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perception相关的网络例句

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与 perception 相关的网络例句 [注:此内容来源于网络,仅供参考]

In the history of western aesthetics, phenomenology, analytical aesthetics and Gestalt psychology have provided more research on perception, from which we can draw a conclusion about aesthetics perception. The process of perception is a dynamic process, in which experience change to erlebenis and a Yijing and the sense become.

借鉴西方美学尤其是现象学、分析美学、格式塔美学对审美知觉的具体分析,本文认为:一,知觉表现为由经验向体验转变的动态过程,在这个过程中,一个涌动着意义的"境域"油然而生。

Perception correlations among distributed heterogeneous PDM systems were established by a perception router description table, and the perception correlations among heterogeneous CAD models were established through a model feature correlation description table.

利用感知路由描述表,建立分布式产品数据管理系统之间的感知关联;利用模型特征相关性描述表,建立异构计算机辅助设计平台下模型间的特征级感知关联。

Based on twenty yearss research, Chen Lin developed the holistic processing hypothesis of Gestalt psychology into topology property perception theory, and thought of the human perception as a processing from holistic property to local property of perceptual object. From the viewpoint of Chen, a primitive and general function of the visual system is the perception of topological properties, and perceptual organization should be understood in the perspective of transformation and perception of invariance over transformation in the topological approach.

基于二十余年的研究积累,陈霖的拓扑性质知觉理论从格式塔心理学的整体加工思想出发,试图结合拓扑学的相关研究,对人类的知觉加工给出一个"大范围到局部"的说明,认为视觉系统的基本单元和一般功能是拓扑性质的知觉,知觉组织应当从变换和变换中的不变性知觉的角度进行理解。

The Seven Star Garden and The Elephant Hill of four star tourist areas in Guilin were chosen to conduct a questionnaire survey. What we want to explore and validate through this study is as follows:⑴How many individual and tourist area factors will influence tourists perception of crowding in tourist areas ?⑵Whether and how perception of crowding will influence the tourist emotions ?⑶Whether perception of crowding has influence on tourist area experience factors ?⑷Whether perception of crowding has influence on evaluations of tourist satisfaction, revisit desire and recommendation desire ? It is found with questionnaire-settled and data statistic analysis that:①"relaxing spirit"and"enjoying beauty"of tourist motivation factors, crowding tolerance and crowding anticipation have remarkable effect on perception of crowding;②"Tourists on the tour road","tourist behavior"and"tourist area space"have remarkable effect on perception of crowding;③The pleasure emotion and arousal emotion of tourists have remarkable effect on perception of crowding;④The perception of crowding has remarkable effect on the sight, entironment, service and establishment of the tourist area in tourist area experience.

本论文通过在桂林市的国家4A级旅游景区七星公园和象山公园的问卷调查和数据收集,主要研究以下内容:⑴影响拥挤感知度的个人因素和景区因素⑵拥挤感知度对旅游情绪的影响⑶拥挤感知度对景区体验因素的影响⑷拥挤感知度对游客满意度、重游意愿和推荐意愿的影响通过问卷整理、数据统计分析发现:①游客的个人因素中的旅游动机因子"放松精神"和"欣赏美景"、拥挤容忍度、拥挤预期对拥挤感知度有着显著影响;②景区因素中的"游道人"、"游客行为"和"景区空间"对拥挤感知度有显著的影响;③游客的愉悦情绪和激励情绪对拥挤感知度有显著影响;④景区体验中,拥挤感知度对景区景观、景区环境、景区服务和景区设施有显著影响。

Through analyzing the research result of four series studies, we conclude that the description about toplogical perception that is prior to the perception of local featural properties does not fit to the visual perception, and the figure visual perception is not affected by the different geometrical levels, and the relative perceptual salience of different geometrical properities is not consistent with the hierarchy of geometries according to Kleins Erlangen Program.

四个系列研究的研究结果表明,陈霖的拓扑性质知觉理论对视觉系统具有早期抽取图形拓扑性质的描述欠妥当,图形视知觉的加工过程并不受图形几何变换功能层次的制约,不同几何性质的相对知觉显著性与克莱茵的埃尔朗根纲领所描述的几何层次不一致。

The authors extended the representing framework Rof the KRA model so as to divide the perception into primary perception and abstraction perception. In the process of primary perception,Wunder the primary perception system P is mapped as P where the attributes of the objects in Wdo not change. In the process of abstraction perception, Wunder the abstraction perception system P* is mapped as P*. The objects in P*are abstraction objects, the types of which are related to the abstraction objects database predefined by the agent.

