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paintings相关的网络例句

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与 paintings 相关的网络例句 [注:此内容来源于网络,仅供参考]

At first glance, notwithstanding the figurative elements they contain, these paintings radiate mainly a "void", which Western beholders immediately assimilate with the concept of monochrome paintings; a sterile interpretational context when taking into account that Qiu's works though representative of a relevant position in contemporary art position themselves beyond the self-reflective, formalistic concepts of modernism.

凝视这些摹于对象的画作,感受其散发的&空&,让西方观众不由自主地联想到&单色绘画&。但这种阐释语境不会太有延伸性,因为邱世华的画尽管也代表了一种当代艺术的重要立场,却毕竟与形式主义自我反思的现代主义艺术观念更为接近。

Based on the misfortunate fate of "Founding Ceremony of PRC" and his own understanding of this work as well as the historical characters in it, Ma Baozhong created some large paintings and groups of small paintings by adopting his unique network structuralistic painting language, discussing academic subjects like the hidden politics and power behind the painting modification, the fate of characters, the truth in history, and the verity of history.

围绕命运多舛的《开国大典》,马堡中按照他自己对《开国大典》以及其中各个历史人物的理解,以他独有的网络结构主义绘画语言绘制出大画若干、小画数组,讨论绘画的修改背后所隐藏的政治与权力,以及人物的命运、历史中的真实、历史学的真实等等学术主题。

One of the biggest differences between the two regions' contemporary paintings is that more Sichuan artists make figure paintings, and their works closely related to the politically and nationalistically collective memory of the time, while less Taiwan artists adopt similar subjects.

就绘画内容题材而言,而如果要在两岸的当代绘画寻找出最大的差异,不难发现,占大比例的大陆艺术家相当执著於对人物题材的表现,形式上更呈现出与政治、民族紧紧相扣的时代集体记忆;而只有相当少数的台湾艺术家专注其中。

At the first half of the 20th century when China's arts entered into its modern stage, Xu Beihong was undoubtedly a great figure in the arts field. To change the situation of plagiarization and imitation, and listless style for lack of life experience in Chinese painting then, he was the first to integrate the exquisite realistic practice of western paintings to Chinese paintings, following good command of both of them, exploring a new and wide horizon for the revolution and development of traditional arts.

在20世纪上半叶中国艺术进入现代之时,徐悲鸿无疑是艺术界举足轻重的人物,为了扭转中国画抄袭、模仿、缺乏生活气息的萎靡颓风而大声疾呼,他学贯中西,将西方精湛的写实技巧融汇到中国绘画之中,为传统艺术的革新与发展开拓了新的广阔天地。

It is understood that the two newly discovered rock paintings located in the town ofsan yan jing Village Shawodi Tulipa Red Cliff and the village of West Town, the original pine bifurcated Bay, This is the second team in the 2007 census Town of ginger red JINWOZI trenches, in Stephen Township shape of the groove, pull the card right Township ditch, temple paintingstan xiang deer then ditch the newly discovered ancient rock paintings.

据了解,新发现的两处岩画分布于上沙窝镇三眼井村老鸦崖和红水镇原松林村西岔湾,这是继2007年普查队在红水镇的姜窝子沟、中泉乡的板形沟、正路乡的拉牌沟、寺滩乡的画鹿沟之后又新发现的古代岩画。

This time, holding the belief of introducing his paintings in the hope that others may follow, he wishes this exhibition can stir up the general public's concern for Taiwan's future development of water-colour paintings.

此次,黄校长以抛砖引玉的精神,希望藉由其作品的展出,激发大众关切台湾水墨画教育的未来发展。

I have been there for many times to do sketches. The cracked old roots and fissures of the truck touched the bottom of my heart again and again. In the painting "Cypresses in the Forbidden City", I used a so-called method of scattered dots to depict the fissures which is extremely rare in similar paintings, while for the walls I used the crimpling skills to reveal its weathering nature. It is because I believe that all techniques and effects should be centered on the main themes, to make paintings more profound in humanism.

我曾无数次地到那一带去写生,那苍茫的老树根,那干裂的树纹肌理,曾一次次地触动我的心扉,《皇城古柏》这幅画我用散笔法来表现柏树的纹理效果,由上至下,气韵贯通,这种方法在画柏树里并不多见,用打点的方法来点树叶,层层打点积厚,但又注意疏密的关系对比,形成密不透风,疏可走马的效果,而皇城的城墙我则采取皱纸法来做出墙面的沧桑肌理效果,以此来传达出皇城这一历经风雨的历史厚重感,我的创作理念是:一切技法和效果为主题服务,让画面丰富起来,让画面融入人文内涵。

paintings, unlike any other form of paintings, have that unique quality of denuding shapes and forms into their original "non-shape" form.

抽象画,与其他形式的绘画不同,具有将形状和形式蚀入他们原始的&无状&形式的特质。

In "Rebirth", each work is covered with a single color. Again, without closely examining these paintings, viewers would not notice the subtle changes in colors and the various interplays of multi-layered of lights and darks. However, one might finally realize that these paintings were executed under natural lighting in the artist's studio, and it is nearly impossible to detect all the subtleties and nuances occurring in them when viewing under the gallery's artificial lighting.

全画面笼罩在单一的色相中,如果没有同样的凝神关注,观者是不会发现色晕中不断变化著的微妙色差,以及虚虚实实的光影交错;而且当发现─这些作品是作者维持著画室白天的光线作画所完成,观者想在展览现场的人工照明光线下看出所有的色感变化,大概还做不到呢!

With paintings sharing 90% in art market, some people say that paintings pail in the west but revives in China.

中国油画在艺术品市场上占有90%的份额,有人说油画在西方衰落了,而在中国却复兴了。

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