查询词典 photophobism

It is so concluded that both the perception to light and subsequently phototaxis behavior of C. pallens depend on the light intensity obviously, there is no visible photophobism response in any case, and the response of primal receptor cell potential is accordant with the phototactic behavior in a certain range of light intensity, indicating that light intensity plays a subtle role during the light perception and succeeding phototaxis.

这些结果表明：光强度是大草蛉感光性与趋光性行为的重要决定因素，强光时感光性电位反应与趋光性行为反应基本一致，弱光时则不同，暗示了光强度信息在感光性和趋光性间作用的有条件性和复杂性。

The results were as follows:(1) The spectral sensitivity response at 14 monochromatic light selected through 340nm to 605nm occurred in curve with multiple peaks, the primary peak in 340nm (ultra-violet) is the highest response rate of phototaxis (21%), the secondary in 524nm, and the rest in 400-440nm and 483nm in order;(2) The response rate of phototaxis is increasing as the relative intensity of light, it is showed as curves with inverse "L" shape in white light and the monochromatic light of 483nm, as an upward ladder at 524nm and a near straight line at 340nm. However, the response rate could be detected at the lowest intensity and not arrived to the summit at the strongest yet;(3) The effect of sex to response to the spectral sensitivity and intensity is not significant;(4) There was not significant photophobism response to light for the ladybird, the behavior probably derived from phototaxis or partly due to random movements. It can be concluded that both the spectrum and intensity of light stimulus gave rise to the phototaxis of P.

结果显示：（1）在340~605nm波谱内其光谱趋光行为反应为多峰型，峰间主次不明显，紫外340nm处峰最高，趋光反应率达21%，其它各峰依大小次序分别位于绿光524nm、蓝光400~440nm和483nm处；（2）随光强增强其趋光反应率增大，白光和483nm刺激时其光强趋光行为反应呈一倒"L"型式样，524nm时呈一阶梯型，340nm时为一较平直的线型；光强最弱时仍均有一定趋光率，最强时均未出现高端平台；（3）性别对其光谱和光强度行为反应均有一定影响，但影响不大；（4）龟纹瓢虫无明显的避光反应，其避光行为可能是趋光行为衍生或其随机活动造成。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。