查询词典 painting

Painting 油漆 The necessary painting (touch-up painting) is partially done during the erection progress utilising the scaffolds mounted during the various erection phases, but NOTE: all field weld should be left unpainted up till completion of a successful Pneumatic Tightness Test.

安装阶段，利用安装工作中的脚手架，可以进行部分必要的油漆工作。但是注意：所有的现场焊缝均需等气密试验成功结束后方可进行涂漆工作。

And after once framed works, color change, light shading, the level of distance, the spirit gesture will be immediately apparent, painting and calligraphy and framed art interdependent and mutually against the background,珠联璧合, it can be said, without mounting technology, Chinese painting it is hard to become a perfect piece of art, but not of Chinese Painting and Calligraphy can not have framed the development of the arts.

而一经装裱后的作品，墨色变化、光线明暗、层次远近、气韵笔势便立刻显现出来，书画创作与装裱技艺相互依存，相互映衬，珠联璧合，可以说，没有装裱工艺，中国书画就很难成为一件完美的艺术品，而没有中国书画也不可能有装裱艺术的发展。

Thirdly,the paper compares and analyses their identities and differences and finds out their crossing points,on the basis of analysing the rules of separate form beauty of the Chinese painting methodicalness and plane composition. And at last ,the paper spreads the change and unchanged in the creation of Chinese painting methodicalness and relates the reference value of plane composition from modern Chinese painting methodicalness .

第三部分是整篇论文的重点，在对中国画章法及平面构成各自形式美规律探索的基础上，通过对具体作品的分析找出中国画章法与平面构成在指导绘画创作上有异曲同工之妙，之后阐述两者虽有相通点，但在文化理念等方面存在诸多不同，不能简单替代，最后展开对中国画创作中常与变以及平面构成对当代国画章法的借鉴价值的论述。

Simultaneously took the flower-and-bird painting from finely wrought to the enjoyable style transitional stage, regarding the flower-and-bird painting style development and the picture wind evolution, the Yuan Dynasty water ink flower-and-bird painting in methodicalness, the drawing techniq...

作为花鸟画由工致到写意的风格过渡阶段，对于花鸟画风格与品格的拓展与画风演变，元代的水墨花鸟画在章法、画法、画理的继承与发展中都起到承前启后的作用。

In ink usage we may combine both the rich moistness of a heavily watered brush with the dry rubbing effect of a parched brush . in composition , depending on the nature of each painting , we may have majestic mountains filling up the central space , a device favoured in the northern sung period , or we may place elements off to one corner , leaving space in the centre of the painting , evocative of southern sung painting

所以一画之中，在用笔方面固然可有北宗斧劈皴的苍劲，亦可同时有披、牛毛皴的离披；用墨可有拖泥带水的润泽，亦可有无墨求染的虚灵；在经营位置上更因每一画作主观情致的不一，可有中央处绵密绘写，或边角景物罗列而中央处留空。

The question Feng Bin and his postgraduates raise in Morphosis is how to push forward the development of Chinese Painting and open up the new possibilities of it in contemporary times. As a result, they face up to the challenge or risk that their art be questioned if it is still Chinese Painting as they introduce to their works the visual experience of images for the purpose of deviating from the established forms, methods and concepts of Chinese Painting since the 20th century.

冯斌及其研究生的"图变"所提出的问题，所面临的挑战和危险主要表现在：引进图像的视觉感受的目的，就是为了要偏离20世纪以来已经建构起来的中国画的形态和方式，以及因此而形成的中国画的观念，所以，他们的艺术就会受到人们的质疑：它还属于中国画吗？

The issue mentioned in this paper is related with modeling of Chinese painting, it starts from "To perceive object voluntary and paint it" and discuss the modeling rule of Chinese traditional painting, meanwhile analyze the modeling of ancient scholars' painting based on this rule.

本文研究的问题与中国画造"形"有很大的关系，从"应物象形"入手，探讨中国传统绘画的造"形"法则，并以这个法则来分析文人画的造"形"。

During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting ,relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ","simple" and "formality".

在具体的论述中，本文从"应物象形"产生的历史条件与思想背景入手，还原"应物象形"概念的涵义，认为"应物象形"是关于中国传统绘画造"形"的准则，其中所包含的绘画创作主客体之间的关系是两相并举，互渗互化，辨证统一的；其次，文章对于文人画造"形"的特点和主客体进行分析，将文人画的造"形"特点归纳为："不求形似"、简约、程式化，并认为文人画造"形"严重偏向于主体，轻视客体；最后，文章分别将文人画造"形"的主客体与"应物象形"的主客体进行比较，得出结论：文人画造"形"不同于"应物象形"。

Basic Materials: Crayons and paper Des alternative materials: Alcohol, non-transparent tape, scissors, knife art, palette, brushes, painting knives, a clay, washcloth, the first paper Oil painting stick basic techniques Cai-point method Oil painting stick with one end of the paper in light colored dots to form a hit.

基本材料：油画棒和纸德替代材料：酒精，非透明胶带，剪刀，刀艺术，调色板，画笔，画刀，一个粘土，面巾中，第一篇论文油画棒基本技巧彩点法油画棒的一端纸浅色点，以形成一个打击。

As we know, the "bone" means the concrete pencil lines of a painting,"cover the bone" means negate. It's a colorful painting skill of covering the pencil lines and highlighting the painting by applying colors to it. This skill is mainly used in flower-bird paintings and what it shows to us is the attitude to the works and the world of Hong JI-yoon.

就像所了解的那样，"骨"指的是绘画成立的一个具体的笔线，没骨的笔线意味着"否定"，是不把线条表现出来而使用渲染来提高画面效果的彩色主义画法，主要使用在花鸟画中，其技法所表现的是画家洪志伦对作品的态度和人生观。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。