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Jean-Franois Heim''', Paris, sold Hercules and the Stymphalian birds by Gustave Moreau (1826-1898) to an American collector, while '''John Mitchell Fine Paintings''' of London was very pleased to sell The Conversion of Saint Paul by Sebastien Bourdon, one of the most complex and enigmatic French painters of the seventeenth century.

巴黎的 '''Jean-Franois Heim'''艺术馆则将一幅古斯塔夫莫罗（Gustave Moreau，1826－1898）的《赫拉克勒斯与斯廷法罗斯湖的怪鸟（Hercules and the Stymphalian Birds）》卖给了一位美国收藏家。伦敦的'''John Mitchell 精美画馆'''则售出了一幅塞巴斯蒂安布尔东的画作《圣保罗的转变》。

Not only do these paintings depict the Buddha but also Hindu deities such as Shiva, Ganesha and Surya.

这些绘画不仅仅是描绘佛陀，而且还描绘印度教的神，例如湿婆、甘尼萨和苏利耶。

The emerging trend to collect contemporary Tangka paintings will certainly encourage the artists to produce more creative works, and in turn promote the innovation and sustainable prosperity of the art.

对当代唐卡精品的收藏，还将激励艺术家创作更精美的作品，从而推动这门艺术的不断创新和可持续发展。

The influence by the Han nationality and Tibetan's thoughts and cultures runs through the development and changes of meticulous style painting in deep colors and Tangka Paintings.

汉藏民族思想文化对工笔重彩画与唐卡艺术的影响，贯穿于它们的发展演变中。

The city sceneries of Teng Xiao's paintings are his comprehension of the nature.

滕霄所画的城市风景，是他对自然生命的感悟。

Metaphysics popular during this period, Chinese scholars advocating elegant Tetrapanax, paintings and other works on the history of painting began to appear, landscape painting, flower began to sprout, this period focus on the mental state of the art of characterization and the temperament of the performance to the theme of literature, painting an increasingly popular .

这一时期玄学流行，文人崇尚飘逸通脱，画史画论等著作开始出现，山水画、花鸟画开始萌芽，这个时期的绘画注重精神状态的刻画及气质的表现，以文学为题材的绘画日趋流行。

The source flowed long Chinese ancient old civilization to conceive special culture in China far.Rocking paintings of toxophily are among them.

源远流长的中国古老文明孕育了中国特有的文化，凝固在宁夏贺兰山与北山的岩刻作品，贮存了许多远古人类的体育文化信息。

There is a short developing phase in Liu Hui's abstract landscape oil-paintings that originates from the transferential impulse of Post 89's Tiananmen Event.

刘辉的抽象风景油画有一个短暂的生成阶段，即缘起于&后89&的移情冲动。

Following after the new century, Liu Hui cast off the experimental photography for making the paintings through light,changed his transferential impulse into abstract one, returned to the easel painting, substituted brush for knife, and even went against the wind by the help of the formalist wings, ran away from the jail of hearts locked up by uproar.

作为边缘艺术家，疏离的立场是获得自由的必要前提，在进入新世纪之后，刘辉从以光作画的实验摄影摆脱出来，也就是从移情冲动向抽象冲动摆渡，回到架上，以刀代笔，进一步借助形式主义翅膀，逆风而行，逃逸&尘嚣敷锁&的&心狱世界&。

In the age of pictorial reproduction the meaning of paintings is no longer attached to them ;their meaning become transmittable :that is to say , it becomes information of a sort ,and, like all information , it is either put to use or ignored ;information carries no special authority within itself .

在图画复制的时代，画作的含义不再是图画的附属品，而成了可以传送的：这就是说，它成了某种信息，而且如所有信息一般，若不被使用，就是被忽视；信息本身不带有任何特殊的权威。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。