查询词典 over-zealously

Therefore, commercials are repeated over and over again on radio and television. We soon get to know them by heart.

因此，商业广告也就不厌其烦地出现在收音机和电视上，使我们不久便对他们熟记于心。

Popular American English - Lesson 65 - to fork sth. over / get over sth.

下载提示：请用右键点下载链接，在弹出菜单上选"目标另存为。。。"

Look over,wake up,throw about, pick up, turn over, ring up, put on, take off, get back, take out,turn on, turn off, put down,get back

但是当宾语是名词时，则可以放在当中，也可以放在后面。

Turn over 翻转 Turn over or your back will get sunburnt .

翻过身去，不然你的后背要被阳光灼伤的。

23 But Gideon told them, I will not rule over you, nor will my son rule over you.

8：23 基甸说、我不管理你们、我的儿子也不管理你们。

And giant it was. based on the very fragmentary fossil evidence we have, Gigantopithecus stood ten feet tall and weighed over half a ton. A creature like that would tower over any Bigfoot.

据仅存的一些化石残片，巨猿有10英尺高，体重可超过半吨，估计像巨猿这样的生物，体型要比任何大脚怪都大。

And Barzillai the Gileadite came down from Rogelim, and went over Jordan with the king, to conduct him over Jordan.

19：31基列人巴西莱从罗基琳下来，要送王过约旦河，就与王一同过了约旦河。

And if he's gone over to t'other side, go over there and git him.

我和公爵回转以后，我们就把独木舟藏了起来。

And you give me the same tourists over and over again.

但你总给我同样的旅客

A series of descending continuous notes implies the speed steeply turning from the initial fierce to gentleness, and the repeated variation form which is remotely melodic like from distant valley is conveying the mood of unrestrained freedom but hardly uncovered blue. Due to the swiftly glissando and left-handed splendid pinches, this kind of blue spreads its beauty surfing over and over.

随着一系列的连音，最初的激烈逐渐柔和，而以小提琴为变奏和反复作为技巧来演奏的那份似空谷传音的旋律重复表达着内心虽奔放、自由却也掩盖不了的忧郁，这份忧郁因在轻巧的泛音和华丽的左手拨弦中飘逸着美丽的气质。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。