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Fox won a competition with other networks to buy the idea from Mark Burnett, executive producer of "Survivor," perhaps because Liguori — not too modestly — said he was the only chief network television executive to answer all six questions from the show correctly.

而福克斯方面之所以能够在与其他电视网争夺该创意使用权的"激战"中最终胜出，或许正是因为利古奥里曾经说过的一句话，他声称自己是全美主要电视网的高管人员中惟一一个能够正确回答"幸存者"中所提六个问题的人。

Because of the limitation of ADAMS itself, ADAMS can only optimize linear parameters, and the optimization results are linear too.

由于ADAMS软件自身的限制，只能对线性参数进行优化，所得的优化结果也为线性参数值，更为重要的是，单一激励下的优化结果并不适用于其他激励。

The female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.

这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

The female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.In a word womens destiny in Water Margin is a miserable foregone!

这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

The Magic went just 8-of-23 on 3s and shot only 30 percent overall. They are facing some long odds, too.

魔术的三分只有23中8，命中率只有3成，他们所要面对的还不止这些。

I have problems with it but that is only if I don't speak clearly or have background noises like the radio or someone else talking too lout.

我已与它的问题，但只有当我不说清楚或有背景噪音，如收音机或别人说得太多糊涂人。

Although I say that, but hard to do it, one is have not that kind of the atmosphere in student's ages, another is seem to have already make it a rule to these life style, too lazy, just only think how to play how to make oneself comfortable.

我虽然这么说，可是却很难做到，一是没有了那种学生时代的氛围，二是好像已经习惯于这样的生活方式，太懒，只想着怎么玩怎么让自己舒服了。

This is something that happened ten years ago. I hadjust returned from Malaya; he too had only

是10年以前的事了，那时，我们从马来西亚回去，他也回去不久

Too. He thinks that Concept of Man principally emphasize the malleability of man in contemporary China. It is not only different from Confucian Concept of Man, Western Liberal Concept of Man and the Soviet Concept of Man, but also related to them.

他还发现，中国"当代"人之概念的重点在于人性的"可塑性"，与儒家、西方和苏联的"人"之概念既有区别又有联系。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。