查询词典 only too

Evil lives they know only too well the dreadful fate awaiting them in the afterlife, and are prepared to go to any lengths to sustain a semblance of life in their bodies in order to remain earthbound.

他们非常了解在他们极端邪恶的生命之后会有多么可怕的命运等待着他们，他们也宁愿付出任意代价，只要能够披着生命的伪装，继续留在人间。

Having led extremely evil lives they know only too well the dreadful fate awaiting them in the afterlife, and are prepared to go to any lengths to sustain a semblance of life in their bodies in order to remain earthbound.

他们非常了解在他们极端邪恶的生命之后会有多么可怕的命运等待着他们，他们也宁愿付出任意代价，只要能够披着生命的伪装，继续留在人间。

Only too happy if she deigns some times to cast a pity in g look upon her slave, and to remember him in the hour of danger!

如果她能间或发发善心，对她的奴隶投来一丝怜悯的目光，在需要时记得他，那就是他莫大的幸福！

I know you have always detested him and are only too happy to see him get into trouble.

别假惺惺地为他的不幸难过了，我知道你一直讨厌他，看到

I know you have always detested him and are only too happy to see him get into trouble.

别假惺惺地为他的不幸难过了，我知道你一直讨厌他，看到他倒霉，心里高兴吧。

I know you have always detested him and are only too happy to see him get into trouble.

别假惺惺地为他的不幸难过了，我知道你一直讨厌他，看到他倒霉，心里可高。

I know you have always detested him and are only too happy to see him get into trouble.

别假惺惺地为他的不幸难过了，我知道你一直讨厌他，看到他倒霉，心里可高兴哩！

Detested him and are only too happy to see him get into trouble.

别假惺惺地为他的不幸难过了，我知道你一直讨厌他，看到他倒霉，心里可高兴哩！

Detested him and are only too happy to see him get into trouble .

别假惺惺地为他的不幸难过了，我知道你一直讨厌他，看到他倒楣，心里可高兴哩！

N detested him and are only too happy to see him get into trouble.

别假惺惺地为他的不幸难过了，我知道你一直讨厌他，看到他倒霉，心里可高兴哩！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。