查询词典 opera

It shows how grand Beijing Opera's tire is, how mysterious Beijing Opera's clothing art is.

本扑克收集了 54 张中国京剧人物扮相，以图文并茂的形式达到了雅俗共赏的效果。

Whenever people who like opera, a famous French composer Bian Zhi is more than just the opera "Carmen" in the selections,"Habanera" Dance, also known as "Love is like a free bird."

比才是19世纪法国浪漫主义时期伟大的作曲家，他对法国音乐的发展起了重要的推动作用。

Love like a free bird, and no one can tame it, no one can catch it, no way to turn your ......"Whenever people who like opera, a famous French composer Bian Zhi is more than just the opera "Carmen" in the selections,"Habanera" Dance, also known as "Love is like a free bird.

"爱情像一只自由的鸟儿，谁也不能够驯服它，没有人能够捉住它，要拒绝你就没办法……"但凡喜欢歌剧的人，一听便知这是法国著名作曲家比才的歌剧《卡门》中的选曲《哈巴涅拉》舞曲，又名《爱情像只自由鸟》。

Xiaoming Han, a universally accepted first-class French horn master, is the chief French horn of German Saar Staat radio symphony orchestra, permanent French horn professor of Saar Staat Music Institute, visiting professor of the Central Conservatory of Music and Shanghai Conservatory of Music, visiting chief French horn player of Munich National Opera House, as well as those of Berlin, Cologne, Homburg, Bonn, Dusseldorf opera houses in Germany.

韩小明现任德国萨尔州广播交响乐团首席圆号，萨尔州音乐学院终身圆号教授，中央音乐学院和上海音乐学院客座教授，德国柏林、科隆、汉堡、波恩、杜塞尔多夫歌剧院及慕尼黑国家歌剧院的客座首席圆号。曾同小泽征尔、伯恩斯坦、索尔蒂、马塞尔等世界著名指挥家合作。

The sydney opera house is one of the most famous buildings in the world.it is considered to be one of the most recognizable images of the modern world although the building has been open for only about 30 years.the sydney opera house is as representative of australia as the pyramids are of egypt.

悉尼歌剧院是世上最著名的建筑之一。虽然这项建筑之开放了三十年，但是它是被公认的世上最与众不同的现代建筑。悉尼歌剧院是澳大利亚的象征，就像金字塔是埃及的象征一样。

In the thinking of Subject Consciousness we could explore the multi meaning of this opera,including the tragedically purpose of history both from the history itself and Kong's interpretation.The mixing emotion for the rises and falls on history and life sublimed in a particular cultural circumstance and at last the deep-seated intendment of this opera emerged.

从主体意识的角度出发可以探析《桃花扇》的多层面意蕴，它包括历史题材本身的悲剧意义和作家流露出的浓郁历史悲剧感，更包含历史兴亡之感和沧桑人生况味，最后在特定文化情怀中升华出作品的深层意蕴。

Following this context and along different viewpoints of personality-character arrangement and music interpretation for love and death, this research is trying to explore: firstly, comparing the characters of Jago Otello and Desdemona separately in original text with them in opera text, the specific aesthetic viewpoints of conflict and evil in nineteenth century would in this way be clarified. Hence, basing on the ending of the act IV in the opera, the representation of different viewpoints of death in nineteenth century from that in the era of Shakespeare will be musically interpreted.

对此，本研究没要从人物性格的设计以及音乐里如例诠释爱与死的看法两方面进行探讨：首先比较原著与歌剧文本在Jago、Otello、Desdemona三人情格刻划方面的差异，藉此突显属於十九世纪时代的对立冲突性以及恶的美学观；尔后，再以歌剧中第四幕的结束场景为出发点，探究音乐手法如何同样地反映出十九世纪有别於莎士比亚时代的死亡观。

Let us on the one hand, the opera "La Traviata" done to further the knowledge and understanding the other reveals the fury of the Opera performances of the important position, thus the ch...

一方面让我们对歌剧《茶花女》做更进一步的认识和了解，另一方面也揭示了重唱在歌剧表演中的重要地位，从而对歌唱者提出了作为一个歌剧演员所要具备的基本素质。

As a personal recommendation (me being the author of a book entitled "New York's Opera Society") why not substitute a film with a passionate opera such as "La Traviata" or "La Boheme".

作为个人的建议（我是作者的一本书，题为"纽约歌剧社"），为什么不能取代电影的热情，如歌剧"茶花女"或"波希米亚人"。

He subsequently entered the Merola Opera Program of the San Francisco Opera where he performed the role of Alfredo in La Traviata and also participated in master classes with Joan Sutherland.

他到旧金山歌剧院参加了萨瑟兰的大师班，并在那里演唱了《茶花女》中的阿尔弗莱多。1999年，罗兰多·维拉泽恩在多明戈歌剧比赛中获二等奖和萨苏埃拉一等奖。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。