查询词典 painters

"Had there been a papist among the crowd of Puritans, he might have seen in this beautiful woman, so picturesque in her attire and mien, and with the infant at her bosom, an object to remind him of the image of Divine Maternity, which so many illustrious painters have vied with one another to represent;"

设若在这一群清教徒之中有一个罗马天主教徒的话，他就会从这个服饰和神采如画、怀中紧抱婴儿的美妇身上，联想起众多杰出画家所竞先描绘的圣母的形象

Had there been a papist among the crowd of Puritans, he might have seen in this beautiful woman, so picturesque in her attire and mien, and with the infant at her bosom, an object to remind him of the image of Divine Maternity, which so many illustrious painters have vied with one another to represent; something which should remind him, indeed, but only by contrast, of that sacred image of sinless motherhood, whose infant was to redeem the world.

设若在这一群清教徒之中有一个罗马天主教徒的话，他就会从这个服饰和神采如画、怀中紧抱婴儿的美妇身上，联想起众多杰出画家所竞先描绘的圣母的形象，诚然，他的这种联想只能在对比中才能产生，因为圣像中那圣洁清白的母性怀中的婴儿是献给世人来赎罪的。

Therefore, they are the first generation of outstanding oil painters of China, and rated as the pathfinder of Chinese oil painting.

因此，他们堪称为新中国油画的开拓者，是新中国第一代杰出的油画家。

And Wang Yuanqi" in the old traditional Chinese painting. The said "vices of four Wangs" means the vogue of "copying the ancient paintings and ancient masters" that each stroke has its origin or basis. Such vogue indicates that painting is radically an inheritance of the prominent "models or patterns, while painters are the experts of high percipient to some certain extent.

而所谓"四王恶习"其实就是讲究笔笔有来历的"临古摹古"之风，这种风气表明，绘画从根本上就是一种对杰出"样式"(或用图像学的术语叫"图式")的继承，画家从某种意义上说同时也是一个具有极高鉴赏力的专门人才。

On 26 September 1792, King George III dispatched the first British trade mission to China, a 700- strong party that included diplomats, businessmen, soldiers, scientists, painters, a watchmaker, a gardener, five German musicians, two Neapolitan Chinese priests and a hot-air balloon pilot.

1792年九月26日，英国国王乔治三世派遣了第一个贸易代表团到中国，这是一个庞大的代表团，共700人，里面包括外交官，商人，士兵，科学家，几个画家(就是我主贴中提供的图片)，一个钟表制作者，一个园艺家，五个德国的音乐家，两个信仰基督教的中国牧师，一个热气球飞行员。

On behalf of painters Manet, Monet, Renoir, Degas, Pissarro, Sisley and so on.

代表画家有马奈、莫奈、雷诺阿、德加、毕沙罗、西斯莱等。

The result of this convenient avoidance is a plentitude of actors who can't project their voices, singers who can't phrase their songs, poets who can't communicate emotion, and writers who have no vocabulary － not to speak of painters who can't draw.

这种方便的逃避的结果，导致了大量不能发出声音的演员，不会解释歌曲涵义的歌手，不能交流感情的诗人，词汇贫乏的作家--更不用说不会作画的画家。

A group of painters ply their trade on this group of volunteers in Mexico.

在墨西哥，一群画家在这群志愿者身上进行他们的创作。

This was also capable of reflecting economic and political aspects of the society at that time. President Lin Chun-shin pointed out that judged from Western art history, the painting before the eighteenth century would clearly delineate an object but there was a lack of the element of light. In the nineteenth century, Impressionist would raise the brightness of a painting through pointillism using three primary colors and come up with a feeling of light. Despite of the fact Vincent van Gogh's works had been systematically manipulated by painting dealers on the art market, the real reason for his paintings to excel after 100 years were his capability to apply pointillism techniques with distortion to express feelings, which could not be done by other painters.

林俊兴董事长表示，以艺术史的角度来看，十八世纪以前的绘画是将物体清楚描绘出来，但却缺乏光的元素，而十九世纪的印象派画家，却能运用三原色的点描提高画作中的明度，画出光的感觉；虽然梵谷的作品被画商有系统地於艺术市场推波助澜，但真正使其作品百年后脱颖而出的理由，是梵谷能把点描技法加上扭曲，表现出其他画家无法绘出的情绪。

Some of these painters were working in New York City in the nineteen thirties, so Pollock was able to see them work.

他们中的一些画家也在纽约工作，那时大概是1930年。所以，pollock能看到他们的作品。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。