查询词典 over the side

The hotel in Amerika has innumerable main doors and side doors that innumerable guards watch over; it even has entrances and exits without doors.

在《美国》中，旅馆有数不清的正门和侧门，被无数的守卫看管着；甚至还有一些没有门的出入口。

Madrid's win over Sevilla was their sixth victory in their last seven league outings and saw them climb above the Andalusian side into second place.

皇麻战胜塞维利亚也是他们近7场比赛以来第六场胜利，他们也渐渐的超过了阿达卢西亚球队而占据了第二的位置。

The sight of Tom Slattery dawdling on his neighbors' porches, begging cotton seed for planting or a side of bacon to "tide him over," was a familiar one. Slattery hated his neighbors with what little energy he possessed, sensing their contempt beneath their courtesy, and especially did he hate "rich folks' uppity niggers."

汤姆？斯莱特里在邻居家的走廊上赖着不走，向人家讨棉花籽儿下种，或者要一块腌肉去"对付一顿"，他使出自己的一点点力起来憎恨邻居们，感到他们在客气底下暗藏着轻蔑；他尤其憎恨"阔人家的势利眼黑鬼"。

Two or three noticeable bowery types edged along the fifth avenue side of madison square , but did not venture over

有两三个显然是住在波威里街的角色，沿着麦迪逊广场靠第五大道的一边磨磨蹭蹭地走着，但是没敢过来。

Handing over of goods is done along side the ship, but seller is responsible to clear goods through customs.

卖方将货物在船边交至买方，但要求卖家办理货物出口清关手续。

Rather than employing mystic animist themes from ancient times or demonic, repulsive getups intended to give people a scare, Cologne Carnival costumes are typically on the comic side, revelers sporting all manner of clownish outfits, perhaps including raggedy sewn-on patches, over-sized suspender-held trousers and clumsy bulbous-toed shoes, plus a variety of wigs, noses, and hilarious makeup jobs, most satisfactorily topped off, of course, with conical or otherwise outlandish headgear.

科隆嘉年华的节庆装扮风格现代，而且很平民化、大众化，走的路线不是神秘主义的古典，也不以怪力恶魔的狰狞扮相引人发噱，科隆嘉年华普遍的装扮选择了马戏班里的小丑造型，卷发、红鼻头、血盆大口，加上象徵补钉的格子图案，然后配上蓬松饱满的吊带裤、笨笨肿肿的圆头靴，当然，能再顶上圆锥尖帽就更令人满意，就是标准的莱茵河嘉年华扮相。

In a recent piece in the Phi Delta Kappan , Kohn argues that self-discipline has been over-sold, and indeed, that it has a dark side—too much self-control may be associated with anxiety, compulsiveness, and dampened emotional responses.

在Kohn 最近的著作 Phi Delta Kappan 中，他称自律已经被过度"出售"了，实际上，它存在黑暗的一面——太多的自我约束会导致紧张、强制性已经压抑的情绪爆发出来。

Maybe it's because it magnifies life and death, transcendent or tranquil. The chariot image comes from Western medieval paintings. Peter Bruegel's The Triumph of Death depicts the victory of death over life, over reality. Post-medieval Christianity puts a lot of emphasis on this life, using an emphasis on life to resist death, because in medieval times the emphasis was on the other side, and no one cared about this life.

马车的形象是来自于西方中世纪的绘画，彼特勃鲁盖尔《死亡的胜利》，就是描绘死亡战胜了今生，战胜了现实，中世纪以后的基督教特别重视现世和今生，通过对今生的重视，来抗拒死亡，因为中世纪以前只重视彼岸，不重视今生。

I was now recover'd from my Surprize, and began to look round me, when I found the Cave was but very small, that is to say, it might be about twelve Foot over, but in no manner of Shape, either round or square, no Hands having ever been employ'd in making it, but those of meer Nature: I observ'd also, that there was a Place at the farther Side of it, that went in farther, but was so low, that it requir'd me to creep upon my Hands and Knees to go into it, and whither I went I knew not; so having no Candle, I gave it over for some Time; but resolv'd to come again the next Day, provided with Candles, and a Tinder-box, which I had made of the Lock of one of the Muskets, with some wild-fire in the Pan.

这时，我从惊恐中恢复过来，开始察看周围的情况。我发现洞不太大，周围不过十二英尺，但这完全是一个天然的洞穴，既不方，也不圆，不成什么形状，没有任何人工斧凿的痕迹。我又发现，在洞的尽头，还有一个更深的地方，但很低，只能俯下身子爬进去。至于这洞通向何处，我当然不得而知。当时我手头没有蜡烛，只好暂时不进去，但我决定第二天带上蜡烛和火绒盒进去。那火绒盒我是用一支短枪上的枪机做成的。另外，我还得带一盘火种。

I was now recover'd from my Surprize, and began to look round me, when I found the Cave was but very small, that is to say, it might be about twelve Foot over, but in no manner of Shape, either round or square, no Hands having ever been employ'd in making it, but those of meer Nature: I observ'd also, that there was a Place at the farther Side of it, that went in farther, but was so low, that it requir'd me to creep upon my Hands and Knees to go into it, and whither I went I knew not; so having no Candle, I gave it over for some Time; but resolv'd to come again the next Day, provided with Candles, and a Tinder-box, which I had made of the Lock of one of the Muskets, with some wild-fire in the Pan.

由于我一直生活在危险之中，因而日夜忧虑，寝食不安，这就扼杀了我为使自己生活舒适方便的发明创造能力。如果我坦诚承认这一点，读者一定不会感到奇怪。我当前最迫切需要解决的是自己的安全问题，而不是食物问题。我连一个钉子都不敢钉，一块木头都不敢劈，生怕声音被别人听见；同样，我更不敢开枪了。尤其叫我担心的是生火这件事，唯恐烟火在白天老远就被人看见而把自己暴露。因此，我把一切需要生火的事，如用锅子烧东西或抽烟斗等都转移到我那林间别墅去做。在那儿，我呆了一段时期之后，发现了一个天然地穴，这使我感到无限的欣慰。地穴很深。我敢保证，即使野人来到洞口，也不敢进去。说实在的，一般人谁都不敢进去，只有像我这样一心一意想寻找安全的藏身之所才会冒险深入。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。