查询词典 past-due

Anuran amphibians exhibit complex vocal behavior, which is an important mechanism in breeding and species identification. In the past it has been assumed that caudate amphibians are generally silent, with the exception of a few which have been shown to emit faint squeaks and barks.

无尾类两栖动物的复杂的声行为对其繁殖与物种的识别具有重要的作用，而有尾类除了少数种类可以发出微弱的"吱吱"声或吠声外，在过去一直被认为是基本不发声的。

That was the past,the future is near, I anxiously wait,for what will appear.

那是过去，未来在向我们靠近，我急切地等待，等待什么将会出现。

The common practice of rendering an aorist by a simple English past tense should suffice in most cases.

这些形式只是和希腊文的释经有关。通常，只要将希腊文的简过动词译成英文的过去式就可以了。

Tense - Aorist The aorist tense is characterized by its emphasis on punctiliar action; that is, the concept of the verb is considered without regard for past, present, or future time.

时态 -简单过去式（译注：或称过去不定时态，一般以"简过"称之）梅晨：简过和不完成式都是指著过去的时间而言，但是不完成时态是指著过去的一种进行式的动作，例：我过去正在做。。。

The preordained frangibility of the hymen: the presupposed intangibility of the thing in itself: the incongruity and disproportion between the selfprolonging tension of the thing proposed to be done and the selfabbreviating relaxation of the thing done; the fallaciously inferred debility of the female: the muscularity of the male: the variations of ethical codes: the natural grammatical transition by inversion involving no alteration of sense of an aorist preterite proposition (parsed as masculine subject, monosyllabic onomatopoeic transitive verb with direct feminine object) from the active voice into its correlative aorist preterite proposition (parsed as feminine subject, auxiliary verb and quasimonosyllabic onomatopoeic past participle with complementary masculine agent) in the passive voice: the continued product of seminators by generation: the continual production of semen by distillation: the futility of triumph or protest or vindication: the inanity of extolled virtue: the lethargy of nescient matter: the apathy of the stars.

671处女膜先天的脆弱性，物体本身预先假定的不可触性。为了达到目的而自我延长的那份紧张以及完成之后的自我缩短与松弛，这二者之间既不调和也不均衡。女性之虚弱及男性之强韧乃基于谬误的臆测。道德的准则是可变的。自然的语法转换：在不引起意思变动的情况下，由主动语态不定过去式命题（从语法上分析：男性主语，单音节拟声及物动词，女性直接宾语）转位到相关的被动语态不定过去式命题：3）（从语法上分析：女性主语，助动词与准单音节拟声过去分词，男性主动补语）。借着生殖，不断地生产播种者们。借着酿造来连续地生产精液。胜利也罢，抗议也罢，复仇也罢，都是徒劳的。对贞操的颂扬煞是无聊。无知觉的物质毫无生气。星辰之情感淡漠。

This paper summarizes, in brief, the story of the karetao (Māori puppetry) and its world as it is known today, and the process being undertaken of understanding its past, with the view to reviving elements of its world – the spiritual, healing and entertainment aspects, which formed a cultural framework for centuries until Europeans colonies Aotearoa New Zealand.

这篇文章简要地总结了卡莱陶的今天和过去，以复兴的视角来了解卡莱陶的整个世界，包括精神性、治疗和娱乐因素，它们共同塑造了欧洲殖民之前新西兰长达几个世纪的基本文化框架。

With the emergence of a new wealthy class, philanthropy has been developing apace in China during the past few years.

随着富有阶级的兴起，慈善事业在过去几年也开始在中国起步。

When the aphasic and rootless generation becomes aware that they can in no way communicate with plants, they are doomed to experiencing the once warm feeling of the earth that has been distorted beyond recognition today in the process of "recalling the past suffering and happiness". The shaded pains have thus become an impulse to write. That is when the novelist, who claims that his earliest dream specialty is in "botanical gardening", began to build his own avant-garde world of fantasy.

当他们意识到自己根本无法和植物对话，失语无根的一代注定只能在"忆苦思甜"中感受面目全非的土地曾经温暖的气息，这被遮蔽的痛苦就逐渐衍变为写作的冲动－－这位自称自己最初的专业理想是"园林"的小说家从此开始建构属於自己的先锋梦幻世界。

This paper mainly reviews Apollinaire as a spiritual leader of the poets of the new generation in France in the 20th century and a peak in French new poetic form. It also affirms him as a historic character in international literary circles in the 20th century who intented the past and ushered in the future. Through the reform of artistic form and content initiated by him in his cubist and futurist art-creating program, it expounds Apollinaire's important position and active contribution to the 20th contury...

本文主要评介阿波里奈尔作为法国20世纪初新一代诗人的精神领袖、法国新诗体的一座高峰，在20世纪国际文坛上承前启后的历史性角色，并通过他在立体未来主义艺术创作纲领中所倡导的艺术形式和内容的革新，论述阿波里奈尔的艺术思想和美学思想在20世纪文学运动中的重要地位和积极贡献。

My heart was broken. I am apologetic with my behaviour in the past "sorry"

我的心碎了我为我过去的行为向你道歉 ECHO：愿你早日找到真爱

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。