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What they found will amaze you! So, if you need some percussion that'll make people say,"What the heck was that!?" then look no further than Junkyard Percussion – because one man's trash is another man's drum kit.

被某人视为垃圾的东西在此却成了上佳的打击乐设备，如果您需要带给别人令其瞠目结舌的听觉效果，Junkyard Rhythms实在是挡不住的诱惑！

Set pitch or low frequency surge can bring the roulade of the periodic change to the volume. To set the low frequency surge or controller can bring quaver. And set the both can make the timbre bring periodic rocky purpose. We edit out the percussion timbre that adapts the musical style and character, during the editing course, the percussion timbre is decided by our musical understanding.

通过设定音高包络或低频振荡调制可产生周期性变化的颤音效果，通过设定包络、低频振荡器或控制器，可以产生音量周期性变化的震音效果，通过滤波器消除声音中的杂质，通过包络、低频振荡器或控制器的设定，使音色产生周期性晃动的哇音效果，音源在研发的过程中已经对各种鼓音色进行了设定，我们使用编辑制作出适合音乐风格和特点的打击乐音色，在编辑制作过程中，人脑对音乐的理解将最终决定打击乐的音色。

Moio is currently teaching a Latin Percussion Class, Music in World Cultures and private drum lessons at Mesa Community College, as well as keeping a busy schedule at Arizona State University and travelling as a clinician for Trick Drums, Latin Percussion, Evans Drum Heads, Calato/Regal Tip Drumsticks and Sabian Cymbals.

杜姆在梅萨社区学院、亚利桑那州州立大学教授爵士鼓，并作为客座教授在世界各地讲解鼓的技巧和拉丁打击乐器。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Chrome steel products mainly include: Crowbar stay wrenches, wrench to stay single, stay-mei dual-use wrenches, percussion stay wrenches, bending Plum wrench handle with hexagonal wrench, F-type wrench, single-head wrench plum, plum bending percussion Handle wrenches, straight shank percussion Plum wrench, Crowbar Wrench plum, plum blossom wrench straight shank, convex-type percussion Plum wrench, double-headed wrench Plum, fitter flat shovel, double-headed C-type wrenches, double-headed wrench stay B double-headed Plum wrench, crowbar sharp, hook wrench, valve wrench, Afterburning shot, top, drill rod, curved handle percussion stay wrenches, ratchet wrenches, high-neck single-convex head Plum wrench, wrench and attachment sleeve.

铬钢产品主要有：撬棒呆扳手，单头呆扳手，呆梅两用扳手，敲击呆扳手，弯柄梅花扳手，内六角扳手， F型扳手，单头梅花扳手，弯柄敲击梅花扳手，直柄敲击梅花扳手，撬棒梅花扳手，直柄梅花扳手，凸型敲击梅花扳手，双头梅花扳手，钳工扁铲，双头C型扳手，双头呆扳手，乙型双头梅花扳手，尖撬棍，勾扳手，阀门扳手，加力杆，顶尖，钢钎，弯柄敲击呆扳手，棘轮扳手，高颈凸型单头梅花扳手，套筒扳手及附件。

The major structures, critical components and performance parameters of steel ball percussion device and hydraulic percussion device were designed and calculated on the basis of study on rock broken mechanism of rotary percussion drilling, which make it is more scientific and reasonable of design of the two percussion devices.

在研究回转冲击钻进破岩机理的基础上，对球体冲击器及节水型液动冲击器系统的主要结构、关键部件及性能参数进行了理论设计与计算，使得两种冲击器的设计更具科学性、合理性。

The main returns are as follows: 1. A set of water-saving, quick and safe rotary percussion self-contained drilling tools and drilling technique used in drought water scarce areas were developed under the new idea combine water-saving drilling with rotary percussion drilling, which includes pneumatic steel ball percussion device used see before formation water and water-saving hydraulic percussion device used see after formation water.

主要研究成果： 1、从&节水钻探&和&回转冲击钻进&相结合的新思路出发，研制了一套适用于干旱缺水地区的节水型回转冲击配套钻具及其钻进工艺方法，包括见到地层水之前使用的球体冲击器及见到地层水之后使用的节水型液动冲击器系统。

Taking a general view of the paper, major innovative ideas and returns are as follows: The main innovative ideas are as follows: 1. The paper put forward the new idea that combine water-saving drilling with rotary percussion drilling creatively according to the present situation of water resource lack seriously and the background of implementation of state geological survey strategy. 2. The working principle of new designed system of water-saving hydraulic percussion device completely different from traditional hydraulic percussion device, the system can carry out rotary percussion drilling on the condition that no surface water be consumed, and achieve the purposes that saving surface water, cutting cost and improving drilling efficiency. 3. The design conception of steel ball percussion device is very novel, the percussion device is durable, with a simple structure, at the same time drilling efficiency would be improved highly and drilling cost would be reduced greatly when drill with the steel ball percussion device.

综观全文，论文的主要创新点及研究成果如下：主要创新点： 1、结合我国许多地区水资源严重短缺的现状以及国家实施地质大调查战略的背景，创造性地提出了&节水钻探&和&回转冲击钻进&结合起来的新思维； 2、设计出的节水型液动冲击器系统，其工作原理跳出了传统液动冲击器要消耗大量地表水的原理模式，在基本不消耗地表水的情况下便能实现回转冲击钻进，达到节约地表水、降低成本、提高钻探效率的目的； 3、设计的球体冲击器构思新颖，克服了同类产品冲击功传递效率低的弊端、且结构简单、经久耐用，可大幅度提高钻探效率、降低钻探成本。

An excellent companion to Uakti and Philip Glass's wonderful Aguas de Amazonia, U.K. trio Tuu's One Thousand Years is a densely textured ambient homage to primitive magical woodlands, tribal peoples, and sacred waters. The group features not just the expected synthesizer and samples but flutes, panpipes, clay-pot drums, bowl gongs, and a chiming array of percussion.

这张专辑出自一个叫TUU的音乐团队，具体信息不明，不过按专辑所表现出来的风格来看，首先这是一张典型的New Age专辑，其中放弃了电子合成这一惯用手法，而大量的选用了民俗乐器，如flutes， panpipes， clay-pot drums， bowl gongs， and a chiming array of percussion。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。