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Dedicated in curatorship, spreading and promotion of China's contemporary photography and management of art projects and galleries June,1996 to April, 1998, hostess of the column of "Photographer Interview" and editor of theory edition of People's Photography; April, 1998 to year 2005, photo editor and photo chief director for New Express under Yangcheng Evening News Group; August, 1998, planning and organizing South China Press Photo Advanced Seminar; 2000, compiling Chinese Story, a great realistic photographic book reflecting living status of all walks of life of China in the 20th century's; 2001 to 2003, taking a 3-year Chinese Master Course as a member chosen by World Press Photo; 2005, initiator and curator of Lianzhou International Photo Festival as project and art director; 2005 end, chosen as Top Ten Character of China Photography of the Year; January, 2006, curator for "Ever-Changing Fragrant River"--Qiu Liang Solo Exhibition, Guangdong Gallery; January, 2006, curator for "Chairman Mao in My Lens"-- Lv Houmin Solo Exhibition, Guangdong Gallery; February, 2006, curator for Moscow Photo Festival; March, 2006, attending Oracle (an international organization of museums of photography) Conference as representative for China Photo Festival invited by FotoFest; May, 2006, special curator for "China Photography 50 Years"- Large Retrospective Exhibition; November, 2006, invited judge for FOTOBILD, Berlin, Germany; January, 2007, invited curator for Chinese Work in Paris Photo Biennale; 2007, member of review panel for Rhubarb-Rhubarb, Birmingham, UK; 2007, member of review panel for FOTOBILD, Berlin, Germany.; April 2008, member of jury ot the 1st Thessaloniki PhotoBiennale 2008, Greece.

致力于中国当代摄影的策展、传播、推广以及艺术项目、艺术空间的管理。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Our photo workroom have photo-making area, kids area, rest area, change clothes ares, digital photo finished area, cosmetic area, dress choice area, photo choice area and reception etc. separately, you can enjoy individuate fashion life at PHOTO LIFE workroom.

工作室分为拍摄区、儿童活动区、成人休息区、更衣区、数码后期制作区、化妆区、服装道具区、选片区以及接待等多个功能区域，您可以在PHOTO LIFE里充分体验到以人为本的时尚享受。

I am a wilful child perhaps My mother was spoiled child I wayward I hope Every moment As beautiful as crayons I hope The white paper in love can draw Draw clumsy freedom Draw a never Tears in eyes Sky A sky plumage and leaves A green night and apples I want to paint in the morning Under the picture Can see the smile Under the picture all the young No pain of love She hadn't seen clouds Her eyes are clear color She looked at me forever Forever, watching Never suddenly fell away I want to paint distant scenery Under the picture of the horizon and the water is clear Painted many happy river Under the picture Lightly covered with fluff I let them get very close Let them fall in love Let each one Each a silent spring throb Have become a little birthday I also want to paint in the future I haven't seen her, it is impossible But know that she is very beautiful I painted her coat of autumn Under the burning candle painting and maple leaf Painted many because love her And out of the heart Under the picture Draw a woke up early The glass wrappers above And the fairy tales illustrations I am a wilful child I want to wipe away all the unfortunate I think in the earth Painted with Windows Let all habits dark eyes All light I want to paint surface Draw a frame under a higher than the mountains Draw down the Orient Under the picture A voice of limitless Finally, in the paper Angle I also want to paint Draw a koala He sat on the dark jungle in Victoria Sit quietly branches Become speechless He had no home No one in the distance He only, many The same dream. Berries And a big, big eyes I hope think But I wonder why I didn't receive crayons Don't get a color moment I only have me My fingers and trauma Only the pieces Love her Let them go looking for a butterfly Let them vanish from today I was a child A mother is spoiled child fantasies I wayward

