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However,"JueLanCaiWei" still conveys a multiple meaning more extensive than "Absorption" in terms of learning or studying. Zubin's paintings tell what is regarded by him as an empirical or traditional existence has formed a kind of rhetoric to his paintings, for example, a restrained cynicism of the Ming and Qing Dynasty and even the times of the Republic of China or some conceits conjured upon a primitive thinking mode. No matter which it may be, the understanding of "symbolism" and "allegory" frankly shown by Zubin himself is more his interest in some particular drawing method than the outcome of "plucking" the fruitful tradition. Although he delightfully demonstrates an impressive charm of the traditional language indeed, the symbolic or allegoric meaning of his paintings depends not on the language itself but on some inexpressible secrets in his view of life by means of images.

不过， 作为学习立场的表述，"嚼兰采薇"依旧隐约传达出比"吸收"更大的多义性，祖斌的画作证实：那些被他视作经验或传统的存在，已然构成自己作品图式的某些修辞，譬如一种婉约的明清甚至民国时代的玩世情调，或者部分以原始思维模式臆造的奇思妙想，但无论前者或后者，祖斌所坦言的关于"象征"和"寓意"的理解与其说是他咀嚼或采摘的结果，不如说是他感兴趣的图绘手法，尽管他的确津津有味地在作品中展示了那些令人回味的有关传统语汇的魅力，但其作品的象征性和寓意并不取决于语汇自身所指，而是用图像看待生活时许多令他自己也欲辩难言的隐秘所在。

Paintings on the corridor top of Cave No.9 belong to Uprising Army period in late Tang. These paintings inherit and mix some of the changed subjects and images about Khotan and India with other historic subjects of Khotan, India and China to create paintings of historic events on Bullhead Mountain of Khotan.

晚唐归义军时期，第9窟甬道顶，继承与改变了中唐部分于阗与印度的题材与图像表现，并加入其它于阗、印度与中国史迹题材后，重新组合成以于阗国牛头山为主的史迹绘画。

Painting which is the mainstream of the western art is extremely representational in the aspect of the space concept. But relieves combine the paintings'complanation with sculptures'extensity .so we decide to research the process of the evolvement and the interaction between paintings and sculptures. We expect to discuss the space and art expression in the western art and relieve ,so I can have a further comprehension about the space of optical art. The comprehension can not only help us understand the traditional western paintings and relieves better, but also make us comprehend the space concept of modern art better, to set the artistic creations of contemporary paintings and relieves into action.

油画，作为西方绘画的主流形式，在空间形态的表现上极富代表性，而浮雕兼具绘画的平面性与雕塑的实体空间性，因此，我选择研究油画与浮雕在空间上的演变过程及其相互影响，以期可以从一个侧面来探讨西方绘画与浮雕中的空间观和艺术形态表现，从而对视觉艺术的"空间"有更深一个层次的了解，这不仅有利于我们理解传统的西方油画和浮雕，也能使我们更好地理解现代艺术的空间观念，进而更好的推动当代的油画和浮雕创作。

This influence can be seen in the works of Degas,who included large flat areas of drak color in his paintings.

This的影响可以在德加，谁列入题材大型平板领域的杰札色彩在他的家庭喜欢paintings。

Today, when Chinese contemporary paintings are predicted to go to an "end", the ebullition of freedom, imagination, genius and character of Qin Fengling's paintings doubtlessly bring us a totally new feeling for paintings.

二十年的积淀在秦凤玲绘画上迸发出的自由、想象、天赋和个性，在中国当代绘画被预言将要走向"尽头"的今天，无疑将会带给我们对架上绘画的全新感受。

It mainly sales various of high-grade oil paintings, such as Chinese paintings, calligraphy painting, decorative paintings, Hunan embroidery, painting with no frame, high-grade gold and silver parked painting, painting wood craft, craft jewelry and so on.

