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Dyce life underwent a radical social change after the industrial revolution; his concerns regarding the cultural, religious values in the transitional society made his works significant when it comes to the Victorian paintings.

戴斯生逢工业革所伴随而来的时代巨变，体察工商业文化下的社会、宗教等价值变迁，作品强调反映当时的宗教境况，重视绘画精神性与教化功能，是以让他的绘画能在性灵匮乏的年代提供抚慰人心的功用，也因而使他跻身维多利亚时期的重要艺术家之林。

Fu's inkwash paintings, enigmatically expressed in plane elements, lead audience into a mysterious, unearthly world.

其水墨画作品，则通过更为莫测的平面表现形式，将观者带入神秘深邃的世界。

For expressionist paintings, the content seems to be less important.

无论是对自然界还是人与人的情感，都希望能从画面上看到心灵深处的独白。

However, I prefer the compositional paintings similar to the structures of characters and drafts of sculptures, with composite materials, to those expressionistic ones with heavy use of colors.

纪念碑性&可以定义为&纪念的状态和内涵，它不仅要求有巨大的、持久的、艺术中的超常尺寸的含义，也指在历史中那些显著的、重要的、持续的价值。

It shows life after Mao's passing, and on the whole, Yin Zhaoyang engages in expressionistic experiments in these paintings, makes the Square appear strange and unfamiliar.

那是一个毛不在之后的存在，在整体上，尹朝阳对画面进行了表现性的绘画性实验，使广场的视觉变得陌生化。

Here it is difficult to trace the boundary between Western miniature painting and the Byzantine which made its influence felt in the workrooms of Monte Cassino and especially in the beautiful paintings of the rolls containing the text of the "Exultet" of Holy Saturday.

在这里，这是难以追查之间的边界西部的缩影，绘画和拜占庭这使得它的影响力在工作室的Monte cassino ，尤其是在美丽的画本卷载文& exultet &圣周六），也值得一提的是一个尝试的cistercians企业注入更简单到启发性。

Finally, there exist rolls of parchment wholly covered with paintings (Roll of Josue in the Vatican; Exultet Roll of S. Italy; see below).

最后，存在着卷羊皮纸全覆盖画（辊josue在梵蒂冈； exultet辊脊髓肌肉萎缩意大利；见下文）。

The whole shape of his paintings, thus, stands on two parallel concepts of realistic painting and factionary narrative.

这个框架在他的画面中构成一种人工化的语境，从而也造就刻意写实的画面和刻意作假的叙事框架双重文本的格局。

The mounting paintings, must be careful, you must wear a white gloves, lest flyblown.

二是在裱画的时候，一定要特别的小心，必须先戴好白色的手套，以免弄脏。

Music did not lead to language, language led to music in what has turned out to be a glorious accident—what Stephen Jay Gould called a spandrel, by analogy with the functionless spaces between the arches of cathedrals that artists then fill with paintings.

Stephen Jay Gould将其称之为拱肩，和在教堂的两道拱门之间没有什么用途的空间，画家们用它们以画来填充。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。