查询词典 painters

They were painted by one of the most excellent painters in the early Renaissance—Paolo Uccello.

这是两幅15世纪的家具装饰画，出自文艺复兴早期最杰出的画家之一——保罗·乌切洛之手，最初安装在抽屉的嵌板上。

El Greco, born in Crete, had a unique style, characterised by elongated forms and bright colours, that inspired 20th Century painters such as Cezanne, Picasso and Jackson Pollock.

出生于克里特岛的埃尔·格列柯画风独特，以形象修长、色彩明快著称。他的这个特点影响了一批20世纪的画家，其中包括保罗·塞尚、毕加索和杰克逊·波洛克。

One of the preeminent artists of his generation, Mark Rothko is closely identified with the New York School, a circle of painters that emerged during the 1940s as a new collective voice in American art.

一个杰出的艺术家，他这一代，马克罗思科密切确定与纽约学校，一个圆圈画家出现在20世纪40年代作为一个新的集体的声音在美国最先进的。

It follows, therefore, that the agents represented must be either above our own level of goodness, or beneath it, or just such as we are in the same way as, with the painters, the personages of Polygnotus are better than we are, those of Pauson worse, and those of Dionysius just like ourselves.

因此，被表现的人必须或者在善的水平上超过我们，或者低于我们，或者跟我们在同一水平。

But they did have their chores, Riccardo and the others-they were to scoop up the prints and engravings of the German painters for our Master, pictures made by the new printing presses of old wonders by Memling, Van Eyck, or Hieronymus Bosch.

但他们必定是有他们的份类事，利卡多以及其他男孩子为我们的主人抢购着德国画家的油彩画与版画作品，有梅姆灵、温艾克或是希罗尼穆斯·博斯的画作，都是用最新印刷机印制出来的。

In the second half of the 15th century, the spirit of the age spread to Germany and the Low Countries , where the development of the printing press (ca. 1450) and early Renaissance artists like the painters Jan van Eyck (1395-1441) and Hieronymus Bosch (1450-1516) and the composers Johannes Ockeghem (1410-1497), Jacob Obrecht (1457-1505) and Josquin des Prez (1455-1521), predated the influence from Italy.

15世纪后半叶，时代精神传播到德国和低地国家，在这些地方印刷机与文艺复兴早期艺术家，如画家扬·范·艾克，希罗尼穆斯·博斯，作曲家约翰内斯·奥克冈，若斯坎·德普雷，雅各布·奥布雷赫特的发展早于来自意大利的影响。

In the second half of the 15th century, the spirit of the age spread to Germany and the Low Countries , where the development of the printing press (ca. 1450) and early Renaissance artists like the painters Jan van Eyck (1395-1441) and Hieronymus Bosch (1450-1516) and the composers Johannes Ockeghem (1410-1497), Jacob Obrecht (1457-1505) and Josquin des Prez (1455-1521), predated the influence from Italy.

15世纪后半叶，时代精神传播到德国和低地国家，在这些地方印刷机与文艺复兴早期艺术家，如画家扬·范·艾克，希罗尼穆斯·博斯，作曲家约翰内斯·奥克冈，若斯坎·德普雷，雅各布·奥布雷赫特的发展早於来自意大利的影响。

In the second half of the 15th century, the spirit of the age spread to Germany and the Low Countries , where the development of the printing press (ca. 1450) and early Renaissance artists like the painters Jan van Eyck (1395-1441) and Hieronymus Bosch (1450-1516) and the composers Johannes Ockeghem (1410-1497), Jacob Obrecht (1457-1505) and Josquin des Prez (1455-1521), predated the influence from Italy.

15世纪后半叶，时代精神传播到德国和低地国家，在这些地方印刷机与文艺复兴早期艺术家，如画家扬·范·艾克，希罗尼穆斯·博斯，作曲家约翰内斯·奥克冈，若斯坎·德普雷，雅各布·奥布雷赫特的发展早於来自义大利的影响。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

Giotto s work was a source of inspiration and instruction for generations of painters; it was studied and absorbed by Masaccio, Leonardo da Vinci, Michelangelo, and Raphael, artists whose own work was to be of such fundamental importance for the history of European art.

Giotto的工作是启发和指示的来源画家的世代的；它由Masaccio、Leonardo Da Vinci、米开朗基罗和Raphael，自己的工作是欧洲艺术的历史的这样根本重要的艺术家学习并且吸收。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。