经营各种中高档油画，国画、名家字画、装饰画、湘绣、无框画，高档金银泊画、木雕工艺画、工艺饰品等。

Cy Twombly uses a combination of charcoal, colored pencils, chalk and oil paint in his works; sometimes he also incorporates wavy, flowing, scribbled text. But Ye Yongqing uses an "eyebrow pencil" to portray abstract lines and points to form a poetic visual language. His latest paintings further expand on this. He created seven abstract paintings of an identical composition, method, symbol and style entitled Broken - Heart. These paintings vary in either background color or color of the lines.

汤布里在绘画中并用炭笔、彩色铅笔、粉笔和油画颜料，还借用文字抽搐涂抹飞动书写，而叶永青的绘画则用"眉笔"一点一划描绘出抽象的线条，构成了诗意的视觉语言，尤其是他最近的绘画把这样的观念性做了进一步延伸，他完成了七幅同一构图、同一方法、同一符号、同一风格的抽象绘画《伤·心》，它们的不同表现为：要么每一幅画中的底色不同，要么每一幅画中符号描绘的颜色不同。

Jean-Franois Heim , Paris, sold Hercules and the Stymphalian birds by Gustave Moreau (1826-1898) to an American collector, while John Mitchell Fine Paintings of London was very pleased to sell The Conversion of Saint Paul by Sebastien Bourdon, one of the most complex and enigmatic French painters of the seventeenth century.

巴黎的&Jean-Franois Heim&艺术馆则将古斯塔夫·莫罗（Gustave Moreau，1826－1898）的一幅《赫拉克勒斯与斯廷法罗斯湖的怪鸟》卖给了一位美国收藏家。伦敦的&John Mitchell Fine Paintings&画馆则非常高兴地售出了一幅塞巴斯蒂安·布尔东的画作《圣保罗的转变》。

Through discourse re-writing, graphic paintings forms the thinking into this artistic context. By the study on two paintings with similar style, this paper aims to examine the space constructed from the paintings. The goal is to know how the appreciators digest and re-form the image when paintings are deemed as the language of space re-presentation. Furthermore, the investigation on how characters in paintings and artists per se make their influences, and how they connect with each other by the paintings will be made at the same time.

摘要 平面绘画作品藉由论述的再书写纪录，建立这场艺术文脉的思考，笔者藉由两组画面组成类同之艺术作品为研究对象，旨在探讨画面中所形构成出来的空间，当作品的画面作为空间再现的语言时，是如何透过观众观赏后的消解与重组影像，而画面里人的角色以及艺术家本身的角色如何介入影响，又如何的在画面中被连结成关系。

The first part presents a comprehensive scene of the art environment in which Soutine was involved, the influences he received and his opinions on the problems he confronted. This is achieved by analyzing the relationships between his paintings and those of his contemporary as well as between his paintings and the classical art works in museums. The second part will, through his landscape, still life and portrait paintings, explore the forming of Soutine\'s characteristically expressive art language and the development of his art style, which integrated the modernism paintings with classical art elements. The third part will discuss the culture background of his art, the psychology of his creation and his techniques in order to point out" the intuitively expressionist nature "of his art. This part will also analyze the achievement of Soutine\'s art and its contribution to art history through critics\' opinions of him and his influences on other artists.

第一部分分析了苏丁绘画与同时代的艺术家的创作及博物馆中的经典作品的关系，尽力全面地描述苏丁在当时所面对的艺术环境，对其所受到的影响及面对的问题有所认识；第二部分分别从风景、静物、人物三个方面，从苏丁艺术自身的形成、发展来论述他在现代艺术的框架下，借助古典艺术以形成其独特的表现性语言的过程；第三部分从苏丁绘画的文化、心理以及艺术技巧等多个方面进行分析，指明其&富于直觉的表现主义&的特质，并通过批评家的评论与他对后来艺术家的影响来认识苏丁艺术的成就及在美术史上的作用。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了