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opera house相关的网络例句

查询词典 opera house

与 opera house 相关的网络例句 [注:此内容来源于网络,仅供参考]

The magnificent "Giorno Dopo Giorno" couples Sweet's soaring vocals with a thrilling string arrangement, bringing listeners the kind of intense joy that can usually only be experienced in the world's finest opera houses.

优雅的 Giorno Dopo Giorno,伴随着让人陶醉的管弦乐,带给听众一种通常只能在世界上最好的歌剧院才能够感体会到的感受。

The magnificent "Giorno Dopo Giorno" couples Sweets soaring vocals with a thrilling string arrangement, bringing listeners the kind of intense joy that can usually only be experienced in the worlds finest opera houses.

优雅的"Giorno Dopo Giorno",伴随着让人陶醉的管弦乐,带给听众一种通常只能在世界上最好的歌剧院才能够感体会到的感受。

Giuseppe Verdi (1831 - 1901), the Italian composer, reputes as one of the most important opera composers in the late 19~ century Europe.

伟大的意大利作曲家朱塞佩·威尔第(Giuseppe Verdi 1831—1901)是19世纪下半叶在欧洲的歌剧创作领域最重要的作曲家之一。

Giuseppe Verdi, the great 19th century Italian opera composer.

朱塞佩·威尔第是19世纪意大利伟大的歌剧作曲家。

The popularity of the style of bel canto faded in mid 18th century Italy in favor of a heavier dramatic approach (although not anywhere near as heavy as in German opera) most associated with Giuseppe Verdi .

的流行风格美声唱法消失在18世纪中期意大利,取而代之的是重戏剧性的办法(虽然不是任何地方附近重如在德国歌剧)最相关的朱塞佩威尔第。

Leslie commented that when people begin to learn and study opera, they begin with basic works by composers such as Giuseppe Verdi and Giacomo Puccini before moving on to more complex works by composers such as Richard Wagner.

莱斯丽评论,当人们开始学习歌剧的时候都从最基本的作品开始,比如那些由朱塞佩·威尔第和贾科莫·普契尼创作的,然后再转向诸如由理查德·瓦格纳创作的较复杂的作品。

From paintings to television to music and dance, Shakespeare is well represented. For example, the nineteenth century "Otello" by Giuseppe Verdi is an opera version of the tragic play "Othello."

从绘画、电视、音乐到舞蹈,莎士比亚都是极好的范例。19世纪朱塞佩·威尔第创作的歌剧《奥赛罗》就是莎氏悲剧《奥赛罗》的翻版。

Italian composer Giuseppe Verdi's opera "Aida" had its world premiere in Cairo, Egypt.

1871年义大利作曲家韦瓦地之歌剧「阿伊达」在埃及开罗市首演。

Because the author after the contact Giuseppe Verdi this opera

可以见得《茶花女》这部歌剧为何如此受到欢迎。

This paper is divided in 4 parts. It first puts emphasis on analysis of the reason why the musician Giuseppe Verdi decided to create the tragical image-Violetta; then it deals with the creation of the tragical image from the perspective of musical images. The third part explores the creation of the tragical image through the analysis of the dramatic contradiction. Part four illustrates:thearts innovetion and character of opera LA TRAVIATA.

本文分四部分,第一部分,重在分析音乐家威尔第选择塑造薇奥列塔这个悲剧形象的原因;第二部分,从音乐形象方面分析歌剧《茶花女》的悲剧形象塑造;第三部分从戏剧矛盾冲突音乐分析的角度分析歌剧《茶花女》悲剧形象塑造;第四部分论述歌剧《茶花女》艺术上的革新及特点。

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您可以鹬第二和第三工会领袖从这一立场出发。

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这对开发者来说是一个非常大的挑战,尤其是需要不断变化的Ajax。