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Vasari's own Mannerist paintings were more admired in his lifetime than afterwards.

瓦萨利自己的样式画更钦佩他的一生比之后。

In paintings, Baroque gestures are broader than Mannerist gestures: less ambiguous, less arcane and mysterious, more like the stage gestures of opera, a major Baroque artform.

在绘画上，巴洛克的构图比起矫饰主义的构图更明显易懂，较少含混不清、晦涩难解和神秘的表达，而更像是巴洛克的主要艺术型态：歌剧所使用的舞台动作。

Thinking about his words and many of his lyrical paintings like "Recollection of Mortefontaine","Dance of the Nymphs","Gust of Wind","The Bridge of Mantes" and so on, we can see how devoted he is.

从柯罗的这段话中再透过他的《孟特芳丹的回忆》、《林中仙女之舞》、《阵风》、《孟特之桥》等一系列抒情诗般的优美作品，我们可以深切感受到他是多么投入。

Anna is learning to appreciate paintings and has quite a good eye, admiring Boughton, Maris and Jacquet already, for instance, so that is a good start.

安娜正学着欣赏一些绘画作品，而且眼光很不错，喜欢Boughton、Maris、Jacquet，从长远角度看来，这是个不错的开始。

Leonardo is famous for his masterly paintings, such as The Last Supper and Mona Lisa.

达芬奇以他的大师级的绘画而著名，例如最后的晚餐，蒙娜丽莎。

This brings together paintings executed during Matisse's early years in Nice.

这部分汇集了马蒂斯早年在尼斯创作的绘画作品。

These were combined and enhanced in a series of digital matte paintings.

这些照片被合成为一系列的数位背景图片。

E.g.Those paintings are copies,but this one is the real McCoy.

那些画都是摹本，但是这一幅却是真迹。

Within massive sandstone outcrops, above comparatively dense forest, are five clusters of natural rock shelters, displaying paintings that appear to date from the Mesolithic Period right through to the historical period.

在密林中大量沙石岩中，有五组天然石窟，里面岩画的历史从中石器时代一直延续到文明历史时代。

Following the pedigree of Huang Gong-wang-Dong Qi-changWang Yuan-qi, wefind the developing track of landscape painting of this period, through the taxis and comparing of their works, and hold the opinion that the coming up of "dragon venation" in Chinese ancient theory of painting is the sum-up of composition during the period of Wangyuanqi. The word prefer to the whole effect and imposing manner in paintings, weakening the relationship with geomantic. From it, we can find the efforts of ancient people searching for the best methodicalness.

本文遵循从黄公望到董其昌再到王原祁的谱系脉络，在对三者作品的排序、比对中，寻找这一时期山水画发展的轨迹，并认为中国古代画论中"龙脉"说的提出，是王原祁时代对布局章法的总结，此词在这一时期与风水的关联淡化了、减弱了，更多的指向绘画作品中的气势及整体效果，从中我们可以看到古人寻找最佳章法的努力。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。