查询词典 pillowed

Bright star, would I were stedfast as thou art--- Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors--- No---yet still stedfast, still unchangeable, Pillowed upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever---or else swoon in death.

He has his Winter too of pale misfeature， Or else he would forego his mortal nature 4，烂的星……————济慈灿烂的星呀，但愿我也像你那样坚定——不以孤独的光辉高悬在夜空里，带着一双永远睁开的眼睛，像自然界苦修不眠的隐士，守望流动不息的海涛，如祭祀肩负着净身的使命，冲洗人生之海的岸崖，或者凝视着飘飞的软软的白雪，这白雪如面罩覆盖着峻岭崇山和低地荒野——不，——我只愿一成不变，坚定不移把头枕在我美丽爱人丰满成熟的胸脯上，永远感受它那柔和的降落、升起，永远醒着，带着甜蜜的不安的惝怳，依然，依然听着她柔软的呼吸，就这样长久地活着——或迷醉地死去。

He sat up and watched the freckled face, still peacefully asleep, pillowed on the palm of her hand

他坐起身，端详她那张雀斑脸，枕着自己的掌心，恬然安睡。

Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you'll toss me all.

被石南丛中的蠼螋蹭来蹭去。我的手托着她的后颈。尽情地摆弄我吧。

Her arm pillowed the baby's head.

她的手臂上枕着婴儿的头。

Her arm pillowed the baby's head.

她的手臂枕著婴儿的头。

He pillowed his head on his arm.

他把头枕在手臂上。

Her arm pillowed the baby's head.

她的手臂枕着婴儿的头。

He made her close her eyes and her head pillowed on his shoulder.

他让她闭上眼睛，把头枕在他肩上。

The woman sat down beside him and took his head and pillowed it in her lap.

那女人坐在他旁边，把他的头托在自己的膝上。

How many thousands have pillowed their heads on them when going to rest!

有多少数千人pillowed头上时，他们要休息！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。