查询词典 piano music

The arias Beijing opera the red lantern accompanied by piano successfully re-performed many times several decades after Cultural Revolution, resulting from the new centaury of the relaxed political and cultural environment For the purposes of evaluation of its art value, this paper analyzed the example music, records, books and journals, audio and video materials of the arias Beijing opera the red lantern accompanied by piano, had the historic environment and generation background revert to type and analyzed the music aria in detail.

几十年后，在政治、文化环境宽松的新世纪，钢琴伴唱《红灯记》的多次复演均取得巨大成功。本论文通过对钢琴伴唱《红灯记》谱例、唱片、书刊、音像资料进行分析，还原作品创作的历史环境、创作背景，具体分析音乐唱腔，评判该作品的艺术价值。

This article is based on the research of Mr. Li Yinghai"s monograph the modes of Music of the Han nationality and their harmony, his music composition and a series of his vocal music works, piano works. From the structure of the chord, the harmonic progression, the modes and tonality, texture composition style, the style of dealing with the skill and technique of national music sound simulation, etc. the author expounds Mr. Li Yinghai"s great achievement and his precious experience on academic research and application on national mode harmony in detail.1. Music composition should regard nationalitys traditional music as foundation, and at the same time use European traditional skill and technique of music composition for reference, seek the harmony of traditional skill and technique, modern idea and national style. Only in this way could we promote research of the national music theory and creation of the national music.2. Theory stems from practice, guides practice again at the same time. And theory is developing, perfecting constantly in practice.

文章以黎英海先生的理论专著《汉族调式及其和声》以及他创作、改编的一系列声乐作品、钢琴作品为研究对象，从和弦结构、和声进行、调式调性、织体写法、间音处理手法、民族音乐音色模拟技法等方面详细论述了黎英海先生在民族调式和声理论的研究与应用上取得的丰硕成果与宝贵经验及其给我们的两点启示：1、音乐创作应以民族传统音乐为根基，以欧洲传统作曲技法为借鉴，努力探求音乐创作中传统技法、现代理念与民族风格的和谐统一，以此推动民族音乐理论的研究与民族音乐的创作。2、理论来源于实践，同时又指导实践，并在实践中不断发展、完善。

The article discussed the 3rd movement of Mozart last work Piano Sonata in D Major, K.576 from two aspects: the music form structure and music representation. The writer tried to analyze the piano work systematically from the rationality to sensibility, from immanency to externality.

本文试图从曲式结构和音乐表现这两个方面对莫扎特钢琴奏鸣曲中的绝笔之作K.576第三乐章进行探讨，力求从理性到感性、从内在到外在对作品进行系统地刨析。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Ming-Ling M U, who has learned the piano from her auntie Li-Fen MU when she was 4 years old. 1997, Ming-Ling has passed the examination of Tainan University of Technology, Department of Music, majors in piano, minor course is flute, and has been taught by Zhen-Zhen LIU, Nei-Wen WANG, Li-Li ZHOU and Li-Min CHEN. During the school, Ming-Ling has been asked to be the accompanist for Tainan city Phoenix City children's choir. 2003 she has passed the examination from Conservatoire de Reuil Malmaison-senior class of piano performer with the teacher CHANTAL RIOU. In year 2006, Ming-Ling has brought herself to the senior class of piano accompanist and learned with teacher PONDEPEYRE ANGELINE, who made her graduated as the first-rate in the next year from Conservatoire de Reuil Malmaison.

穆明伶四岁开始其音乐养成教育，启蒙於姑姑穆丽芬。1997年考上台南女子技术学院音乐系，主修钢琴副修长笛，师事於刘珍珍、王乃雯、周理俐以及陈丽明老师；在学期间曾应邀加入台南凤凰城儿童合唱团担任伴奏一职。2003年考取法国玛尔梅松市立音乐院(Conservatoire de Reuil Malmaison)钢琴演奏高级班，师事 Chantal RIOU.2006 年进入同音乐院钢琴伴奏高级班，师事於Angrline PONDEPEYRE 。2007年以第一奖文凭毕业於法国玛尔梅松市立音乐院，师事Angeline PONDEPEYRE 。

Pedal piano performing arts an important part of it rich playing the piano sound, harmony, music, color, music performance has played a remarkable role.

踏板是钢琴表演艺术的一个重要组成部分，它为丰富钢琴的演奏音色、和声、音乐色彩、乐曲表现等起到了非凡的作用。

Strain and relaxation, a unity of opposites, cover the overall process of playing the piano from reading the music score to practicing, and finally to playing the piano without reference to the music score.

张&与&弛这一即对立又统一的矛盾贯穿于钢琴演奏的识谱、练习、熟练弹奏到在舞台上完整地背谱演奏这一过程中。

Pammola Shi received the silver l of the Royal Conservatory of Music Piano Examination. The Royal Conservatory of Music awarded Jack the Best Teaching Award as he had 26 students received high score from the piano examination.

Pammola Shi获加拿大皇家音乐学院钢琴考核银奖，同年因二十六名钢琴学生获高分而受到加拿大皇家音乐学院颁发教学奖。

Hugo Steurer. After a position as a teacher at the municipal Music Academy in Braunschweig, he accepted a professorship at the Music Conservatory in Hannover where he conducted the master seminar and master classes for piano and served as Vice-president of the University for six years. Since 1989 he holds a professorship for Piano at the Mozarteum in Salzburg.

在布伦斯威克市立音乐学院担任教师之后，他在汉诺威音乐学院担任教授，组织了大师研讨会、钢琴大师班并担任大学副校长达6年之久。1989年以来，他一直在萨尔斯堡的莫扎特学院担任钢琴教授。

The essay takes the research of Czerny's piano tudes , which is comparatively weak in China and abroad , as its object of study . The study begins with the research of the tudes'material , harmony , composition , melody , rhythm , type of tone and sound , through the comparison of a great number of typical examples of music scores , uses the comparison and analysis of different details between different music pieces , expounds thoroughly form music itself , the technical system and artistic features of Czerny's music tudes as well as their connection with music compositions of the school of Viennese classical music .

本论文《车尔尼钢琴练习曲研究——技术系统、艺术特色、与维也纳古典主义钢琴音乐之间的内在联系》把车尔尼钢琴练习曲作为整体研究对象，从材料、和声、织体、旋律、节奏、音型、音响等方面入手，通过大量典型谱例的比较，运用乐曲之间细部对比、分析，从音乐本体出发，详尽地阐述了车尔尼练习曲中的技术系统、艺术成分及其与维也纳古典乐派钢琴作品的关系。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。