我是一个任性的孩子也许我是被妈妈宠坏的孩子我任性我希望每一个时刻都像彩色蜡笔那样美丽我希望能在心爱的白纸上画画画出笨拙的自由画下一只永远不会流泪的眼睛一片天空一片属于天空的羽毛和树叶一个淡绿的夜晚和苹果我想画下早晨画下露水所能看见的微笑画下所有最年轻的没有痛苦的爱情她没有见过阴云她的眼睛是晴空的颜色她永远看着我永远，看着绝不会忽然掉过头去我想画下遥远的风景画下清晰的地平线和水波画下许许多多快乐的小河画下丘陵长满淡淡的绒毛我让它们挨得很近让它们相爱让每一个默许每一阵静静的春天悸动都成为一朵小花的生日我还想画下未来我没见过她，也不可能但知道她很美我画下她秋天的风衣画下那些燃烧的烛火和枫叶画下许多因为爱她而熄灭的心画下婚礼画下一个个早早醒来的节日上面贴着玻璃糖纸和北方童话的插图我是一个任性的孩子我想擦去一切不幸我想在大地上画满窗子让所有习惯黑暗的眼睛都习惯光明我想画下风画下一架比一架更高大的山岭画下来东方民族的渴望画下大海无边无际愉快的声音最后，在纸角上我还想画下自己画下一只树熊他坐在维多利亚深色的丛林里坐在安安静静的树枝上发愣他没有家没有一颗留在远处的心他只有，许许多多浆果一样的梦和很大很大的眼睛我在希望在想但不知为什么我没有领到蜡笔没有得到一个彩色的时刻我只有我我的手指和创痛只有撕碎那一张张心爱的白纸让它们去寻找蝴蝶让它们从今天消失我是一个孩子一个被幻想妈妈宠坏的孩子我任性

At times, the understate-ment appears to have been motivated by kindness—modestly concealing the bulk of Orson Welles, for example— but it also isolated and emphasized the most distinctive features of the subjects at their most expressive instants. One's eyes are immediately drawn to Welles's furrowed brow (1970, photo no. 41), Liza Minnelli's pensive mouth (1977, photo no. 58), Bette Davis's lithe hand floating as indifferently as her exhaled cigarette smoke (1971, photo no. 42), or Truman Capote's hands hovering ever so delicately at his sides 1977, photo no.

你可以从套领毛衣以外的人物脸部空间中，马上被吸引到了个性迥异的人物特征，比如维勒斯带有皱纹的眉毛，明勒丽沉思的嘴，戴维斯冷漠的手势以及香烟飘出的烟雾，以及卡波特的双手优美地盘旋在身体的两侧。

88 Photo album 2 Viva erotica photo album 3 All about Leslie photo Album 4 Moonlight express photoalbum 5 Happy together photo album

1（88纯影集）[2][3]（ LESLIE 的所有写真集）[4][5]

China Photographers Association; Guangdong Photographers Association; Hong Kong Photographers Union; Guangzhou Photographers Association; Guangdong Young Photographers Association; Zhongshan University School of Communication and Design; Zhongshan University Anthropology Department; Press Photo Office of the State Council; Shenzhen Professional Photographers Association; Mois de la photo; FotoFest; The Photographers' Gallery; Moscow Photobiennale; World Press Photography Foundation; German Photographers Association; La Maison européenne de la photographie; The Federation of Asian Photographic Art; Royal Photographic Society; Drik Photo Agency; The University of Michigan; VU Agency; EVE Photographers; Robert Klein Gallery; Poc Project; Agence France-Presse; The University of Kansas; Otterbein College; The University of Massachusetts Lowell; O'Connor Studio; FotoFreo; NB Pictures; John Stevenson Gallery; Photography Criticism CyberArchive; Photographie.com; Les Rencontres d'Arles; Photo Swap; Museum of Fine Arts, Houston; Chris Boot Ltd; 'Aperture Magazine'; PHotoEspaa; Rhubarb-Rhubarb; Seeing the Light; Grazia Neri Agency; cole nationale supérieure des arts décoratifs France; Tendance Floue; Les Filles du Calvaire Gallery.

