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Karsh was praised as a master portraitist, often working in black and white ,influenced by great painters of the past .

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白拍摄。

D 51、 Karsh was praised as a master portraitist, often working in black and white, influenced by great patient painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

I9 p Karsh was praised as a master portraitist, often working in black and white, influenced by great patient painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影

Karsh was praised as a master portraitist,often working in black white,influenced by great painters of the past.

卡什被人们誉为人像摄影大师，由于 www.ddd§tt.com 受到历史上一些8 tt t8.com 著名画家的影响，他在拍摄中经常运用黑白摄影。

Go to this, the ancient person painting got away from the tie of the political preachment completely, joining the government to cure and coming out in the literature, the sign of the freedom that become the painters to express the subjective emotion.

至此，古代人物画完全摆脱了政治说教的束缚，从政治、文学中走出来，成为画家们表达主观情感的自由的符号。

The research of this topic has certain realistic meaning to the contemporary painting and the painters today.

本课题的研究对当代绘画和画家有一定的现实意义。

She had sat for famous painters like Rossetti.

她为罗塞蒂等著名画家当过模特。

It was a common practice both at the Royal Academy and the British Institution, to have 3 days before the exhibition, where painters could make last minute alternations to their work.

当时皇家美术学院和英国美术促进会都规定在画展开幕前有3天时间供艺术家们对他们的作品做出最后的修改。

Poems about paintings and painters, in particular, let Hass set his ruminative temperament, his wish to consider art as an open-ended process, against our wish to see works of art as finished things.

诗歌的绘画和画家，特别是让哈斯将他ruminative的气质，他愿意考虑艺术作为一个不限成员名额的过程中，对我们希望看到的艺术作品作为完成的事情。

Through the western modern painters that Zhang Ailing liked, we could cut one runnel to insight her spiritual world and artistic world , investigate the spirit counnection between western modern painting and literary creation of Zhang Ailing , and the influent impression on Zhang Ailings creation text.

通过张爱玲所喜爱的西方现代画家，我们可以开凿一条洞察她心灵世界和艺术世界的隧道，考察西方现代派绘画与张爱玲的文学创作究竟建立了怎样的精神联系，又在张爱玲的创作文本上留下了怎样的印痕。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。