针对KRA抽象模型的表示框架进行扩展,将感知过程分解为初步感知过程和抽象感知过程两部分:初步感知过程将该模型提供的一个框架R表示世界W在初步感知系统P的作用下映射为P,该过程不改变W中具体对象的实体属性;抽象感知过程将P在感知系统P*的作用下映射为P*, P*中的对象称为抽象对象,抽象对象的类型根据感知者预先定义的抽象对象库Oa的不同而不同。

At the moment, however, I want to focus on perception and make three points. The first is a point about the intimacy of the connection between perception and action. It involves an argument designed to show that, contrary to what we might suppose, there is no logical or conceptual gap between our conscious perceptual awareness and our corresponding agential capacities. Needless to say, the argument is designed to make the agential approach to direct perception less unintuitive. The second point is made with the same aim, but proceeds from the opposite side. That is, I argue briefly for the inadequacy of the sense-datum conception of visual perception (the source of virtually everyone's "pre-theoretical" intuitions, regardless of their theoretical commitments). And I do so on phenomenological grounds.

此刻,无论如何,我需要集中在感知上,指出三点。1、关于感知和行为之间的密切关联,这包含一个被设计的论证,以指明在'我们有意识地感知'和'我们有意识地agential能力'之间不存在逻辑或概念上地gap,而无需说,这个被设计的'直接感知的agential进路'的论证更少非直观。2、同样的目的,但起点反过来,即,我简单论证了视觉感知的感觉材料概念的不充足(事实上每个人的前理论直观的源头,无论有何种理论承诺),我做这个基于现象学基础。

Man's knowledge emerged this way. He first had a perception he wanted to express, so he made sounds and language emerged. In order to decode the world, he invented mathematics. These added two things onto perception, extensions of perception, and later on there emerged the higher pursuits of man, such as art. There are two parts to art, the first belonging to the material, and the other belonging to the mental. Later on it split apart, with one part going on to be scientists, and the rest going on to research perception. Each different depiction method is a new re-expression of man's perception and spirit, a re-explanation of man's perception.

人类的智慧是这样出来的,他首先有感觉要表达,就发出声音,语言就出来了,为了解读世界,发明了数学,这就在感觉本体上面添加了两个东西,感觉的延伸,最后出现了人的更高的一些要求,比如艺术,艺术里面有两个部分,一部分属于唯物,一部分属于唯心,后来就分流了,一部分去做科学家,剩下的就是研究感觉,每一种描述方式都是对人的感觉和精神的重新再表达,重新解释人的感觉。

Man's knowledge emerged this way. He first had a perception he wanted to express, so he made sounds and language emerged. In order to decode the world, he invented mathematics. These added two things onto perception, extensions of perception, and later on there emerged the higher pursuits of man, such as art. There are two parts to art, the first belonging to the material, and the other belonging to the mental. Later on it split apart, with one part going on to be scientists, and the rest going on to research perception. Each different depiction method is a new re-expression_r of man's perception and spirit, a re-explanation of man's perception.

人类的智慧是这样出来的,他首先有感觉要表达,就发出声音,语言就出来了,为了解读世界,发明了数学,这就在感觉本体上面添加了两个东西,感觉的延伸,最后出现了人的更高的一些要求,比如艺术,艺术里面有两个部分,一部分属于唯物,一部分属于唯心,后来就分流了,一部分去做科学家,剩下的就是研究感觉,每一种描述方式都是对人的感觉和精神的重新再表达,重新解释人的感觉。

At present, there are many perception researches about vision. Researchers did so many studies about figure perception, space perception, time perception and movement perception, and they found some interesting phenomenon, such as perceptual interference effect.

研究者对形状知觉、空间知觉、时间知觉及运动知觉做了很多研究,发现了很多有趣的现象,知觉干扰效应就属于其中之一,研究并揭开这些有趣的现象有助于我们理解人类的知觉机制。

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相关中文对照歌词
The Truth Of My Perception
Perception Twin
Perception
Life Is A Perception Of Your Own Reality
Perception Deception
Perception
Instant Radical Change Of Perception
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