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opera house相关的网络例句

查询词典 opera house

与 opera house 相关的网络例句 [注:此内容来源于网络,仅供参考]

Freda Bright says,"Only in opera do people die of love." It's true.

弗里达·布赖特说过:"只有在歌剧中,人们才会为爱而死。"

Opera stage is a freehand art, the performance of a virtual environment, with a hypothetical.

戏曲是写意的舞台艺术,表现虚拟的环境,具有假定性。

He loves both fine (He's good at drawing and photography) and performing arts (He is a frequenter to theaters for symphony, opera, ballet and musicals...).

我有一颗年轻的心并精力充沛,擅长绘画和摄影,和表演艺术,经常去听交响乐,歌剧,芭蕾舞剧和音乐剧。

One of the most arresting features of Arnes music is its diversity of style, which utilized not only the essentials of Italian opera but also rudiments of English folk music and his own galant flair.

对阿恩的音乐最逮捕的特点之一是它的风格,不仅利用意大利歌剧的基本要素,而且英语的民族音乐和他自己的加朗天赋雏形的多样性。

First of all, the first chapter mainly analyze the phenomenon of homosexual and the love which Song Liling as an actor in Opera for his homosexual complex lays on Gallimard.The second chapter maily analyzes Song Liling\'s hatred towards Occident by looking back to the history that China is humiliated by Occident for one hundred years and the background Song Liling lived in.This part also expatiates how he plays M.Butterfly who is loved by Gallimard and finally control Gallimard in order to take revenge on Occident.The third chapter maily combines the Floid\'s Id with Superego theory to analyze that Song Liling dramatically compromise the contradiction between his homosexual love and racial hatred and he is converted into a Pinkerton role entangled by this complex and can not get the recognition from morality and justice.

其中,第一节主要分析中国戏园中同性恋存在的现象,以及作为男旦的戏剧演员宋丽玲因同性恋情结而对伽利玛产生一定的同性之爱;第二节主要通过回顾中国百年来受到西方帝国主义凌辱的历史并结合宋丽玲生活的时代(来源:a6ABecC论文网www.abclunwen.com)背景来分析其对西方产生的种族之恨,并详细阐释了他如何通过扮演伽利玛心目中的蝴蝶夫人来最终达到控制伽利玛,报复西方的目的;第三节主要结合弗洛伊德的本我与超我理论来分析宋丽玲戏剧性地调解内心对伽利玛的同性之爱与种族之恨的矛盾,以及在这种爱与恨的纠结之下转化为平克顿式的角色,失去了道义上的认可。

After arriving Charles De Gaulle airport, I easily found out the Roissybus which can take us to the Opera Garnier.

但是,这还是我第一次用步行的方式深入地来探索这座伟大的城市。

In the same year, Alfred Schnittke's opera about Gesualdo added the detail that he killed his own child, as if the facts were not colourful enough already.

同年,好像情节不足以引人入胜似的,阿尔弗雷德·施尼特克关于杰氏的歌剧中添加了细节——杰氏杀死了自己的孩子。

I mean, this soap opera is a great gig..

我是说,肥皂剧是很好的机会

Well, this opera finally comes to the end by the tragedy, Gilda, a young and beautiful girl who dedicated her life for the loyalty and fancy of love bring people into deep sorrow!

此剧最终以悲剧告终,对爱情的忠贞不渝和美妙幻想,让吉尔达献出了年轻宝贵的生命,令人伤感万分!

The duty of the drame and the music which was give by the subject was accomplished by three elements used in this dissertation as following:the musical theme"La Roi S'amuse"(from the opera"Rigoletto")was the center clue;the forming precess of the three main characters (Rigoletto、Duke and Gilda)was the major may to interprete the drama subject; meanwhile, their own Arias were used to rebuild the musical figures; and the chorus between each of them was the main means to put forward the plot of the drama.

本论文以歌剧《黎戈莱托》的主题"诅咒"作为主轴线,以歌剧中三个主人公(黎戈莱托、曼图阿公爵、黎戈莱托的女儿吉尔达)在歌剧中各自音乐形象的塑造过程作为对歌剧主题诠译的主要手段,同时又以他们各自在歌剧中的咏叹调作为塑造音乐形象的主要方式,以他们相互之间的合唱作为歌剧情节向前发展的重要方式,从而完成歌剧主题所赋予的戏剧任务和音乐任务。

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