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One thing that struck me was very much all the time, that's the day before yesterday, as usually Linyany and I walk at the way to the nearest square because we need to go to dancing, and at the same time we are along a stall, it's running puses, all of those are made of cowskin, the quality just ok and the price were right that I see,from ten yuan to twenty-eight, at that day we said we have to got one by use,But I pick one to one, I have no idea that what does one I should to take, I like the red one like that style, but all black and grey, red is better to me, at this time, stallmarster called one man and he came to him, i told he was worker near by our company from his workclothes, so it wasn't a lie, and then he taken the ten yuan from one puse said that the man,he said:" the money was keep back at the time when you picked," as you know it seems like is very piece of cake thing, but I thought three age can let people see the future of one people, bagatelle things can decided all the life.

前天晚上的一件事情，一直让我耿耿于怀，和平常一样我和林艳要去临近的广场跳舞，同时我们要路过一个卖皮包的摊位，它们都是牛皮做的，质量不错，价格也公道，在10到28元之间，那天我们说好得买一个来用，可挑来挑去，我不知道要买哪个，因为没有我要的红色，而都是黑色和灰色。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术；第二首是赋予了肖邦典型技术特征的指法；第三首与第六首是多声部织体的演奏；第四首是以其速度和音乐进行的尖锐性而独具难度；第五首是"黑键"练习曲；和声的创新手法在第七、第十以及第十一首里都有明显地体现；第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律；第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

The first one and the eleventh one are concentrate to the tensibility of finger,the second one are famous of it"s fingering techri-ique which is the typical fingering of Chopin,the third and six one are experience the layer of multi voice parts,the fourth one is difficult at it"s sharp-- pointed music proceeding and the fifth one are playing almost all black keys,humorousness is performance in the bass field in the eighth one,the ninth and the twelfth one are training stretching and running technique of left hand,harmonic innovate are visibly reflected at the seventh,the tenth and the eleventh one.

在分析其技术特征的同时，为了体现肖邦钢琴语汇的实用价值及练习的目的性，还采用对比比较分析的方法，有针对性地列举谱例，比较肖邦练习曲及其与肖邦其他钢琴作品典型技术课题的对应关系；还在演奏技术方面稍作探讨并在艺术性与美学方面略有探究，论述了肖邦练习曲的音乐个性和宝贵练习价值。

In the actual practice of insurance affairs,the provisions on regulating the contract of life insurance have emerged in the cause of insurance,generally including estoppel one, age misleading one, self-murder exoneration one, war exoneration one, grace period one, reinstatement one, nonforfeiture values one, policy loan one and policy negotiation one.

在长期的保险实践中，保险业界逐渐形成了一些规范人身保险合同的条款，常见的有不可抗辩条款、年龄误告条款、自杀免责条款、战争免责条款、宽限期条款、复效条款、不丧失价值条款、保单贷款条款、保单转让条款。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术；第二首是赋予了肖邦典型技术特征的指法；第三首与第六首是多声部织体的演奏；第四首是以其速度和音乐进行的尖锐性而独具难度；第五首是&黑键&练习曲；和声的创新手法在第七、第十以及第十一首里都有明显地体现；第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律；第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

I thought sometime alone was what we really needed you said this time would hurt more than it helps but I couldn't see that I thought it was the end of a beautiful story and so I left the one I loved at home to be alone and I tried to find out if this one thing is true that I'm nothing without you I know better now and I've had a change of heart I'd rather have bad times with you, than good times with someone else I'd rather be beside you in a storm, than safe and warm by myself I'd rather have hard times together, than to have it easy apart I'd rather have the one who holds my heart whoo-oo-oo-oo yeah And then I met someone and thought she could replace you we got a long just fine we wasted time because she was not you we had a lot of fun though we knew we were faking love was not impressed with our connection they were all lies, all lies so I'm here cause I found this one thing is true that I'm nothing without you I know better now and I've had a change of heart I'd rather have bad times with you, than good times with someone else I'd rather be beside you in a storm, than safe and warm by myself I'd rather have hard times together, than to have it easy apart I'd rather have the one who holds my heart who holds my heart I can't blame you if you turn away from me, like I've done you, I can only prove the things I say with time, please be mine, I'd rather have bad times with you, than good times with someone else I'd rather be beside you in a storm, than safe and warm by myself I'd rather have hard times to gether, than to have it easy apart I'd rather have the one who holds my heart I'd rather have bad times with you, than good times with someone else I'd rather be beside you in a storm, than safe and warm by myself I'd rather have hard times together, than to have it easy apart I'd rather have the one who holds my heart I'd rather have the one who holds my heart I'd rather have the one who holds my heart whoooo.....who holds my heart

开始单独我试图寻找如果这件事是真的我宁愿坏的时候与你一起，好的时候与别人一起我宁愿做你身边的一场风暴，比我自己更加安全和温暖我宁愿共度时艰，而不是把它就这么简单的结束我宁愿谁拥有我的心 whoo-oo-oo-oo yeah 然后我见到某人并认为她可以代替你我们还有相当长一段只是惩罚我们浪费时间，因为她不是你我们有很多的乐趣尽管我们知道我们是伪造爱情是不深刻的印象与我们联系他们都是谎言，所有的谎言所以我在这里事业，我发现这一件事是真的说什么我没有你我知道现在更好和我已经改变了主意我宁愿坏的时候与你一起，好的时候与别人一起我宁愿做你身边的一场风暴，比我自己更加安全和温暖我宁愿共度时艰，而不是把它简单清除我宁愿谁拥有我的心谁拥有我的心我可以不怪你，如果你又离开我，就像我做你，我只能证明我说的东西随着时间的推移，请地雷，我宁愿做你身边的风暴，比安全，温暖了我我宁愿有困难的时候，在一起在外不是很容易我宁愿谁拥有我的心我宁愿坏的时候与你一起，好的时光与别人一起我宁愿做你身边的风暴，比我自己更加安全和温暖我宁愿有共度难关，在外不是很容易我宁愿谁拥有我的心我宁愿谁拥有我的心我宁愿谁拥有我的心 whoooo。。。。。

To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her and because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, and to say to ourselves,"Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come and go, retire, speak, return, sing, and to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, and through one's obscurity, the star around which this angel gravitates,--few felicities equal this.

