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So, her transcribing paintings are the exploration and attention on the power and effect of abstract paintings.

因此，何艳的抄写式绘画，可以看作是对绘画抽象的自身力量和效果的探索和关注。

In his creation, he focuses on the inner essence of China's traditional art. His landscape paintings have a certain relationship with China's early works, these ones usually possess advanced mood and state; those mountains and rivers, calmness and quietness, revealed from his paintings, reflect a kind of China's ancient painter's unique attitude towards the nature.

朝戈在创作中注意研究中国传统艺术的内在本质，他的风景画与中国早期的山水画具有某种关联，这些山水画具有很高的境界，大山大水，沉稳寂静，反映了中国古代画家对自然的独特态度。

Zeng Fanzhi's chaotic brushworks, which are the 'brand' of his paintings, leave a chaos of visual effect on his paintings.

这种在厚油彩未凝固前用笔杆划出的线条十分有力度，使人猛一看来，觉得触目惊心。

In the ancient paintings, which are discovered in Cangyuan County, Yunnan, there are over 10 paintings are about bullheads dance.

云南古代民族也特别崇拜牛，在云南沧源崖画有10个点有不少原始人手持牛头的图像，沧源崖画第一地点2区右下方岩壁上有一组舞蹈图象。

Her ink people paintings reflect her effort and interest in directly probing into the essence of forms and capturing the intentions in the paintings. Moreover, she often cognizes and seizes objects from ideology and thinking, trying to discover something new from the familiar things, seeking for the new inspiration; in fact, this is a question about induction, generalization and understanding of the phenomenal world.

因为， 在她的水墨人物画中，体现出强烈地直入形式本质与捕捉笔墨意味地努力和兴趣，而且，她更多地从观念和思维上去认知和把握对象，企图在司空见惯的对象身上发现陌生化的东西，寻找到激活思维的新因素；在实际上，这是一个对现象世界的归纳、概括与把握的问题。

This paper focuses on discussing mosaic icon paintings in the Byzantine period, icon frescos in the Romanesque period and Stained Glass icon paintings in the Gothic style period.

本论文主要针对拜占庭时期的马赛克圣像画、罗马式时期的圣像壁画、哥特式时期的彩色玻璃圣像画进行论述。

The blend of musical elite Suzhou School Brush municipality, known for the safety of the north and south "of the Chinese art of calligraphy Rural" Surveillance bridge; Paintings and prosperity, the countless achievements of folk art Dangshan Hill County; Team huge player in large numbers "of Chinese painting art Rural" Xiao County, name the hearing, the legendary color China "folk art Rural" Frances, if a frame with the frame characteristics, colorful screen, a common component of Suzhou paintings period of prosperity in Mexico-gallery.

艺苑精英荟萃的宿州市直、闻名大江南北的&中国书法艺术之乡&埇桥；书画事业蒸蒸日上、民间艺术成果累累的砀山、泗县；队伍庞大、名家辈出的&中国书画艺术之乡&萧县、声名远播、富有传奇色彩的中国&民间艺术之乡&灵璧，如一帧帧特色各具、五彩缤纷的屏风，共同组成了宿州书画繁荣时期的墨香画廊。

No matter how we could imagine or see the images, we should not misunderstand the images as ambiguous ones purposely created by the author among the small number of paintings mentioned before or other paintings such as "sea horse" or "huge ant"; instead, it should be viewed as the carryover effect of writing operation.

我们也不应该认为那少数画中，或是其他画中，不管我们可以猜想或见到的形像，如「海马」「大蚂蚁」等是作者刻意营造其形象之暧昧，那应该是笔迹运作的后遗效应。

He violently painted portraits and modern landscapes (such as that of "sandstorm") on top of his peasant painter"s kitschy landscape paintings (those so-called "landscape paintings that we frequently encounter in rural hotels and restaurants in China).

这当然不单是指他的学院背景，或他的书读得多，富有人文素养，从内里来看，指的是在他那里体现了一种成熟的富有历史感的艺术意识。正是他的&历史感&在决定着他怎样来建构自己的艺术。

Paintings (1916) integrates his critiques of paintings and his analysis of Chinese history and politics. Rene Leys (1922) mixes autobiography and fictional stories. Even his unfinished piece, Essay on Exoticism: An Aesthetics of Diversity, cannot be counted as an academic essay in a strict sense although it has a serious essay title.

莱斯》（Rene Leys，1922）将自传和虚构混杂在一起；即使那本未完成的《论异国情调》（Essay on Exoticism： An Aesthetics of Diversity）也是如此，虽然有着一个中规中矩的论文标题，却很难算是严格意义上的学术论文。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。