查询词典 painted

The colored sunsets and starry heavens, the beautiful mountains and the shining seas, the fragrant woods and painted flowers, are not half so beautiful as a soul that is serving Jesus out of love, in the wear and tear of common, unpoetic life.

彩色的落日、嵌星的天空、美丽的高山、明净的洋海、芳香的树木、鲜艳的花草──它们虽然美丽，还及不到一个在普通生活上用爱心、眼泪事奉主的信徒一半美丽。

There exists human deep-rooted bad habits on them without exalted sentiment,true feelings and unpretending characters.All of them are painted epicures.

他们身上都有着人性的劣根性，没有高尚的情操，没有真情，也没有质朴憨厚的性格，尽是玩世不恭的享乐主义者。

Pollock's work after 1951 was darker in color, including a collection painted in black on unprimed canvases.

波洛克的工作后，1951年是较深的颜色，包括黑unprimed画布上画一个集合。

Excellent unprimed adhesion to most plastics, metals, painted surfaces, glass

无需辅助剂，一次性良好粘贴大多数塑胶、金属、玻璃及橡胶。

Here are the unwrapped meshes, ready to be painted on.

下面是展开图的网格物体，我们准备在他的上面绘制贴图。

I am actually a figure painted on a utensil. Do you know what

我其实是一个器皿上的人物图案，那麼，你知道这器皿是什麼呢？

The landscapes in Fangqian's works were usually vague in shape and color, yet full of mystery, painted in an subjective point of view, and in a unique tone of music and poems.

方倩笔下的风景往往形色迷离、气韵灵动，带有浓郁的主观色彩，弥漫着一种独特的音乐与诗歌的韵味。

Eg.4 The low part of the paintings (originally painted as imitation of marbles) are damaged by the rising damp and worsened by writings, incisions and other vandalic actions, that have caused the total loss of significant parts of them.

译：由于不断上升的湿气侵蚀和糟糕的刻画、切割及其他破坏性的举动使得底部壁画遭受到了严重的破坏，由此导致的毁坏占了壁画所有损失中的绝大部分。

I'm looking at these amazing pictures here of your painted vases.

我在看这些记录你油漆花瓶的令人惊叹的照片。

The shadow of the Venetian blind on the painted wall

虚无，一个宇宙间众多黑洞那样的洞。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。