中国摄影家协会、广东摄影家协会、香港摄影家联盟、广州摄影家协会、广东青年摄影家协会、中山大学传播与设计学院、中山大学人类学系、国务院新闻摄影办公厅、深圳专业摄影家协会、巴黎摄影月刊、休斯顿FotoFest摄影节、英国摄影家画廊、莫斯科摄影双年展、世界新闻摄影基金会、德国摄影家协会、欧洲摄影之家、玛格南图片社、巴黎国际摄影双年展、休斯顿摄影节、俄罗斯国际摄影节、伦敦摄影师之家、亚洲影艺联盟、英国皇家摄影协会、孟加拉Drik图片社，美国密歇根大学，法国VU图片社，埃娃摄影师、美国波士顿Robert Klein Gallery画廊、欧洲艺术家组织、法新社、美国堪萨斯大学、美国麻省大学Lowell分校、O' Connor 工作室/ O'Connor Studio，澳大利亚FotoFreo摄影节、伦敦NB Pictures图片社、纽约John Stevenson Gallery画廊、美国摄影评论档案馆、法国Photographie.com 杂志、法国阿尔勒摄影节、法国VU图片社、英国 PhotoSwap、美国休斯顿美术馆、英国Chris Boot图书出版有限公司、美国《光圈》杂志、西班牙摄影节、英国Rhubarb-Rhubarb摄影节、英国Seeing the Light、意大利Grazia Neri图片社、法国国家高等装饰艺术学院、法国Tendance Floue图片社、法国Les Filles du Calvaire画廊

Other options press the right arrow key during the regular preview display to select any of these options feather icon description self clock photo taken after a 10 second delay when the shutter button is pressed.with the camera mounted on a tripod,this can help prebent blur caused by jarring the camera when the shutter button is pressed.to take a photo at the exact time you wish and also reduce camera shake ,plug the included remore shutter button cable into the jack on the rear of the camera pod and use it instead of the shutter button on the camera swquence multiple frames 3frames are takenin rapid sequence when the shutter button is pressed video movie camera camera shoots a video clip when the shutter button is pressed ,with the resolution ,fuame rate and modedetermined by settings in the video size submenu under resolution in the main munu.the counter on the right side of the display indicated seconds.press the shutter button again to stop recordng press the right arrow key once more after the movie camera icon appears to return to normal still photo mode review display indications icon 1 battery indicator 2 file number 3 internal or sd card memory indicator 4 file type (JPH=still photo AVI=video file) 5 reviewmode indicator 6 video counter

其他选项按正确的箭头键在正规预览显示选择任何这样的选择羽毛图标的描述这张照片后自我时钟10秒延时当快门按钮是pressed.with相机三脚架上，这可以帮助prebent模糊图像造成突兀的快门按钮是pressed.to拍照的确切时间，你希望，也减少了相机抖动，塞了包括remore快门按钮电缆到杰克在后方的相机的小花数、荚果数和使用它，而不是在照相机快门按钮 swquence多帧序列是takenin时迅速3frames快门按钮被按下视频电影摄影机相机射视频剪辑当快门按钮按下时，这项决议，fuame率和模式(nurmal ro回路)由设置在视频大小子菜单中的主要munu.the决议计数器右侧的显示器显示seconds.press快门按钮停止recordng 按正确的箭头键后再一次电影摄像机图标似乎回到正常的还是照片模式回顾显示的指示图标， 1电池指示灯。 2档案号码 3内部或sd卡记忆文件存储位置指示器。 4文件类型(鼻咽喉科杂志==视频文件仍然照片的AVI)。 5评论模式指示器 6视频柜台

This article is based on the MATLAB6.5 picture processing toolbox, uses the M-file document to carry on the experiment which the programming compiles to instruct the book, mainly introduced some basic picture processing methods, match colors, a picture minute color including the picture, the image compression, the demonstration picture color chart and so on.

本文是基于MATLAB6.5 的图像处理工具箱，采用M-file文件进行编程而编写的实验指导书，主要介绍了一些基本的图像处理方法，包括图像配色、图像分色、图像压缩、显示图像的色图等。

The picture division for certain sub- pictures,and using each sub- picture characteristic and between them therelational description picture, regarding the picture recognition andthe explanation, the scenery analysis as well as picture piecemealprocessing and the memory all has the very big significance.

把图像分割为若干子图像，并利用各子图像的特性和它们之间的关系描述图像，对于图像识别和解释、物景分析以及图像的分块处理和存储都有很大的意义。

The circulation, consumption and reproduction of the trilogy have not only testified to its historical significance and literariness, but also invested it with new meanings.

该三部曲的流通、消费与再生产不仅验证了其历史意义及文学性，而切还赋予它以新的意义。

If he thought that he could buy me off, he would be wrong.

如果他认为他可以收买我，那他就大错特错了。