查询词典 pain-bearing

Just trample on the pain, or you'll be beat down by it.

生命中，不断地有得到和失落。于是，看不见的

The suffering of purgatory is less a concept of physical pain than one of postponement of the beatific vision.

"痛苦的炼狱少的概念，身体疼痛不止一个推迟的"幸福的梦想。

This is bec ause we feel pain.

这是因为我们能感到疼痛。

I've been surprised by the degree of pain you can become used to.

我很惊讶于自己对疼痛的忍受程度。

The first thing he wanted to do was get the lower part of his body out of the bed, but he had never seen this lower part, and could not imagine what it looked like; it turned out to be too hard to move; it went so slowly; and finally, almost in a frenzy, when he carelessly shoved himself forwards with all the force he could gather, he chose the wrong direction, hit hard against the lower bedpost, and learned from the burning pain he felt that the lower part of his body might well, at present, be the most sensitive.

他想，下身先下去一定可以使自己离床，可是他还没有见过自己的下身，脑子里根本没有概念，不知道要移动下身真是难上加难，挪动起来是那样的迟缓；所以到最后，他烦死了，就用尽全力鲁莽地把身子一甩，不料方向算错，重重地撞在床脚上，一阵彻骨的痛楚使他明白，如今他身上最敏感的地方也许正是他的下身。

Pain Measurement and Beecher's Challenge: 50 Years Later.

五十年后 Beecher 面临了疼痛治疗的挑战。

The author has been to a lot of shoe estate companies, every time when the action with division of beater of company manager refer, the manner of a few managers, it is to knit first beetle-browed, then shakes shake head, all over the face expression of inarticulate having pain.

笔者去过许多鞋业公司，每当与公司老总谈及打板师的作用时，一些老总的态度，先是皱皱眉头，继而摇摇脑袋，满脸的有苦说不出的表情。

In the lower half of his "Transfiguration," though the figures of the possessed boy, the despairing bearers, the helpless, terrified disciples, we see a reflection of original pain, the sole ground of being:"illusion," here is a reflection of eternal contradiction, begetter of all things.

在他的画"耶稣变容"的下半幅，凝神的孩子，失望的仵工，困惑不安的信徒，反映出原始而永恒的痛苦，世界的唯一根基，画中的"假象"就是万物之源的永恒矛盾的反照。

In the lower half of his "Transfiguration," through the figures of the possessed boy, the despairing bearers, the helpless, terrified disciples, we see a reflection of original pain, the sole ground of being:"illusion" here is a reflection of eternal contradiction, begetter of all things.

这里，在最崇高的艺术象征中，我们体会到了梦神的美之世界及其根基，西列诺斯的可怕的警句，我们凭直觉领悟到这两者的互相依存。

Bei: We should do it once and end this seven years of pain.

贝：我们应该做一次，然后结束这七年的痛苦。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。