理论所主张的「剧场性」，呈现出新颖的现代戏剧样式。

Indubitably,there are power struggles between dominating and dominated characters in his plays.Aligned with the French philosopher Michel Foucault\'s theory of discourse and power,this thesis analyzes one early play by Harold Pinter,The Birthday Party,arguing that the characters in this play possess strong desire for power,which makes them aware of the menace all around.

本文运用法国哲学家米歇尔·福柯关于权力和话语的理论，分析品特早期重要作品《生日宴会》，指出品特剧中的人物都对权力存有极大的欲望，而他们同时也感到威胁的力量，因为威胁来自旁人对权力的觊觎和争夺，所以最终无人能逃离错综复杂的权力关系的操控。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。