查询词典 ox-warble

St. Francis ordered the manger to be filled with haymows and to settle around it an ox and a donkey.

据Thomas de Celano在1229年描述，圣方济各牵来了一牛一驴，并求得教宗的同意在那处安置了祭台。

Wish you a profitable, hair like a Hog; physical Bang Bang, strong as a bear; love, sweet, the United States like a bee; luck again and again, more like a ox hair; cause steam steaming, flying high like the Mirs.

祝你财源滚滚，发得像肥猪；身体棒棒，壮得像狗熊；爱情甜甜，美得像蜜蜂；好运连连，多得像牛毛；事业蒸蒸，越飞越高像大鹏。

They decided that the best and quickest way to cross the river was to hop onto the back of the ox.

它们决定最佳又最快的方式就是跳上黄牛的背。

An ox or a sheep that is in any way ill-proportioned or stunted you may indeed present as a free-will offering, but it will not be acceptable as a votive offering.

一腿太长或太短的牛或羊，你可献为自愿祭祭品；但为还愿，必不蒙悦纳。

Before long, they saw Monkey King and Ox Devil King fighting fiercely.

不久就看见孙行者与牛王厮杀哩。

"Our master is afraid that Ox Devil King is enormously capable and it's too difficult for you to defeat him and get his treasure, so he asked me to come here to help you."

牛魔王绰着经儿道：&师父见你许久不回，恐牛魔王手段大，你斗他不过，难得他的宝贝，教我来迎你的。&

They already came near the Moyun Cave of Jade Face Princess, the concubine of Ox Devil King.

前面是他的积雷山摩云洞口，他三个与土地阴兵，又喧哗振耳，惊动那玉面公主，唤丫鬟看是那里人嚷。

Hearing this, Ox Devil King flew into a rage and could do nothing but fight again.

闻听此言，那牛王大怒，只得回头，使宝剑又战八戒，孙大圣举棒相帮，这一场在那里好杀，难分胜负。

Falling into utter confusion, Ox Devil King turned into a leopard from the deer and was going to hurt the tiger.

行者见了，又变作一只金眼狻猊，要食大豹。牛王着了急，又变作一个人熊，放开脚，就来擒那狻猊。

Ox Devil King caught up with Monkey King before long. He saw Monkey King happily carrying the big fan on his shoulder.

话表牛魔王赶上孙大圣，只见他肩膊上掮着那柄芭蕉扇，怡颜悦色而行。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。