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Finite element method of oil film capability is a basis of this papers research work, and it is also an important research method.

油膜性能的有限元算法是本文研究工作的一个基础，也是一个重要的研究方法。

My mother pulled it up with impatience, and there lay before us, the last things in the chest, a bundle tied up in oilcloth, and looking like papers, and a canvas bag, that gave forth, at a touch, the jingle of gold.

母亲不耐烦地把它拖了出来，现在展现在我们面前的是箱子里最后的物件了，用油布捆着的一包东西，看上去像是些纸，还有一个帆布包，一碰竟发出了金块的丁当声。

My mother pulled it up with impatience, and there lay before us, the last things in the chest, a bundle tied up in oilcloth , and looking like papers, and a canvas bag, that gave forth, at a touch, the jingle of gold.

母亲不耐烦地把斗篷往上一拎，于是箱子里最后的物品便呈现在了我们的眼前：一个油布包，里面像是包着文件；一只帆布包，手一碰便发出了金属丁丁当当的撞击声。

Okey,the problem is i don't know where the papers are

2，好的，问题是我不知道纸在哪？

I have two papers per day delivered to my Omaha home.

我每天有两份报纸要送到在奥马哈的家。

A phrase on the lips of identification papers, I think it's good, recommended!

一篇关于唇语识别的论文，本人觉得不错，推荐一下！

The papers cannot regard some excellent films and TV play series since the end of 90s as a whole. There are not also much study which can coordinate the works of art by the numbers from ontic narrative mode. They cannot mostly unscramble profound examining-minutely from the heart and humanism thought from which the works of art contained continuous and distant culture connotation. This thesis is going to search the angle of view and object in study which prevenient study had neglected.

而真正能把90年代末期以来取得成功的一批优秀的电影作品和电视剧作品作为一个整体，进行系统性的梳理，并从作品本体叙事模式的微观层面出发，解读出其中蕴籍的绵长悠远的文化内蕴所体现出的深沉的心灵追问与人文关怀的研究，却并不多见，而这正是本文所要寻找的切入角度与研究对象。

For regular topology surface, intermediate surface local texture mapping are used; for irregular topology surface, subdivision surface local texture mapping are used. So different topology surface using different texture mapping methods can solve the contradiction between texture effect and processing speed when they are dealt with by single method. The three judge conditions of texture distortion in the process of mapping onto the sphere surface are discussed and the exiting algorithms of mapping are analyzed, the new algorithms of mapping onto the sphere surface are presented. In order to enhance the realistic of graphics, a new function of wood texture is presented. OpenGL is also introduced in this papers and some realization examples of texture mapping based on OpenGL under the environment of VC++ and POV-RAY are presented in some chapters.

对于简单拓扑表面，利用改进的两步纹理映射，对于复杂拓扑表面利用新的面片分割算法，初步解决了颜色纹理中速度与走样之间的矛盾；通过对球面纹理时纹理不变形的三个判断条件的研究，分析了现在各种球面纹理映射算法，并在此基础上提出了一种基于等面积的半球面纹理映射算法，明显减少了球面纹理的纹理变形；针对现有的木纹纹理中，两种表示木纹的颜色差距表现出的颜色突变问题进行研究，提出对这两种颜色进行线性插值或二次插值，使生成的木纹纹理颜色更加连续，更加逼真；在VC++环境下，通过调用Open GL的图形库及在Pov-Ray软件环境下，实现了参数化纹理、球面纹理、凹凸纹理及木纹纹理等各种算法。

In 1943 he was accused of fathering a child; the papers made much of the scandal, but it was proved in a court trial that he was not the father. The same year he entered his fourth marriage, to Oona Chaplin, daughter of playwright Eugene O'Neill. They had eight children. Tired of political and moralistic controversies and plagued with tax problems, he left the United States for Switzerland in 1952. He published his memoirs in 1964. In 1972 he returned to Hollywood to claim a special Oscar honoring his lifetime contributions to movies. He was named Knight Commander of the British Empire in 1975. He died in his sleep from old age.

卓别林第一部电影长片是1921年《寻子遇仙记》，两年后他为联美公司亲自监制、执导了《巴黎一妇人》，1925年和1928年又先后推出经典之作《淘金记》和《马戏团》，在1929年的第一届奥斯卡上，《马戏团》一片为他赢得"集编剧、表演、导演和制作于一身的多才多艺天才"特别大奖。1932年，卓别林从伦敦返回美国后，推出了他最成功的作品之一《摩登时代》，此后是1940年讽刺纳粹政权的的《大独裁者》。

Papers by Pham Van ordinary world is like Yao's starting point - Ordinary World.

平凡的 世界读后感范文很喜欢路遥的出发点--平凡的世界。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。