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He's a handsome, fabulous male, and she's a beautiful, sensitive female," says Loewy of the happy canine couple."We get together at least once a week for play days. Sometimes we go to the Stanhope Hotel for lunch," on a terrace where pets are permitted,"or we go to Bistro du Nord on 93rd Street and share a cheese-and-fruit plate with the dogs.

巴基是个很有魅力的帅小伙，而我的蒂菲美丽又温柔"洛伊幸福的谈论着这对"情侣"，"我们一周至少要在一起玩耍一次，有时候我们会到斯坦酒店一起共进午餐"那里庭院的楼台允许携带宠物"或者我会选择到93号街的小酒屋，和我的狗一起品尝奶酪和水果。

Being fit enough to practice on Wednesday -- and to play 18 minutes, 10 seconds of the Lakers' 126-106 exhibition victory over the Seattle SuperSonics on Thursday -- contributed to his good spirits.

可以健康地回到球场参加周三的训练--------在周四湖人126：106战胜超音速的比赛中科比上场18分10秒。表现出他良好的精神状态。

Please consult the _readme.txt included in the .zip file or 1257's homepage for more background, and for instructions on how to play with a coat of arms on your surcoat and horse.

请参考_readme.txt列入。 zip档案或1257的网页，供更多的背景，并说明如何发挥与国徽上的surcoat和一匹马。

On the other hand, if the introduction of stabilization fund, it is "the size of non-" and then set the role of the market is also highly concerned about, and it fully play its role also depends on how to use it to take the size of non-refining regulations.

另一方面，如果稳定基金的推出，它是"大小非"，然后设置市场的作用也十分关注，并充分发挥其作用还就如何利用它采取取决于规模的非精炼法规。

Perhaps discouraged by the 1666 banning of Tartuffe, a play many found offensive because of its assault on church hypocrisy, Molière embarked on a more serious study of human relationships with The Misanthrope.

可能是由1666年禁止 Tartuffe ，一个发挥许多发现的进攻，因为它攻击教会虚伪，莫里哀开始更严重的研究人类的关系，愤世嫉俗。

Double Falsehood, a play written by Lewis Theobald and first performed in 1727, was based substantially on another work co-written by William Shakespeare more than a century earlier, a leading academic said on Tuesday.

据一名主要研究人员本周二介绍，这部名为《爱情骗徒》的戏剧由刘易斯希尔包德改编，并于 1727 年被首次搬上舞台。经考证，这部戏剧大部分根据一个多世纪以前威廉莎士比亚与人合著的另一剧作改编而成。

Theobald always claimed his play was based on a lost version by Shakespeare that was in turn based on the story of Cardenio, taken from the novel Don Quixote, by Spanish author Miguel de Cervantes.

希尔包德当时一直声称这部剧作改编自莎翁一部失传的剧作，而莎翁的原创又取材于西班牙文学巨匠米格尔？德？塞万提斯名着《堂吉珂德》中的卡登尼欧的故事。

Theobald always claimed his play was based on a lost version byShakespeare that was in turn based on the story of Cardenio, taken fromthe novel Don Quixote, by Spanish author Miguel de Cervantes.

希尔包德当时一直声称这部剧作改编自莎翁一部失传的剧作，而莎翁的原创又取材于西班牙文学巨匠米格尔德塞万提斯名著《堂吉珂德》中的卡登尼欧的故事。

Stay is not bad but not something to play and watch, if they too make the necessary calm, or made them know that should not have been done, as long as the sentence on the list, sometimes they will require time to bargain, we say say on longer.

呆着不难受但没东西玩和看，他们如果太闹了需要冷静，或作了他们知道不该作的事，只要一句话就行了，有时他们会讨价还价要求时间短点，我们说"再说就时间更长"。

This paper is on the basis of analysedding and summarized that these projects were blown up and tested materials in the past, use fracture mechanics, the dynamics blast theory and finite element analytical method, have carried on the system, detailed analysis and describes to this kind of method of blasting, proving theoretically that can cut the base rock effectively in this kind of method of blasting, reduce base blowing up stress value inside the rock , play and protect underpart base rock blow up into the function influenced in vibration, and blew up mechanism and analysed the main influence factor blown up according to it, had put forward the rational optimization measure to the relevant parameter when implementedding and blown up .

本文在分析总结以往这些工程爆破试验资料的基础上，运用断裂力学、爆破动力学理论及有限元分析方法，对这种爆破方法进行了系统、详细的分析及论述，从理论上证明此种爆破方法可以有效地切割基岩面，降低基岩内部的爆破应力值，起到保护下部基岩不受爆破振动影响的作用，并根据其爆破机理分析了爆破的主要影响因素，对实施爆破时的相关参数提出了合理的优化措施。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。