在你的身旁，经常有个和你相依为命的妇人、姑娘、姊妹、可爱的人儿，知道自己对她是决不可少的，而她对自己也是非有不可的，能经常在她和你相处时间的长短上去推测她的感情，并且能向自己说：&她既然把她的全部时间用在我身上，就足以说明我占有了她整个的心&；不能看见她的面目，但能了解她的思想；在与世隔绝的生活中，体会到一个人儿的忠实；感到衣裙的摇曳，如同小鸟振翅的声音；听她来往、进出、说话、歌唱，并且想到自己是这种足音、这些话、这支歌的中心；不时表示自己的愉快，觉得自己越残缺，便越强大；在那种黑暗中，并正因为那种黑暗，自己成了这安琪儿归宿的星球；人生的乐事很少能与此相比。

To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, to say to ourselves,"Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come go, retire, speak, return, sing, to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, through one's obscurity, the star around which this angel gravitates,--few felicities equal this.

在你的身旁，经常有个和你相依为命的妇人、姑娘、姊妹、可爱的人儿，知道自己对她是决不可少的，而她对自己也是8tt t 8。 com 非有不可的，能经常在她和你相处时间的长短上去推测她的感情，并且能向自己说：&她既然把她的全部8ttT8时间用在我身上，就足以说明我占有了她整个的心&；不能看见她的面目，但能了解她的思想；在与世隔绝的生活中，体会到一个人儿的忠实；感到衣裙的摇曳，如同小鸟振翅的声音；听她来往、进出、说话、歌唱，并且想到自己是这种足音、这些话、这支歌的中心；不时表示自己的愉快，觉得自己越残缺，便越强大；在那种黑暗中，并正因为8 Tt t 8。

The scroll paintings include'One Hun dred Tigers'(36000MM*700MM),'One Hundred Panders'(58000MM*700MM),'One Hundred Eagles'(12000MM*1500MM),'One Hundred Chickens'(12000MM*850MM),'One Hundred Horses'(26000MM*400MM),'One Hundred Donkeys'(26000MM*400MM),''One Hundred Sparrows'(12000MM*400MM),'One Hundred Shrimps'(8000MM*400MM),'One Hundred and Fifty-five Monarches

长卷有长36000MM*700MM的《百虎图》和长58000MM*700MM长的《百熊猫图》，长5M5000*3000MM的按中华人民共和国地图画的《百虎图》和长12000MM*1500MM《百鹰图》，长12000MM*850MM的《百鸡图》，长26000MM*400MM《百马图》，长26000MM*400MM的《百驴图》，长12000MM*400MM《百雀图》，长8000MM*400MM的《百虾图》，白描型的，长50000MM*400MM《一百五十五帝王图》，长500MM*520MM和4000MM*680MM的《十二金钗》，长8000MM*520MM《胡笳十八拍》，长9800MM*420MM和9800MM*220MM的《石头记》。

The scroll paintings include 'One Hundred Tigers'(36000MM*700MM),'One Hundred Panders'(58000MM*700MM),'One Hundred Eagles'(12000MM*1500MM),'One Hundred Chickens'(12000MM*850MM),'One Hundred Horses'(26000MM*400MM),'One Hundred Donkeys'(26000MM*400MM),''One Hundred Sparrows'(12000MM*400MM),'One Hundred Shrimps'(8000MM*400MM),'One Hundred and Fifty-five Monarches'(50000MM*400MM, line drawing),'Twelve Beauties Wear Golden Hairpin'(500MM*520MM and 4000MM*680MM),'Eighteen Songs of a Nomad Flute'(8000MM*520MM),'The Story of the Stone'(9800MM*420MM and 9800MM*220MM),'One Hundred Buddhas','Ascending the River at Qingming Festival','Five hundreds Arhats','Shaolin Dharma Eighteen Palms','Eighty-seven Immortals','Shaolin Tongzi Kung Fu', four scroll of 'The Four Literature Masterpiece','The West Chamber','The Eight Fairies','Twelve Beauties in Red Mansions','The history of Han palace','Eighty Scholars','the justice victory', etc.

长卷有长36000MM*700MM的《百虎图》和长58000MM*700MM长的《百熊猫图》，长5M5000*3000MM的按中华人民共和国地图画的《百虎图》和长12000MM*1500MM《百鹰图》，长12000MM*850MM的《百鸡图》，长26000MM*400MM《百马图》，长26000MM*400MM的《百驴图》，长12000MM*400MM《百雀图》，长8000MM*400MM的《百虾图》，白描型的，长50000MM*400MM《一百五十五帝王图》，长500MM*520MM和4000MM*680MM的《十二金钗》，长8000MM*520MM《胡笳十八拍》，长9800MM*420MM和9800MM*220MM的《石头记》。《百佛图》。《清明上河图》，《五百罗汉》。《少林达魔十八手》。《八十七神仙图》。《少林童子功》。《四大名著》四样。《西厢记》。《八仙过海》。《红楼十二钗》。《红楼十二美》。《汉宫春秋》。《十八学士》。《正义胜利》等。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。