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opera cloak相关的网络例句

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与 opera cloak 相关的网络例句 [注:此内容来源于网络,仅供参考]

Among the Italian opera composer, even though no Bellini Rossini, Verdi then Historiography of the high-status, but with his unique musical language with the concept of the opera maintains the Italian lyric opera tradition, the impact of the Italian opera Development, to defend him in the tradition of Italian opera, based on the establishment of a distinctive artistic personality characteristics.

在众多的意大利歌剧作曲家中,贝利尼尽管没有罗西尼、威尔第那么高的史学地位,但他以他特有的音乐语言与歌剧观念维护着意大利歌剧的抒情传统,影响着意大利歌剧的发展,在捍卫意大利歌剧传统的基础上,建立了自己个性鲜明的艺术特色。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词,用於戏曲音乐方面,做音乐的正式演出型态解释者,为台湾南北管文化圈所特有,其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而,在台南市及其周边的京剧文化圈内,亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇,也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑:其一,按京剧的形成地--北京,虽亦有京剧的清唱演出,然不论为艺术性或民俗性,北京人都不称为「排场」,那麼台南市京剧圈的排场语汇是如何得来的呢?代表了何种意义?

This paper mainly for the "Habanera" in Carmen's features and characters in the image of opera analysis, and to Bizet's opera "Carmen" in the selections,"Habanera Dance" as the starting point of the opera "Carmen" the composer's life and creative than just a brief introduction to the characteristics, but also the opera "Carmen" creative background to the analysis to a deeper understanding of "Carmen" this work.

本论文主要是针对《哈巴涅拉》的音乐特色及其歌剧中卡门的人物形象进行分析,并且以比才的歌剧《卡门》中的选曲《哈巴涅拉舞曲》为切入点,对歌剧《卡门》的作曲家比才的生平及其创作特点进行了简单的介绍,还对歌剧《卡门》的创作背景进行来了分析,从而更深层次的理解《卡门》这部作品。

Based on Mozart's opera genius, this paper used the methods of researching on "19 Mozart Piano Sonatas", as well as the three major Mozart opera scores:"The Marriage of Figaro","Don Juan" and "The Magic Flute" and DVDS. Through a comparative analysis between his opera and piano sonatas I can find a large number of elements of his opera, such as aria, recitativ, quartet, chorus, decorative colorature and strong conflicts of paragraphs from the summary Mozart's Piano Sonatas in a dramatic factor.

基于莫扎特的歌剧天才,本文立足于对《19首莫扎特钢琴奏鸣曲》的乐谱研究,以及对莫扎特三部重要歌剧:《费加罗的婚礼》、《唐璜》、《魔笛》的总谱及音响资料的剖析,对这种体裁进行比较分析,可以从他的钢琴奏鸣曲中找出大量具有歌剧咏叹调、宣叙调、重唱、合唱、花腔装饰以及强烈戏剧冲突性段落,从中总结出莫扎特钢琴奏鸣曲中所具有戏剧性的因素。

Stage play, opera and Longjiang opera are famous both at home and abroad for their particular charmings, The show of the Opera "Truilus and Cressida" put on in Harbin marked the first time of Shakespeare's play for opera performance in Asia.

话剧、歌剧和独具魅力的龙江剧饮誉中外,歌剧《特洛伊罗斯与克瑞西达》是亚洲首次把莎剧搬上歌剧舞台。

With their ingenious opera creation and prominent theoretical exploration, they enriched Chinese ancient opera creation and its theory, made ineffaceable contribution to the development of Chinese ancient opera, held a lofty position in the history of Chinese opera and possessed extremely important research value.

越中曲家以独具特色的戏曲创作和卓尔不凡的理论探索,丰富了中国古代戏曲创作和理论的宝库,为古代戏曲的发展作出了不可磨灭的贡献,在中国戏曲史上占据崇高的地位,具有极其重要的研究价值。

Qinghai Tibetan opera belong to Amdo type, as early as the mid-18th century,the monks who were in Longwu Monastry Tongren County Huangnan Tibetan Autonomous Prefecture in Qinghai went to Tibet to study, by the influence of Tibetan opera in Tibet,to recommend to Amdo region,stadied in monastry, and added into the Amdo Tibetan areas of music, dance and folk art rap artists nutrition,perform in Amdo dialect, became Amdo Tibetan opera that different from Tibetan opera in Tibet.

青海藏戏属于安多藏戏,早在18世纪中叶,青海黄南藏族自治州同仁县隆务寺僧人去西藏学习,受到西藏藏戏的熏陶,引进到安多地区,在寺院学演藏戏,并融入了安多地区藏族音乐、舞蹈和说唱曲艺等艺术营养,且以安多方言演出,成为有别于西藏藏戏的安多藏戏。

Opera Opera artistic creation is the origin , and the reimposition of creativity opera singer practice the key to success , It will not only give new life to opera and concert to provide a more perfect play to a broader space .

因此,演唱者要以本源为基础,了解作曲家的意图,思想,内涵,情感,并进行个性化的融合和创造,才能创造出歌剧艺术中增色的歌剧演唱,才能演唱出真切,细腻,感人的作品,才能更好的创作出个性化的演唱。

Section one intends to explain the creation of the opera La finta semplice: brief illustration of the society when Mozart wrote this opera; some data collections about the writer on the opera's creation time; the story of the origin of the opera La finta semplice and a brife introduction on the plots.

这部分主要包括四个方面:莫扎特时代的社会背景;《虚伪的单身汉》的创作背景;《虚伪的单身汉》的剧作者;《虚伪的单身汉》的剧情等。

Now, as Opera equipment software development tool 9.6 edition roll out the Opera that has hardware to quicken a function to shrink put function and supportive OBML, opera will be passed offer these new functions to expand further to the facility that cannot run Opera software before more extensive user.

现在,随着Opera设备软件开发工具9.6版推出具有硬件加速功能的Opera缩放功能和支持OBML,Opera将通过向以前无法运行Opera软件的设备提供这些新的功能进一步扩展到更广泛的用户。【以下内容为IT者网站提供英文翻译,未经授权请勿转载

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推荐网络例句

A carrier gas such as nitrogen is directed through line 20 and valve 22 to connect with line 26 and mix with the gas sample.

如氮气之类的载体通过管线20和阀22引入,与管线26相通,与气体样品混合。

But for the most part, knaves and parasites had the command of his fortune

然而支配他的家产的大多是恶棍和寄生虫。

For he that is now called a prophet, in time past was called a seer.

他们就往天主的人所住的城里去了。