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It points out the limitation in dead-reckoning and gives out the state covariance matrix.

研究了由里程计进行航迹推算的局限性，给出机器人位姿误差协方差矩阵的更新方程。

When I came out to see who was here,the lights went out and this came crashing down.

我以为是你，当我出去看是谁在这儿时，灯灭了。

But today they heard her teeth, creak, and with his hands above一摸found out soon come out.

但今天却听见她在咬牙，咯吱咯吱的，用手一摸才知上面的也快出来了。

You'll have to cry me out, you'll have to cry me o-o-out.

你害我哭泣，你害我哭泣了。

Today, I am wrong again, and you are not only a crybaby but you are indeed a loser who chicken out on spelling out the F word.

看来你在语言沟通上也有点困难，所有你要是真的用这个字也可以理解的，管理员也会原谅你的。

You went in the book when I came out. And then Darius read you out again.

你进入了书里，当我出来的时候，然后 Darius 又把你读出来。

Make sure that the RCA jacks on the tape deck say " Line Out " or " Audio Out ".

确保了RCA插座上的磁带甲板说："线"或"音频"方式。

They each have their own pool and a haul out area and wooden decking they crawl out and bask in the heat.

它们有各自的池子、活动区域、可以用来晒太阳的木头板。

I deify anyone to work walk out the brofferlers brothels or to work walk out the orphanage leaving those people behind and .

我蔑视那些走出妓院和孤儿院却毫不关心他们的那些人。

This situation requires the academe to dig deeply into the idealistic connotation in the films. As Edward Sayerd has pointed out,"It is the critics" responsibility to speak out to some degree thesesounds dominated, transferred or suppressed by words......to discover and revealwhat are probably hidden beneath devoutness, negligence or convention.

这种局面就要求学术界对电影作品思想内涵的纵深开挖，正如爱德华·萨义德认为的那样："批评家有责任在某种程度上说出那些被文本支配、移置或者压制的声音……发现和揭示那些很可能隐藏在虔诚、疏忽或常规之下的事物。"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。